Zombies on Broadway

Brown and Carney were not too bad. They were better than some of the comments make them out to be. They couldn't touch Abbott and Costello, but I have seen far worse from more famous duos. I would have liked to have seen them with better writers. Just a note that Brown and Carney were reunited briefly in the 1961 film "the Absent Minded Professor". This is an OK comedy for those who like old fashioned comedy like I do. The thing that disappoints is that the title itself gives rise to images of zombies invading a Busby Berkley type musical or an army of zombies pursuing fleeing New Yorkers through the theater district. I was imagining the scene from Golddiggers of 1933 with Ginger Rogers singing "We're in the money" being invaded not by the cops but by zombies. Sadly, we get none of that. If you can get past the title then you will find an amusing little film. I would like to see George Romero remake it.

Paramont had Bing Crosby and Bob Hope; Universal had Abbott and Costello. RKO responded with Alan Carney and Wally Brown--and although they never challenged Crosby and Hope or Abbott and Costello, they were popular enough to justify a dozen or so "B" pictures during the mid-1940s. The best of these is ZOMBIES ON Broadway, a weird little parody similar to Crosby and Hope's ghost-busting flicks and Abbott and Costello's meetings with every classic monster from Dracula to the Werewolf.

What makes ZOMBIES ON Broadway fun is the absolute absurdity of its plot. Carney and Brown are publicity agents hired by gangster Sheldon Leonard to promote a nightclub called "The Zombie Hut"--and much against their will find themselves sent to the island of San Sebastiane with instructions to bring back a real Zombie for the club's opening. Once on the island, they encounter none other than Bela Lugosi, who can still do that voodoo that he did so well in such 1930s classics as WHITE ZOMBIE. This isn't a classic by any stretch of the imagination, and it certainly won't make any critic's short list--but it is just strange and weird enough to hold your attention through its fairly short running time. The entire cast plays very broadly, and the script is about as subtle as a wrecking ball, but its all in good fun. Recommended as ultra-light entertainment.

Gary F. Taylor, aka GFT, Amazon Reviewer

Somewhat tepid but occasionally funny as Brown and Carney do their best to be RKO's Abbott & Costello. They play press agents for a nightclub who promise a "real live zombie", which their mobster boss insists they produce. This leads them to San Sebastian, Bela Lugosi, and the guy who was the zombie in "I Walked with a Zombie" and other films. Many scenes are played very straight -- of course, with bad jokes and puns thrown in. Lugosi, in particularly, is asked to play everything straight as a scientist after the secret of zombie making.

Uninspired, but Anne Jeffries does look great.

Advertising that the opening act of the "Zombie Hut" nightclub will be a real live honest to goodness Zombie the two press agents Mike & Jerry, Alan Carney & Wally Brown,come up empty by trying to pawn off a punch drunk boxer, with what looks like a face packed with talcum powder, as a walking dead man. This has them both put on the sh*t list of the gangster owner of the nightclub Ace Miller, Sheldon Leonard.

Needing a Zombie in order to save their necks Mike & Jerry bust their way into a closed midtown museum, thinking that theirs Zombie's in it, and despite the half-hearted objections of the museum janitor Worthington (Nick Stewart),who never thought of calling the police, the two buffoon's end up with the nutty curator Prof. Hopkins, Ian Wolf. Prof. Hopkis tells them that the only person who can get them a true live, or dead, Zombie is the mysterious Dr. Paul Renault (Bela Lugosi), if he's still alive, who was last known to be residing on the small Carribriean island of San Sabastian.

Put on a banana boat by Ace and the boys Jerry & Mike are told that if they don't come back with a Zombie they can forget to come back at all. The two stumble bums end up not only getting involved with Dr. Renault Zombie experiments but end up becoming part of them.

Getting in touch with San Sabastian nightclub singer and dancer gorgeous Jean LaDance (Ann Jeffareys), who's dying to get off the island, the trio end up in the middle of a full-moon Zombie ceremony by the local natives. Escaping from the mob of angry native warriors Mike Jerry & Jean end up getting captured by Dr. Renault and his seven foot tall Zombie assistant Kolaga,Darby Jones, with Mike getting Zombified as a victim of Dr. Renault's Zombie experiments.

Finally getting away from both Dr. Renault and the angry Zombie-worshiping natives the three Mike Jerry & Jean together with a cute little monkey, who took a shine to Mike back at San Sabastian, get on a ship as they sail back to New York City. Getting to the Big Apple just in time for the "Zombie Hut's" opening night's feature Zombie performance With Mike, his eyes bugged out and in a state of suspended animation. As the long sought Zombie is about to make his grand entrance the serum that Dr.Renault injected him with starts to wear off. Unlike the people in the movie it's the monkey who ends up not only saving the show but the necks of Mike and Jerry from getting broken by Ace's thugs.

So-so comedy/horror flick with Bela Lugosi in a very small, despite his top billing in the movie,role as Dr. Renault with the monkey getting all the laughs as well as best lines in the movie.

It's very obvious when you watch this film that RKO was trying to rip off the Abbott and Costello formula. This was due to the incredible success of Abbott and Costello and because RKO's BEST comedy team at the time was the Ritz Brothers--who were about as funny as listening to dial tone on a telephone. While the two leads (Wally Brown and Alan Carney) are NOT all that reminiscent of Bud and Lou in acting and talent, the writing is often dead on the mark (a bad pun, I know). Many times during the movie, I found myself remembering very, very similar dialog and situations in several Abbott and Costello films. And, of all those films, I think this one is closest in style (but certainly not in quality) to ABBOTT AND COSTELLO MEET FRANKENSTEIN.

The duo is assisted in their attempt to overcome mediocrity by teaming them with Bela Lugosi as a mad scientist (I know this role must have really been a major stretch for Bela's talents). While Lugosi is fun in the film, he really doesn't have all that much to do--a bit of a waste of his talents. Also, Anne Jeffreys is the female lead in the film. Oddly, BOTH Jeffreys AND Lugosi were re-teamed just a year later with Brown and Carney in GENIUS AT WORK--you'd have thought that given the very limited success of THIS film they would have tried something different.

So did the attempt to copy the originals succeed? Well, yes and no. Yes, because the film was a diverting and mildly entertaining film--just like a real Abbott and Costello movie. But, a resounding NO because the duo did very few films together and now in the 21st century they are all but forgotten--just an odd little footnote in history. I guess this just goes to show you that "there ain't nothing like the real thing, baby".