VALUTAZIONE IMDb
6,8/10
2619
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter being murdered by gangsters, an exuberant nightclub entertainer returns as a ghost to persuade his meek twin brother to help bring his killers to justice.After being murdered by gangsters, an exuberant nightclub entertainer returns as a ghost to persuade his meek twin brother to help bring his killers to justice.After being murdered by gangsters, an exuberant nightclub entertainer returns as a ghost to persuade his meek twin brother to help bring his killers to justice.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 3 vittorie e 4 candidature totali
Edward Gargan
- Policeman in Park
- (as Ed Gargan)
The Goldwyn Girls
- The Goldwyn Girls
- (as The Goldwyn Girls)
Eddie Acuff
- Pelican Club Doorman
- (non citato nei titoli originali)
Recensioni in evidenza
This has always been my favourite Danny Kaye movie, it sustains the humour and story up to the end pretty well. All of his films are a roller-coaster for me: helpless tearful laughter one second, grim pained winces next, and WM is no exception to this rule, even though I love it. Perhaps he only needed a little more ... discipline in his comedy routines, to know when to stop, maybe at the 3rd joke stopped sneeze in a row etc. Sylvia Fine could have been a bigger help in this regard of course. On the other hand maybe we should be grateful for what we've got, and anyway in the end who'd really have wanted him any other way?
It may seem a little rough for the charismatic Buzzy Bellew to get murdered and come back as a ghost seeking proxy justice through the intermediary of his mono-zygotic twin brother Edwin Dingle, both comically played by Kaye. But this was just after the War and people generally weren't too sensitive at that point and didn't normally morbidly dwell on Sam Goldwyn's Technicolor fantasies. And that's basically all there is to it, a fine cast make the most of a good script. The special effects are OK but Time has wreaked its usual havoc on the actual film itself, and technology has also ruined us in the intervening years.
Favorite bits: Kaye repeatedly asking Cuddles in the delicatessen for a pint of Prospect Park; Kaye pretending he was in a pet shop (not a theatre) over the phone to Virginia Mayo; the sudden change into an operatic tenor; hearing Richard Lane's voice scything through everything. Bad bits: the Goldwyn Girls' one scene - no wonder Mayo stood out! The gaps in the mortals' conversation for the ghost to speak his lines was also too apparent - but hey, I said that I love this film!
It may seem a little rough for the charismatic Buzzy Bellew to get murdered and come back as a ghost seeking proxy justice through the intermediary of his mono-zygotic twin brother Edwin Dingle, both comically played by Kaye. But this was just after the War and people generally weren't too sensitive at that point and didn't normally morbidly dwell on Sam Goldwyn's Technicolor fantasies. And that's basically all there is to it, a fine cast make the most of a good script. The special effects are OK but Time has wreaked its usual havoc on the actual film itself, and technology has also ruined us in the intervening years.
Favorite bits: Kaye repeatedly asking Cuddles in the delicatessen for a pint of Prospect Park; Kaye pretending he was in a pet shop (not a theatre) over the phone to Virginia Mayo; the sudden change into an operatic tenor; hearing Richard Lane's voice scything through everything. Bad bits: the Goldwyn Girls' one scene - no wonder Mayo stood out! The gaps in the mortals' conversation for the ghost to speak his lines was also too apparent - but hey, I said that I love this film!
Danny Kaye plays night club entertainer Buzzy Bellew who gets killed and appears as a ghost to his bookworm brother Edwin Dingle (also Danny Kaye).And that means lots of laughs when everybody thinks Edwin is Buzzy.Danny Kaye (1913-1987) was a brilliant comedian.In Wonder Man (1945) he shows us all how good he really was.This movie is filled with scenes that make you crack up.Like the opera scene in the end.I just couldn't stop laughing. And let's not forget the lovely ladies Vera-Ellen and Virginia Mayo.Everything just works in this movie.Watch this flick and laugh your lungs out!
A fanciful, light-hearted comedy with cheerful dance numbers and jolly jokes. This means that the movie was pretty much the polar opposite to what had been happening in the real world for the last ten years or so.
The visual and special effects were superb for their time - they're still quite successful - but this was about the only aspect in which the movie was innovative and progressive. The general subject matter (twins and twin-related confusion) is as classic as can be, going back all the way to Antiquity. Moreover, the movie's denouement rests on one of the great staples of comedy and farce, to wit a royally messed-up opera performance. (Still, the person who wrote the lines "Choo-Choo.. Laverne... is.. is.. is... Minnie Smith !" deserved a pay rise the size of China.)
Well worth a watch, although the colours may seem somewhat harsh and gaudy to the modern eye.
The visual and special effects were superb for their time - they're still quite successful - but this was about the only aspect in which the movie was innovative and progressive. The general subject matter (twins and twin-related confusion) is as classic as can be, going back all the way to Antiquity. Moreover, the movie's denouement rests on one of the great staples of comedy and farce, to wit a royally messed-up opera performance. (Still, the person who wrote the lines "Choo-Choo.. Laverne... is.. is.. is... Minnie Smith !" deserved a pay rise the size of China.)
Well worth a watch, although the colours may seem somewhat harsh and gaudy to the modern eye.
I have always loved and admired Danny Kaye.
Although I agree his brand of zany comedy will not be everybody's cup of tea, his films (especially his early ones like this one) never fail in creasing me up.
He not only had singing and dancing ability on par with the greats, he had a distinct flair for comedy and performed it expertly not only through his lines and comic timing, but with his body and facial expressions, not to mention his rapid fire double talk and tongue twisters. A truly talented man.
Wonderman made in 1945 shows Kaye at his best in what was possibly his second or third movie appearance. In these transformation days from stage entertainer to movie star, he was able to bring his old acts from the circuits and transfer them to screen with ease, for a new and appreciative audience. Indeed one of the two characters Kaye plays in the film is a nightclub entertainer by the name of Buzzy Bellew not too far removed from the real Kaye himself.
The other character Kaye plays is Bellew's egg-head brother, straight as a die and sensible to the core, thus giving Kaye ample chance to show off both sides to his versatile talents.
When Bellew is murdered by the mob for knowing a trifle more than was good for him, he returns in ghost form to rope in his gawky identical twin brother, to take his place and bring the mobster to account.
The comedy is so funny at times that you fail to realize the real tragedy of the situation, a young man with a beautiful fiancé and successful life in front of him, has been murdered and dumped rather disrespectfully in the river in Prospect Park.
But hey....Bellew seems to be so cool and glib about the whole thing, that if he doesn't care too much about it I'm damned if I will.
Great musical numbers and (for it's day) state of the art special effects compliment the great comic turns delivered by Kaye.
Two funny lines to watch out for are:- "does the acoustic nerve run down that far?" and the powerfully sung, "Frankie SINATRA" in the final opera scene. Not funny written here but put in their correct places in the film they will have you bursting with laughter.
A simple formula, but a great movie that really works.
Although I agree his brand of zany comedy will not be everybody's cup of tea, his films (especially his early ones like this one) never fail in creasing me up.
He not only had singing and dancing ability on par with the greats, he had a distinct flair for comedy and performed it expertly not only through his lines and comic timing, but with his body and facial expressions, not to mention his rapid fire double talk and tongue twisters. A truly talented man.
Wonderman made in 1945 shows Kaye at his best in what was possibly his second or third movie appearance. In these transformation days from stage entertainer to movie star, he was able to bring his old acts from the circuits and transfer them to screen with ease, for a new and appreciative audience. Indeed one of the two characters Kaye plays in the film is a nightclub entertainer by the name of Buzzy Bellew not too far removed from the real Kaye himself.
The other character Kaye plays is Bellew's egg-head brother, straight as a die and sensible to the core, thus giving Kaye ample chance to show off both sides to his versatile talents.
When Bellew is murdered by the mob for knowing a trifle more than was good for him, he returns in ghost form to rope in his gawky identical twin brother, to take his place and bring the mobster to account.
The comedy is so funny at times that you fail to realize the real tragedy of the situation, a young man with a beautiful fiancé and successful life in front of him, has been murdered and dumped rather disrespectfully in the river in Prospect Park.
But hey....Bellew seems to be so cool and glib about the whole thing, that if he doesn't care too much about it I'm damned if I will.
Great musical numbers and (for it's day) state of the art special effects compliment the great comic turns delivered by Kaye.
Two funny lines to watch out for are:- "does the acoustic nerve run down that far?" and the powerfully sung, "Frankie SINATRA" in the final opera scene. Not funny written here but put in their correct places in the film they will have you bursting with laughter.
A simple formula, but a great movie that really works.
Wonder Man is the first film I've seen with Danny Kaye, and I enjoyed it. The humor is light, inoffensive, and Danny Kaye does it well. Besides Kaye, there were a few notable funny characters, such as the deli shop owner and the drunk at the bar. Well worth watching if you're in the mood for a happy and funny film.
Lo sapevi?
- QuizFilm debut of Vera-Ellen.
- BlooperAt the Pelican Club, Charlie mixes a Bromo for a weary customer. Transferring it to a second glass, it froths down the side onto the bar, but as the shot changes and he moves away, the bartop is dry.
- Citazioni
Edwin: I don't want to go to Brooklyn. You can't make me. I don't *want* to go to Brooklyn.
Bus Driver: None of us want to, bud, but we all gotta go sooner or later.
- Curiosità sui creditiClosing credits: This Is Overseas Program no. 913 TO FAMILIES AND FRIENDS OF SERVICEMEN AND WOMEN: Pictures exhibited in this theatre are given to the armed forces for showing in combat areas around the world. WAR ACTIVITIES COMMITTEE MOTION PICTURE INDUSTRY
- ConnessioniFeatured in Playboys - Donnaioli (1992)
- Colonne sonoreBali Boogie
(1945)
Music and Lyrics by Sylvia Fine
Performed by Danny Kaye (uncredited) and Vera-Ellen (uncredited) (dubbed by June Hutton (uncredited))
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- How long is Wonder Man?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 38 minuti
- Proporzioni
- 1.37 : 1
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By what name was L'uomo meraviglia (1945) officially released in India in English?
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