Woman Who Came Back

After a two-year absence Lorna Webster (Nancy Kelly) is returning to her hometown. Beside her on the bus is a crone looking woman, Jezebel Trister (Elspeth Dudgeon,) who is also traveling to the town to get revenge on the descendent of the Webster that burned her as a witch 300 years ago. The bus veers off the road in crashes into the lake. Only Lorna survives and the body of the old lady is not found.

Was there an old lady? Or was it an imaginary figment? This and other strange coincidences are convincing Lorna that she is being possessed with whtchyness and the town is going along with her.?

Will she and her little dog too, dispatch the town's people one by one or will they have the courage to do unto her first?

As a psychological thriller, some may want to compare this film to Val Lewton. I think more in the line of La donna lupo a Londra (1946) with June Lockhart.

THE WOMAN WHO CAME BACK stars Nancy Kelly (THE BAD SEED) as Lorna Webster, direct descendent of the 17th Century magistrate responsible for "sending eighteen women to their fiery deaths," in the infamous Massachusetts town of Eben Rock. Coming back by bus, Lorna shares her seat with a black-veiled hag (THE OLD DARK HOUSE's Elspeth Dudgeon) who claims to be Jezebel Trister, Judge Elijah Webster's most famous victim. When the bus plunges into Shadow Lake, Lorna is the sole survivor - with the body of the strange woman nowhere to be found. So begins a series of strange encounters that threaten to plunge modern Eben Rock back into the dark ages.

THE WOMAN WHO CAME BACK is a neat little Lewtonian drama about Old Country superstitions festering in the New World. Eben Rock is a town unable to rest comfortably on its own foundations (the Webster family tree hangs heavy with the kind of scoundrels that found nations), making less a story about the supernatural than of how superstition drives the sensitive and marginal away from reason and true faith (embodied here by the friendship between John Loder's town doctor and Otto Kruger's sage minister).

Although THE WOMAN WHO CAME BACK seems influenced by the psychological horror films being produced by Val Lewton at RKO around the same time, the film also anticipates a key bit of business in the later CARNIVAL OF SOULS (the survivor of an aquatic auto accident later coming to doubt her sanity). Highly recommended.

Nancy Kelly stars as Lorna Webster, an attractive woman who returns to her home town of Eben Rock, Massachusetts. She is riding on a bus when an old cackling woman boards it, the vehicle crashes over a cliff (cheap effect) and into a lake, Lorna is the sole survivor. She is a descendant of a 17th Century witch finder and believes that she has become possessed by the spirit of a witch, burnt at the stake 300 years ago. This old supernatural horror movie was produced by poverty row studio Republic Pictures but do not be put off by this, I found it to be a reasonably enjoyable 68 minutes. It starts off at Halloween, we see children dressed up in delightful costumes. The movie does pack in several spooky scenes, my favourite being a very atmospheric night time thunderstorm. There are some day for night shots but hey, Hammer were infamous for doing this. The acting quality is generally good although I was not very impressed with Lorna's fiance (Jon Loder). Several reviewers deride the ending, it did perhaps feel a little rushed however I was satisfied with it. I have been watching horror movies for some 45 years now, until very recently I had not come across this one so I'd like to thank Talking Pictures TV for screening it, I would certainly watch it again in the future.

The Woman Who Came Back is one of the many low budget horror movies made in the 1940's. Of the ones I've seen, this is one of the best.

After surviving a bus crash, a young woman comes back to her home town of Eben Rock and thinks she is a 300 year old witch and blames herself for a series of strange happenings in the town which include the bus crash and making a little girl become ill.

This movie is rather creepy at times and includes a thunderstorm and some good photography.

The cast includes Nancy Kelly (Tarzan's Desert Mystery, Bad Seed) as the "Witch", Otto Kruger (The Colossus of New York) and John Loder (Now, Voyager).

The Woman Who Came Back is a must for old horror fans. See it if you get the chance.

Rating: 3 and a half stars out of 5.

The Woman Who Came Back is a largely unknown little forties horror film; but it's a rather good one also. The film focuses on witchcraft, and in particular the idea of a witch coming back to avenge her death. This idea would of course go on to be used in many, many films after 1945; but this is one of the earlier examples. The Woman Who Came Back is an eerie horror film that mostly relies on its atmosphere and inventiveness in order to deliver the chills, and this works quite effectively. The plot focuses on a young woman named Lorna Webster who catches a bus back home to Eben Rock. She finds herself sitting next to a cackling old woman, and before she knows it; the bus has been involved in an accident and Lorna is the only survivor. She then goes back to her old house and is reacquainted with her old lover; but she's haunted by the old woman on the bus who told Lorna of an old town legend regarding a witch that swore vengeance on her executioner. One thing leads to another, and Lorna comes to believe she is the reincarnation of that witch...

The film is very short at just sixty eight minutes, but this time is used very well and the film doesn't feel rushed or underdone for most of the duration. The plot flows very well too and director Walter Colmes keeps his audience interested by constantly feeding us with new ideas and pieces of information. There isn't a great deal of films about witchcraft (compared to other subgenres) and that's a shame really because it certainly is very interesting. This film manages to get most of things that most people would associate with witchcraft into it; including spells and the witch's familiar, which helps to make the proceedings more interesting. The performances are all very strong; with Nancy Kelly giving a particularly convincing performance in the central role. It's the atmosphere that is the real star, however, and a sequence midway through with a storm is a real standout. The film is good for about the first hour but unfortunately it's let down more than just a little bit by the ending; which does wrap things up a bit too quickly. However, this is still a very good little film and one that I'm sure will please most people with a mind to see it.