Woman Who Came Back

Extremely atmospheric at times... eerie, dark and suspenseful. I loved all the film minus the ending. Eerie Halloween costumes, creepy dolls, a very protective - almost evil - German Shepard, strange happenings in the town of Eden Rock, Massachusetts, dead roses, a scary old lady, a witch in town - yea this film has everything needed for a great horror film if they would have kept it that way in the ending.

I really liked Rev. Jim Stevens he's a really good character and his church sermon was scene was great - if you have seen this film you know the scene I'm speaking of - really outstanding.

The dead roses scene at the beginning of the film would have been good IF John Loder, who plays Dr. Matt Adams, would have acted shocked about the fresh roses being dead when he gave them to Nancy Kelly (who plays Lorna Webster). He almost ruined that scene with his wooden performance - at least Nancy Kelly continued with grace.

I would have rated this film 9/10 if it wasn't for the ending - the film is great but I was disappointed with the ending.

7/10

THE WOMAN WHO CAME BACK stars Nancy Kelly (THE BAD SEED) as Lorna Webster, direct descendent of the 17th Century magistrate responsible for "sending eighteen women to their fiery deaths," in the infamous Massachusetts town of Eben Rock. Coming back by bus, Lorna shares her seat with a black-veiled hag (THE OLD DARK HOUSE's Elspeth Dudgeon) who claims to be Jezebel Trister, Judge Elijah Webster's most famous victim. When the bus plunges into Shadow Lake, Lorna is the sole survivor - with the body of the strange woman nowhere to be found. So begins a series of strange encounters that threaten to plunge modern Eben Rock back into the dark ages.

THE WOMAN WHO CAME BACK is a neat little Lewtonian drama about Old Country superstitions festering in the New World. Eben Rock is a town unable to rest comfortably on its own foundations (the Webster family tree hangs heavy with the kind of scoundrels that found nations), making less a story about the supernatural than of how superstition drives the sensitive and marginal away from reason and true faith (embodied here by the friendship between John Loder's town doctor and Otto Kruger's sage minister).

Although THE WOMAN WHO CAME BACK seems influenced by the psychological horror films being produced by Val Lewton at RKO around the same time, the film also anticipates a key bit of business in the later CARNIVAL OF SOULS (the survivor of an aquatic auto accident later coming to doubt her sanity). Highly recommended.

THE WOMAN WHO CAME BACK is a 1940s-era spook fest with much in line with the Val Lewton horrors of the era. It's a low-key, atmospheric production about a woman who arrives at a small town in Massachusetts and is the only survivor of a bus crash (shades of UNBREAKABLE). Once she settles down in the town, the superstitious locals begin to suspect that she's possessed by the spirit of a vengeful witch.

It's fair to say that not much really happens in this movie, and nor does it need to. THE WOMAN WHO CAME BACK is a short, thinly-plotted story that's more about building a sense of mood and place than anything else. It's quite expressionistic in style, with lots of shadowy scenes and spooky, half-explained moments. The cast are certainly adroit and the only thing that really lets it down is the ending, but until that point? Lewton himself would be proud.

Nancy Kelly (Lorna) returns to her small town after a 2 year absence. She is on the bus into town when cackling hag Elspeth Dudgeon (Jezebel) gets on and sits next to her. This old lady seems to know Nancy and claims to be 300 years old. The next thing that happens is the bus crashes into a lake and there are no survivors. Except Nancy. What is eerier is that there is no body of the old woman, she has just disappeared and no-one believes Nancy that she even ever existed. Well, she did exist. And Nancy seems to now possess some kind of evil spirit and be in tune with the darker forces of nature. There is a reason as foretold by a curse that tells of the revenge of an innocent woman burnt at the stake after being accused of a witch - she will return after a 300 year period and take over the body of a young woman to exact revenge. Uh-oh, guess who Nancy has just had an encounter with…..

This film has great potential and a good beginning but just sort of meanders until a real let-down of an ending that doesn't make sense. Shame. And why is John Loder (Matt) topping the bill in this film? It's Nancy Kelly's film – she's even in the goddam title, folks! There are some nice touches and spooky sequences but the film lacks that "kerpow!" factor, especially with the let-down of an ending. Could have been a strong, spooky witch film. As it is, it's OK as something different to watch.

Lorna Webster (Nancy Kelly) is a young woman returning by bus to her home town of Eben Rock. Just outside of town, the driver swerves to avoid hitting an old woman and her dog. The woman boards the bus and sits next to Lorna, claiming she is a 300 year old witch and knows the Webster family history. Lorna, who has descended from a judge notorious for burning innocent women at the cross hundreds of years ago, understandably freaks out. The bus goes over a cliff and Lorna is the only survivor. She goes back to the empty house she inherited, and gets back in touch with the lover she walked out on two years ago. The townspeople don't take well to Lorna's presence, as she is a woman who both left and returned under mysterious circumstances. Strange things start to happen to around her, and Lorna convinces herself that she has been possessed by the spirit of the woman who sat next to her on the bus. Before long, others in town start to believe she is a witch and mass hysteria ensues.

I had never heard of this movie until I watched "The Bad Seed" last month. I was impressed with Kelly's performance as the tortured mother of the fiendish child. I decided to check to see if she did any other work in the genre and stumbled across this interesting film. Her performance is just as strong and believable as the confused and tormented Lorna Webster.

The film is rather eerie and beautifully filmed. There are creepy scenes with excellent lighting and shadow play, where Lorna is alone in her family's dark mansion, thinking about her ancestors' history, haunted by nighttime sounds and shadows. The dog that belonged to the woman on the bus seems to follow her wherever she goes and has a very ominous presence. Is Lorna going crazy, or is she really possessed by a witch? While the movie tries to straddle this line between psychological and supernatural, and is effective part of the time, it works best as a statement about mass panic and judgment. The townsfolk know that Lorna is descendant from a judge who condemned innocent women as witches, yet are quickly thrust into the 17th century themselves as soon as Lorna shows that she's a little off-kilter. The movie works on another level, as Lorna is a small-town woman in the 40s who asserts her independence by leaving her home and her lover without explanation. She is secretly reviled by everyone upon her return for these reasons, as well as being the only survivor of the bus accident, which is probably why they are so quick to jump to conclusions about her presence.

The film is rather short and the ending is sort of a groaner that in that it is wrapped up too easily and makes some of the earlier scenes seem questionable. But overall, this is a good, eerie film with a strong lead performance.