Aggiungi una trama nella tua linguaThe theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.The theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.The theater in which this film is set was called The Windmill and performers there refused to be deterred by the blitz that was leveling much of London at the time.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 2 vittorie e 2 candidature totali
- Specialty
- (scene tagliate)
- Dancer
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- W.A.C. Woman
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- News Vendor
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- Cabbie
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Recensioni in evidenza
This musical is mostly about watching Rita Hayworth doing her dancing. Of course, she's a great dancer although she is dubbed for her singing. That's perfectly fine. The romance starts well, flutters for awhile, and ends on an important note. It is melodramatic at times, but that's the movie. The war is ending soon and this is bittersweet recall of recent events.
Though the musical score is serviceable and the dancing at times inspired, it is the relationships between the principle characters of a small London Musical Theatre Revue led by star performer Rosalind Bruce (Rita Hayworth), set against the raging London blitz of WWII, that propels this film. The WWII/London/Theatre setting really shapes the mood and atmosphere of the story, giving a 'real world' urgency and poignancy to the film that most "behind the scenes/let's put on a show" musicals of the period lack. The characters each experience the triumph and tragedy and sacrifice of the blitz, all the while trying to stay together and put on their show night after night.
Rita looks ravishing in Technicolor, and gives a performance that is confident and skilled. And, of course, her dancing is in top form. Her wild samba number "You Excite Me" cements her position as one of the Silver Screen's finest dancers. She receives fine support from Marc Platt (who's dance solo at the beginning of the film set to flipping radio stations is stellar) and Janet Blair (watch her and Rita chew up the scenery with their musical number "The Boy I Left Behind") as her best friends and fellow performers. Lee Bowman as her Air Squadron Leader love interest, Florence Bates as the grand dame of the Music Box Theatre where the story unfolds (the small theatre almost another character unto itself), and Leslie Brooks in her small role as a man hungry performer with a heart of gold, round out this excellent cast.
A treat for Rita Hayworth fans and new fans alike.
This isn't the best film ever made, but certainly not the worst as some have made it out to be. It's simply a light musical mixed with drama.
To see another take on this story be sure to see "Mrs. Henderson Presents" with Dame Judy Dench and Bob Hoskins. It's a fantastic film that really presents the way it was "back then." I know, because I was around then and this film brought back some good and some bad memories.
DLMc
What a gorgeous woman and dancer Rita was, and what charisma! She sparkles on the screen and is stunningly beautiful in this Technicolor film. She looks like her magazine covers - perfect. Lee Bowman is her leading man, Janet Blair plays her best friend, and Marc Platt, a Broadway dancer who is an absolute dynamo, plays a fellow performer.
There really isn't much to this script, except that there's a somewhat unexpected plot twist and the ending isn't as expected. We're looking in one direction while the script goes in another. There are some nifty production numbers and some pretty songs - better, I think, than those found in another Hayworth vehicle, Down to Earth.
Rita's voice is always dubbed, but I wonder if she could sing or could have sung with some training. Guess we'll never know.
Seeing Rita is always worth it.
Lo sapevi?
- QuizRita Hayworth was pregnant during production. As a result, the musical numbers were filmed first, before the pregnancy began to show. As filming progressed, great care was taken to hide her growing belly with muffs, furniture and purses.
- BlooperWhen Rita is putting on the silver dress, the part in her hair jumps from the side to the middle and back again.
- Citazioni
Squadron Leader Paul Lundy: [in a bomb shelter] Scared?
Rosalind Bruce: Naturally.
Squadron Leader Paul Lundy: So am I.
Rosalind Bruce: Well, that's not very comforting. That's like having a lifeguard say he's afraid of the water.
Squadron Leader Paul Lundy: Oh, I don't mean this. I mean you. You did a little bombing tonight yourself, you know. That dance you did...
[imitates whistling of falling bomb]
Squadron Leader Paul Lundy: In fact, you bombed from a very low altitude. It's not only unfair, it's practically illegal.
Rosalind Bruce: Well, I'm sorry.
Squadron Leader Paul Lundy: You should be.
Rosalind Bruce: I hope I didn't hit anything vital.
Squadron Leader Paul Lundy: You knocked out my whole communicating system, if that's any concern to you.
- ConnessioniFeatured in Christmas on Division Street (1991)
- Colonne sonoreTonight and Every Night
Music by Jule Styne
Lyrics by Sammy Cahn
Sung by Rita Hayworth (dubbed by Martha Mears) in film's finale
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Tonight and Every Night
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.37 : 1