Pillow to Post

Ida Lupino stars as a saleslady working for her father's company. As it was during WWII, women were assuming many jobs held by men and Ida does this to help out with the war effort. However, she turns out to be pretty bad at sales and by the time she gets to one remote location, she's desperate. But things only get worse, as there is a military base nearby and so there are no spare hotel rooms. On a lark, she checks into a motel designated for spouses of servicemen. However, she's single and lies to get the room--and unless she wants to get tossed out, she'll have to find some guy to pose as her husband. The unsuspecting shmoe is a young lieutenant (William Prince)--whose nice gesture completely blows up in his face. And now, they are stuck together--otherwise the Lieutenant will be in serious trouble with his Colonel. Can all this be straightened out and Lupino and Prince avoid serious consequences?

This is a nice screwy comedy that was pretty timely--as there was a severe housing shorting during the war. In many ways, the theme is reminiscent of the wonderful comedy "The More the Merrier"--though this latter film is much more of a classic. "Pillow to Post", on the other hand, is rather slight...enjoyable but slight.

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Sweet, silly little trifle is merely an excuse to see Ida Lupino get a chance to put the heavy dramatics aside briefly as a career girl who becomes more pixelated as the complications pile up.

The story addresses the wartime housing shortage and some of the subterfuge that had to be resorted to just to have a decent place to rest your head at times. Of course misunderstandings abound.

Ida is charming and adept at comedy, William Prince is fine but it's a shame that since she rarely did comedy she didn't have a chance to costar with one of the master of the form like Cary Grant or Clark Gable. Sydney Greenstreet is funny as Prince's commanding officer as always relishing a chance to also break from the villain role and play comedy.

All together a cute little ride with nothing important to say but a nice little picture nonetheless.

Mildly amusing wartime programmer about housing shortage for service couples. Jean (Lupino) finagles an army officer (Prince) to pose as her husband so she can get restricted housing in a motel court. Naturally, "who sleeps where" type complications ensue as they work to keep up appearances. The pace picks up as the difficulties mount, ending finally in madcap farce.

The cast tries hard to make familiar material for the time work. Still, seams do show, especially with Lupino's sometimes over-eager performance. Clearly, she's anxious to show she's as good at comedy as she is at dramatics. Then too, when movie buffs think Greenstreet, comedy doesn't come to mind. But here he plays an unlikely over-weight colonel to pretty good effect. (Note how the script deals with this fudging of army fitness standards.)

The colorful mix of supporting characters includes a mischievous little Robert Blake, a busybody Ruth Donnelly, a bug-eyed Willy Best, and an addled Stuart Erwin. Together, they manage to keep the chuckles coming. The movie, however, doesn't rise to the first rank, perhaps because the elements don't blend into a seamless whole—you can almost see the characters and situations being assembled. Nonetheless, it's a generally entertaining glimpse into what titillated audiences coming out of the big war.

This wartime romcom is about Jean Howard (Ida Lupino), the daughter of an oilfield supplies company owner. Though she is feminine and delicate, she volunteers to handle field sales and sets off to deal with roughnecks out west. This fish out of water story is secondary to the humor that evolves from a falsehood she employs.

She needs a room to operate out of, but like almost every other commodity, rooms are scarce and (practically) rationed. Out of necessity, she pretends to be the wife of an army lieutenant to get accommodations in an auto court. Then she sets off to find a lieutenant to play along with her charade. She finds Don Mallory (William Prince), who becomes trapped in her lie.

Lupino and Prince have excellent chemistry. This is a cute film that is well written. Though its stage play roots are evident, the screenplay is very entertaining. It also does a good job of demonstrating wartime exigencies and the resulting culture.

Willie Best plays the role of Lucille, the all-purpose fixit-man and gopher for the auto court. He is mystified by some of the goings-on that surround the Mallory household. Though his part may be seen as stereotypical, he rises above it and delivers many of the best lines of comedy.

Watch for Sydney Greenstreet as a commanding officer and Louis Armstrong who performs with his band.

I enjoyed Ida Lupino in a comedy as much as I ever did in her many dramatic roles;I think her timing is excellent. William Prince is not as skilled, but he makes a good foil for her character in this story.

For its time, the plot was probably considered slightly racy, but was handled so well, you'd never notice. I felt it had just the right touch on an old game, mainly romance, with the added benefit of light comedy that makes it appeal to women and men. The supporting parts were well cast, especially Sydney Greenstreet, who could also do great work in comedy and drama.

I only wish this were available on VHS, or even better, DVD.