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IMDbPro

Mi chiamo Giulia Ross

Titolo originale: My Name Is Julia Ross
  • 1945
  • T
  • 1h 5min
VALUTAZIONE IMDb
7,0/10
3966
LA TUA VALUTAZIONE
Mi chiamo Giulia Ross (1945)
Official Trailer
Riproduci trailer1: 37
1 video
70 foto
Film NoirPsychological DramaCrimeDramaMysteryThriller

Aggiungi una trama nella tua linguaThrough a nosy employment agency, Julia Ross secures employment with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house, in differe... Leggi tuttoThrough a nosy employment agency, Julia Ross secures employment with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house, in different clothes, and with a new identity. She's told she is the daughter-in-law of Mrs. Hughes ... Leggi tuttoThrough a nosy employment agency, Julia Ross secures employment with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house, in different clothes, and with a new identity. She's told she is the daughter-in-law of Mrs. Hughes and has suffered a nervous breakdown. Is Julia really "Julia", or is it true that she's lo... Leggi tutto

  • Regia
    • Joseph H. Lewis
  • Sceneggiatura
    • Muriel Roy Bolton
    • Anthony Gilbert
  • Star
    • Nina Foch
    • May Whitty
    • George Macready
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    3966
    LA TUA VALUTAZIONE
    • Regia
      • Joseph H. Lewis
    • Sceneggiatura
      • Muriel Roy Bolton
      • Anthony Gilbert
    • Star
      • Nina Foch
      • May Whitty
      • George Macready
    • 74Recensioni degli utenti
    • 59Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    My Name Is Julia Ross
    Trailer 1:37
    My Name Is Julia Ross

    Foto70

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    Interpreti principali18

    Modifica
    Nina Foch
    Nina Foch
    • Julia Ross
    May Whitty
    May Whitty
    • Mrs. Hughes
    • (as Dame May Whitty)
    George Macready
    George Macready
    • Ralph Hughes
    Roland Varno
    Roland Varno
    • Dennis Bruce
    Anita Sharp-Bolster
    Anita Sharp-Bolster
    • Sparkes
    • (as Anita Bolster)
    Doris Lloyd
    Doris Lloyd
    • Mrs. Mackie
    Joy Harington
    Joy Harington
    • Bertha
    • (non citato nei titoli originali)
    Leyland Hodgson
    Leyland Hodgson
    • Policeman
    • (non citato nei titoli originali)
    Olaf Hytten
    Olaf Hytten
    • The Reverend Lewis
    • (non citato nei titoli originali)
    Marilyn Johnson
    • Nurse
    • (non citato nei titoli originali)
    Queenie Leonard
    Queenie Leonard
    • Alice
    • (non citato nei titoli originali)
    Charles McNaughton
    • Gatekeeper
    • (non citato nei titoli originali)
    Harry Hays Morgan
    • Robinson
    • (non citato nei titoli originali)
    Leonard Mudie
    Leonard Mudie
    • Peters
    • (non citato nei titoli originali)
    Ottola Nesmith
    Ottola Nesmith
    • Mrs. Robinson
    • (non citato nei titoli originali)
    Milton Owen
    • Policeman
    • (non citato nei titoli originali)
    Reginald Sheffield
    Reginald Sheffield
    • McQuarrie
    • (non citato nei titoli originali)
    Evan Thomas
    • Dr. Keller
    • (non citato nei titoli originali)
    • Regia
      • Joseph H. Lewis
    • Sceneggiatura
      • Muriel Roy Bolton
      • Anthony Gilbert
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti74

    7,03.9K
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    Recensioni in evidenza

    8moonspinner55

    Quickie feature from Columbia is taut but very brief...

    Second-feature concerns a young woman in London desperate for a job, happy to accept live-in secretarial position with an elderly woman and her son. Thrillers about people being held in a house against their will always make me a little uneasy--I end up feeling like a prisoner too--but this rather classy B-film is neither lurid nor claustrophobic. It's far-fetched and unlikely, but not uninteresting, and our heroine (Nina Foch) is quick on her feet. Rehashing this in 1986 (as "Dead Of Winter") proved not to be wise, as the plot-elements are not of the modern-day. "Julia Ross" is extremely compact (too short at 65 minutes!) but it stays the course nicely until a too-rushed climax, which feels a little sloppy. *** from ****
    8samhill5215

    Unexpected pleasure

    Having watched this film strictly on the strength of reviewers' ratings I was most pleasantly surprised. Although clearly low-budget, it bears the signs of clever ingenuity. For example, when Julia wakes in the strange house and looks out the window I found myself thinking that her sense of isolation would be enhanced with an exterior shot focused on her face and then moving backwards to include the house and its isolated location. And lo and behold! the next scene was exactly that last shot of the house standing lonely on the cliff at the water's edge. There are other examples of how a clever director can elevate his film to the level of a very enjoyable thriller. Savvy viewers will surely spot them but should rest assured they will not be disappointed.

    As to the performances, George Macready is his usual creepy self, barely maintaining his composure while suggesting a capacity for unadulterated violence. Nina Foch was surprisingly good as the no-nonsense working girl who's not about to submit without a fight. But Dame May Witty, oh boy, she even had me doubting my own eyes and believing she could get away with her evil schemes.

    This a real diamond in the rough and not to be missed.
    7bkoganbing

    A nice little gem

    My Name Is Julia Ross is one of those gems that every now and then come from the B end of a major studio. Columbia Pictures did this one and got a good cast of some as yet unknown players.

    The title role is played by Nina Foch in her salad days and she applies for a position as a secretary to Dame May Whitty. It's all a ruse as she's whisked off to the Cornwall coast from London.

    Foch is kept in a genteel prison and she's constantly referred to as Whitty's balmy daughter-in-law, wife of George MacReady. Foch is having trouble keeping her own sanity as she searches for the reason that Whitty, MacReady, and the rest of the staff are treating her as they are.

    This film is a solidly cast one with Foch, Peters, and Whitty just perfect in their parts. If broadcast don't miss this one.
    7daniewhite-1

    My title is 'Just Rosy'

    A mood piece, a psychological thriller in the vein of the trapped woman, and an example of betrayal melodrama.

    'My Name is Julia Ross' certainly explores a lot further than it's script and it's production scale would suggest. A juicy, implausible, unoriginal, rapid and thin story which was clearly filmed as a strict b-movie production is given a very elevated treatment courtesy of the director, who ably aids the three lead actors to give decent performances in portraying their equally unoriginal characters.

    But the palpable value is all in the treatment; in the surface layer of direction and photography which are able, when combined with three good turns from Nina Roch, May Whitty and George Macready, to develop a cloying tonality which expressively illuminates the subject of a betrayed and imperilled woman.

    As long as the viewer is able to accept that the whole thing is a confidence trick, and is willing to lend 'My Name is Julia Ross' that supply of confidence then it delivers a marvellous melodrama mood piece in the Gothic style.

    I rate 7/10 and I recommend to anyone who isn't requiring a film to make sense but is instead happy to afford artistic licence to the director. In which case it is just rosy and a nice example of making a stylish and thematically compatible film out of a streaky b-movie story and production.
    8hitchcockthelegend

    We're doing everything in our power to make you well again.

    My Name Is Julia Ross is directed by Joseph H. Lewis and adapted to screenplay by Muriel Roy Bolton from The Woman in Red written by Anthony Gilbert. It stars Nina Foch, Dame Mary Witty, George Macready, Roland Varno, Anita Sharp-Bolster and Doris Lloyd. Music is by Mischa Bakaleinikoff and cinematography by Burnett Guffey.

    Julia Ross (Foch) out of work and in debt arrears to her landlady, hastily accepts a in-house secretarial position to Mrs. Hughes (Whitty). Starting work in the Hughes house in London the first night, she wakes up two days later in a cliff-top mansion in Cornwall. She is told she has been away with mental health problems, her name is Marion Hughes and she is married to Ralph Hughes (Macready)...

    A very important film in the career of the great Joseph H. Lewis, My Name is Julia Ross would effectively put the director on the map, with noir fans subsequently rewarded with the likes of Gun Crazy and The Big Combo. Compact in running time (65 minutes) and budget, it's a film that showcases just what real good work could be achieved by a director and photographer noir team working under tight restrictions; classical noir production if you like.

    Story as it is is pretty straightforward and familiar, but atmosphere and visual smartness ensure this is no walk down retread lane. It falls into the Gothic noir spectrum of films, following in the traditions of Rebecca, Gaslight and Suspicion. In fact, it's also very much "old dark house" on staple terms, with eerie staircase, wood panelled rooms, secret passageways and even a black cat. While the setting, house on a seaside cliff where the mist rolls in at night, is splendidly moody.

    The characterisations (very well performed by the cast) are vivid and odd, with us clearly meant to note that Julia Ross is clearly the only normal being in the Hughes household! Best of the bunch is Macready's Ralph Hughes, the catalyst for all the things that are happening, he fondles his knives like a fetishist, a truly memorable noir antagonist.

    Ultimately it's what Lewis and Guffey bring to the fore that makes the film better than it is on the page. Expressionistic touches are here of course, but it's the skew-whiff camera placements and up close POV shots that bring the viewer into Julia's confused new world. Memorable scenes are frequent, be it a rain sodden street or Julia peering through the bars of her bedroom, there's visual treats aplenty here.

    The ending is all to quick and as is often the case in this type of narrative, implausibilities need to be ignored. But that is easy to do, because with atmosphere unbound and not a shot wasted, this is a safe recommendation to the Gothic noir faithful. 8/10

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    Trama

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    Lo sapevi?

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    • Quiz
      Director Joseph H. Lewis was famous for setting up the camera in bizarre places and fashions (avoiding actors' faces quite often) and intentionally held scenes for awkward amounts of time to build tension. When the Columbia producer visited the set, he thought Lewis was crazy. They fought over schedules and budgets, as well as Lewis' artistic license to set up his scenes as he liked, and Lewis threw the Columbia producer off the set. Lewis was well on his way to becoming a pariah at Columbia until co-founder and president Harry Cohn screened the film. He supposedly shouted at his producer, "Send him a barrel of whiskey, because any man with this talent can take the time he wants to. Now don't bother him."
    • Blooper
      When Sparkes calls Mrs. Hughes from the employment agency, she begins dialing the phone with the writing end of her pencil. In the next shot she's dialing with the eraser end.
    • Citazioni

      Julia Ross: The next time I apply for a job, I'll ask for *their* references.

    • Connessioni
      Featured in Identity Crisis: Joseph H. Lewis at Columbia (2019)

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    Dettagli

    Modifica
    • Data di uscita
      • 8 marzo 1948 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Streaming on "Anna Zvezdenkova" YouTube Channel
      • Streaming on "Cinema Coded" YouTube Channel
    • Lingua
      • Inglese
    • Celebre anche come
      • My Name Is Julia Ross
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 175.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 5 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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