L'arca di Noè

This movie is too often considered great just because of the "Who's on First" routine. Now don't get me wrong, that is the best part of it, but there are other wonderful parts of it as well. This is the first costume piece that Abbott and Costello ever did. I don't know that it had to be set on a Riverboat, but it did give them the opportunity to do a lot of great gags. This movie also includes the classic "My Bonnie Lies Over the Ocean" routine where Costello thinks he is getting stage directions from Abbott and the "feathers in the cake" routine.

A couple of comments on "Who's on First": this is one of the funniest comedy routines ever, and you can be easily amused just by reading it. What makes it so great in the hands of Abbott and Costello is their ability to stay in character while doing it. Throughout the routine Abbott cannot understand why Costello doesn't get what he is saying, and Abbott tries many times, in vain, to figure out the names of the players. The routine seems to be shot in one take, and we are the better for it. Watch it many times and pay attention to only Abbott or Costello and you'll get what I mean about them always staying in character. They rarely look at the audience, the continue their thoughts (as their characters) and the fact that neither of them understands why the other is not making sense is what makes this work.

This is the film to see if you're fairly new to Abbott and Costello, or if you just want to see a whole bunch of their best routines strung together for merry fun and entertainment! It's an easy 76 minute ride on a cheerful riverboat as Bud plays a ham actor and Lou is his zany assistant. The boat's captain is none other than dear old Henry Travers, best known from IT'S A WONDERFUL LIFE. When the kind-hearted Captain Jack gets swindled by a trio of crooked card sharks, they gain three quarters' possession of his ship and try to turn it into a rigged gambling operation. It's then up to Abbott and Costello to help Jack get it back.

It's nice to see A&C in a costume "period picture", and the setting on the traveling riverboat is perfect. Lois Collier makes a beautiful vixen, and Joe Sawyer (who starred with the comedy team in other films) makes the quintessential mean guy who keeps getting foiled by the boys. There are a few little songs, but this time they fit nicely into the air of the proceedings and are never overlong.

But best of all, THE NAUGHTY NINETIES packs more funny routines into its short running time than you can count: Lou tangles with a real bear thinking it's only Bud in costume; Costello mimics Joe Sawyer as a mirror while Sawyer tries to shave; Lou becomes a punching bag during Sawyer's violent nightmare; Costello keeps throwing back every fish he catches to snag an even bigger fish; and on and on they go. But two of the very best gags of all are incorporated into this film -- the first is a classic bit of business where Costello misinterprets stage directions from Abbott, as he tries to sing "My Bonnie Lies Over the Ocean", and the grand highlight is the famous "Who's On First" routine - complete and perfectly rendered in this outing. It was reportedly done in two takes because the crew could not keep from laughing. Listen closely and you can hear them trying not to break up. ***1/2 out of ****

In order to really appreciate Abbott and Costello, one needs to understand where their careers fell on the timeline. Bud and Lou's careers actually can be broken down into, at least, four different eras, which is a lot when you think about it, since their partnership only lasted about 20 years total. You can break them up into the vaudeville era (1936-1940), the glory years (1940-1945), the tough years (1945-1948), the resurgence (1948-1953) and the end (1953-1956).

This film falls at a moment when they were starting to loose their audience. Unfortunately, Bud and Lou's biggest success came during World War II. A nation needing to be cheered up and needing a morale boost fell for Abbott and Costello during those four horrible years. They were the morale boosters in chief and they became the most popular and the most rich actors in Hollywood during those years. But, as the war began to wind down, so did the popularity of the boys. They needed to start making changes and you see this happening in a lot of their films moving forward into the 1950s.

When this film was released in 1945, Germany had already surrendered a few months before and Japan was just a few months away from surrendering. The war was over and the feelings and attitudes of a post-war America were beginning to change. Also, television was just on the horizon. People were looking towards other things to do or see.

As this film opens up, Dexter and Sabastian (Bud and Lou), get work on a showboat named the River Queen. Dexter is an actor and Sabastian is his trusted "assistant". The owner of the River Queen, Captain Sam Jackson (Henry Travers), falls into the scheme of a handful of con artists, who are bent on getting the showboat for themselves, so they can run their illegal gambling casino. This is something Sam wants nothing to do with. It takes the help of the boys to come help save the Captain and his daughter, Caroline (Lois Collier), from these dastardly criminals.

What sets this film apart from a lot of Abbott and Costello's films from the same time period is this one features a smorgasbord of their different and classic acts, including their best, "Who's on First". Another thing a person needs to know about Abbott and Costello is their talent, their act and all their skits grew out of the vaudeville era. Working in vaudeville meant you were working with everybody. All the talent shared their acts, jokes and skits with each other. It was part of the vaudeville culture. So, when you see the Three Stooges, or Wheeler and Woolsey or even Martin and Lewis, do the same joke or skit that Bud and Lou did, that shouldn't be considered a negative. It's how things were.

It is true this film is not a great one. There are moments that seem sloppy in their design. It makes you wonder if the whole process was becoming stale to whoever was involved in the film or was it just becoming overly repetitious. This is most evident during the "duck shoot" skit. We may be laughing at the absurdity of it all, but we also aren't buying that any of this could possibly fool anyone. What was interesting about all of this, is watching this tired, formulaic development, that would eventually become Abbott and Costello's main direction once they get to television in the 1950s. Foreshadowing maybe?

This film is still worth a watch. It has some rough edges and might seem a little plastic in its design, but overall is a delight to see. They give us one skit after another. They intertwine all of that with a little story and textbook characters (for this kind of a romp), that get us to the end, but adults might seem slightly robbed, because there is a childish nature to some of the performances that happen in the film. But, who cares? It's Abbott and Costello, who were legends of their day. They didn't need to answer to nobody. They were the richest guys in Hollywood. You don't do that when you are making bad stuff. Plus, anything with "Who's on First", is a gold mine.

6.2 (D+ MyGrade) = 6 IMDB.

If for nothing else, this movie can be watched for the most famous of the Abbott and Costello routines: "Who's on First?" It's performed to perfection here, with the 1980's showboat background to add some nostalgia to the mix, as well as great costumes. And watch what poor Lou has to go through when he attempts to sing while Bud is giving stage directions for the scenery!

There's also a routine reminiscent of the famous mirror scene from "Duck Soup", and a scene where Costello's shooting at some ducks that might have inspired the camping trip episode on "I Love Lucy".

There's a familiar face from a now classic Christmas movie, as the showboat captain is played by Henry Travers, known for his role as the angel, Clarence in "It's a Wonderful Life".

There's enough here to hold your interest and keep you laughing.

This is a very pleasant Abbott & Costello outing. It is a period piece that puts a lot of the boys routines into it and some extra stuff as well. You just need to put your brain away and sit back & enjoy it.

The riverboat theme used here is appropriate as the naive Costello's comedy bounces well off the bad guys schemes. There are some great throw away lines in the film in addition to the Whose On First routine which today they are most remembered for.

Their supporting cast here is fairly good. The production qualities are good and the music works into the film better than some of their films where the music stops the action. Costello borrows the Marx Brothers Horse Feathers routine about throwing a drowning man a life saver. While even Costello can't perform a the frantic pace the brothers did, he is quite energetic and funny here.