The Jungle Captive

This little seen Universal horror movie from 1945 brings back fun memories for me as I remember watching this with my sister Tammy and my cousin Shalaine on the local Friday night creature feature on TV. Even as a teenager I can remember thinking that this movie was more funny than actually scary.

The basic plot revolves around Mr. Stendall, a mad scientist who is trying to revive the dead ape woman, Paula Dupree, from the previous two Universal movies Captive Wild Woman and Jungle Woman. Rondo Hatton plays the menacing servant of Stendall, Moloch, who kills several people in order to help Stendall achieve his goal of bringing the ape woman back to life. Armelita Ward portrays Mr. Stendall's pretty assistant, whom he kidnaps in a bid to use her blood to make the ape woman into a real woman. Vicki Lane is Paula, the ape woman, when she is actually a woman (are you following all this?). Lane is pretty, but has no lines and basically just wanders around looking like a zombie. The scenes when she is actually an ape woman are hilarious, she is grunting and snorting...it's a hoot.

This movie is a lot of fun for people who enjoy the old Universal monster movies. Although this is definitely not frightening, it's fun to watch on a rainy Saturday night.

***S{POILERS*** Ape woman Paula Dupree, Vicky Lane, is back for the third time in "Jungle Captive" this time as a dead body that mad scientist Mr. Stendahl, Otto Kruger, plans to bring back to life. That with the help of blood and brain matter of his unsuspecting assistant Ann Forester, Amelita Ward, who foolishly worships the very ground that the "Great Man' walks on. It's with the help of his brutish like accomplish Moloch, Rondo Hatton, Stendahl plans to use Ann without her knowledge for his insane experiment but Moloch who took a shine to her is dead set against it. Strange Beauty and the Beast like movie with Moloch changing sides in mid stream and becoming the knight in shining armor in preventing the crazed Stendahl from doing his thing in resurrecting the dead ape woman Paula Dupree at Ann's expense.

There's also Ann's boyfriend Don Young, Phil Brown,who soon finds out what Stendahl is really up to and tries to get the police in the person of Insp. H.L Harrigan, Jerome Cowan, to stop him who's attempts comes up short in his by the book approach to the case. As for "Ape Woman" Paula Depree she's brought back to life as a normal human being but totally confused-and unable to talk- in what's going on around her. This leads to her checking out in the woods with Moloch running or driving all over town trying to retrieve her.

Predictable ending with Mr. Stendahl getting everything that he has coming to him with the hulking but sensitive Moloch saving the day as well as Anna's life at the expense of his own.With both Ann and Don Young, who can't afford to buy her an engagements ring, getting married by being stopped by a traffic cop who presented them with a $5.00 free of charge wedding certificate from city hall. Break out movie for Rondo Hatton who finally was given a chance to act as well as a few decent lines in the movie but his fame didn't last that long. Hatton suffered a fatal heart attack while taking a shower in his bathroom and died less then a year, in March 1946, after the films release.

As in the first movie in this series, Captive Wild Woman, we're introduced to an apparently kind man who is apparently pursuing beneficial medical research. As in that movie, we just as quickly find out he is a mad genius, with little regard for human life.

The movie quickly picks up where the second on the series left off, where Paula, the Ape Woman was in a morgue. Mr. Stendahl (the end credits in the copy I viewed named him Dr. Stendahl, but he is usually called Mister) has developed a process for bringing back life to the dead through blood transfusions and electricity. Supposedly, he wants to bring back life to Paula because she's a step up from the rabbits he had been using, but avoids the ethical problems of using a human subject. Since he doesn't care, however, if people die (his servant Moloch kills a man while stealing Paula), it's unclear why he doesn't simply revive a dead human body, or kill a human, and then revive them.

After he brings Paula back to life, she is still in her ape-woman form. Unlike in the second film Jungle Woman, where she could change back and forth between ape-woman and woman, in this film (as in the 1st) she requires human blood and hormones to appear as a woman. To become more human, she would require a transplanted cerebrum from a human, again as in the first. In order to learn how to turn Paula into a human, Stendahl had to have Moloch steal the files of Dr. Walters (from the 1st film) from the office of Dr. Fletcher (from the 2nd film). Apart from these references to the earlier films, no one from those films returns to this one; the only recurring character is Paula herself, and she is played by a different actress. There does not seem to be any footage used from the previous films, except perhaps a short close-up of Paula's hand transforming while she is strapped to a table. There was a shot like that in the first film, but they may have just re-created it.

Stendahl's reasoning for wanting to turn Paula into a human after reviving her is just as questionable as his reasoning for wanting to revive her. He thinks turning her into a woman would prove he could bring a human back to life. It would seem to me that it would only prove he could turn an ape-woman into a human, or at any rate, something like a human.

People seem divided as to whether the second or third film is the worst of the three, and I'm not sure myself. They're all decent, at least, but there is no question the first was the best of them.

1944's "The Jungle Captive" concluded Universal's Paula Dupree trilogy, a cut above the second, "Jungle Woman," neither as good as "Captive Wild Woman." Of the three, only "Jungle Woman" was not included in the 1958 Son of Shock television package, all three finally gathered together in MCA's massive 1972 collection 77 Horror Greats. "The Jungle Captive" made two appearances on Pittsburgh's Chiller Theater (9 years apart), unencumbered by the interminable stock animal footage that cluttered up previous entries, here a more straightforward mad scientist endeavor with Otto Kruger as pathologist Stendahl, whose assistant, billed in the ads as 'Moloch the Brute,' is played by Rondo Hatton, still a year away from his famous Creeper series (both produced by Ben Pivar). With Acquanetta having departed Universal, the role of Paula Dupree now went to unknown actress Vicky Lane, who had an even shorter career than her predecessor, having completed just one featured role before this, which ended up her final film. At least The Ape Woman (now mute again, unlike in "Jungle Woman") gets to briefly walk around in full bestial Jack Pierce makeup (lovely Vicky also gets a more skimpy wardrobe than Acquanetta, who wore less only for the posters). Aside from the catatonic Paula no other characters return, though the doctors played by John Carradine and J. Carrol Naish both get a mention; with a helpless heroine in Amelita Ward, hapless hero in Phil Brown, plus the absence of the 'Venezuelan Volcano,' the short series comes to a merciful end in a pointless sequel filled with padding that offers nothing but running time until the painfully predictable climax. Rondo's famous features and gravelly voice at least enjoy what must have been his largest role yet, Universal pleased enough to move forward with three more starring vehicles in 1945.

The Jungle Captive (1946)

** (out of 4)

A mad doctor (Otto Kruger) has his assistant (Rondo Hatton) steal the body of Paula the Ape Woman (Vicky Lane) so that he can do experiments on her. This includes stealing another woman (Amelita Ward) for a blood transfusion to see if the ape woman can be cured.

THE JUNGLE CAPTIVE is the third and final film of Universal's trilogy dealing with Paula the Ape Woman. You have to think that the studio had rather low expectations going into the series and I'm going to guess that CAPTIVE WILD WOMAN didn't do a well at the box office, which caused the studio to really cut back on the second film, JUNGLE WOMAN, which was perhaps the studio's laziest movie. THE JUNGLE CAPTIVE is certainly a step up from that picture but it's still not all that good.

The best thing going for this film is the fact that they've actually got the ape woman running around quite a bit of the running time. It was great getting to see her since the make-up on her is actually excellent and having her appear in the film is reason enough alone to enjoy this more than the second film. Another plus is the fact that Hatton is so watchable here. I can't help but feel sorry for him and the fact that Universal was pretty much exploiting his disease but at the same time he has become a cult favorite over the years.

As far as the film's issues go, well, there are quite a few but the biggest is the simple fact that the story itself really isn't all that original and it's certainly something we've seen countless times before. Still, if you're a fan of the studio then there's enough good things here to make this worth watching.