Il vampiro dell'isola

Plague victims are dropping like flies in this somewhat sluggish, Mark Robson-directed entry in the Val Lewton horror cycle. This one isn't as well-written as the earlier films in the series, and the isolation, while nicely suggested psychologically, fails to cast the spell of hopelessness and despair it ought to. The movie is too genteel to be frightening, and lacks the fine tuning of a director like Jacques Tourneur, who surely would have made more of it. Boris Karloff is quite good in the "lead", however, and the supporting cast is competent if unexciting. By today's standards, there's not much to be scared of here, and though it works up a nice head of steam near the end, it succeeds more as a mood piece than a horror tale.

I'm still not quite sure what I saw in Isle of the Dead. I do know it succeeded in giving me the willies.

Several people gather on Greek Island during the Balkan Wars when a type of plague strikes and folks die one by one. One old peasant woman, Helene Thimig suspects young and pretty Ellen Drew of being a monster called a Vorvola which was part of the old Greek religion of Zeus and the rest of the folks from Olympus. The problem is that she gets old Greek general Boris Karloff, a brooding and suspicious man to start with, believing it as well.

Imagine Agatha Christie's And Then There Were None laced with the atmosphere of a horror film and you've got Isle of the Dead. At the end of the film you're not even sure what's happened, but the mood created in you by producer Val Lewton will linger on.

I'm not sure what a guy like Val Lewton would have done with a big budget in a studio like MGM or Paramount. Those recycled RKO sets with the proper sinister lighting were a signature with him.

So was there a Vorvola? Watch and judge for yourself.

... probably not even for 1945.

Gen. Nikolas Pherides (Boris Karloff) has just successfully beat back invading troops in 1912 Greece. He is conversing with American war correspondent Oliver Davis about his philosophy of war, when Davis says he is going over to the small island near the battlefield to look around. The general mentions his wife is buried there and says that he will go over with him to visit her grave. When they get there they find the grave has been robbed.

They come across the home of retired Swiss archeologist Dr. Aubrecht (Jason Robards, Sr.), his Greek housekeeper Madame Kyra, British diplomat Mr. St. Aubyn (Alan Napier) and his pale and sickly wife, her youthful Greek companion Thea, and English tinsmith Andrew Robbins. Aubrecht explains that the graves were robbed by locals years ago, searching for antiquities. The general and Davis spend the night there, but the next morning the tinsmith is found dead of the plague. This means they must all stay on the island until the winds change and the disease - always fatal -runs its course among them.

What follows is a psychological thriller that gets a bit too chatty and claustrophobic for my taste, but it has its good points. The main focus is the general, and how his desire to protect through strict control, which works well in the aggregate when he is commanding troops, turns malignant and to madness when his normally logical mind is peppered with thoughts of a vorvolaka - a type of vampire - by the superstitious and rather malicious servant Madame Kyra. Kyra insinuates Thea is the vorvolaka and that she's the reason that Mrs. St. Aubyn's health is slowly fading. The general's imagination does the rest.

It is 1912 and Greece is deeply involved in the Balkan War. General Nikolas Pherides is in charge of a group of soldiers – driving them to breaking point in what some might call a cruel, twisted sense of patriotism. On a visit to the grave of his wife with visiting American Oliver Davis, Pherides finds the graves vandalised and demands answers from the local residents. He gets them but also accepts their offer of a bed for the night to save them making the long journey back to the troops. However during the night the plague is found on the small island and quarantine is declared to protect the troops. However they quickly find that the plague is not the only danger on the mysterious island.

Although the plot is unnecessarily busy considering the short running time, this is an effective enough drama although I would have liked more of the atmospheric horror to it. The plot involves the plague, suspicious characters, a driven man and possibly the undead; it builds well on the air of mystery and atmosphere although it never really gets close to some of the better Val Lewton films. Likewise the plot, although easy to follow, is not as simple and effective as it could have been and the various threads tend to slow down the film rather than compliment the atmosphere. The atmosphere is still good, although Robson has given it more of a melodramatic use of shadow at times rather than a tense use. That said, some moments are quite chilling and it'll still work on that basis.

Cramer is the main character despite the lower billing; he is a fairly standard, square jawed actor and he isn't that interesting as a result. Karloff is where the show is at and, although he is not playing a monster to the same degree as he often would, he is still very interesting and his performance is good. Support is so-so from the rest of the cast; Drew and Thimig are pretty good but Napier, Robards and Emery are not given the same chance to really shine.

Overall this is an enjoyable film but not the one to come to if you want to see the best that Lewton had to offer. The plot is more drama than atmospheric horror but it does still do this well at points. The cast are mostly good but they do tend to get in the way of Karloff, who is missed every time he goes off the screen.

Wonderfully atmospheric film with a unique sense of place and well-drawn characters. Karloff's performance here is excellent, yet very different from his work in other films. You may be disappointed if you go in expecting something like his horror classics for Universal. This one is suggestive rather than shocking, and I'd recommend it to anyone who likes the subtle horrors of Cat People, The Innocents, or even Rosemary's Baby. Because of its literate script and interesting character development, Isle of the Dead may also appeal to others who don't usually like horror.