Berlino Hotel

Like "Grand Hotel," "Hotel Berlin" shows the lives of various guests and workers at a hotel at a specific point in time. This point in time is toward the end of the war, when Germany was obviously losing.

Raymond Massey plays General Arnim von Dahnwitz, who is given the chance to commit suicide after an attempt on Hitler's life fails. He's in love with an actress, Lisa Dorn (Andrea King), who is a collaborator but, not sure where she's going to end up when the war ends, play both sides. In fact, an escaped prisoner (Helmut Dantine) hides in her room. He realizes he's been allowed to escape to lead the Germans to the underground.

Tillie (Faye Emerson), the "hotel hostess" is an informant but plays as many sides as she can to get a new pair of shoes. She was in love with a Jewish man, Max, presumed dead, and his mother comes to her for help getting some pain medicine for her failing husband. It's then that she learns that Max is alive, and her attitude undergoes a change.

Peter Lorre has a small role, that of a scientist who was imprisoned and then released (with no explanation for the audience) and has become an alcoholic.

This film was released after the war, and it's a little more interesting than many propaganda films in that it shows the state of the German people, and separation from the beliefs of Hitler, even among officers. It's a time of confusion for a falling Germany.

The acting is good, particularly from Faye Emerson as Tillie and Raymond Massey as the doomed General.

Worth seeing, not your typical propaganda film.

What a fascinating film. This movie was filmed before the war ended, but when it was clear Nazi Germany was losing - the hotel feels like a sinking ship. The film is way darker and much more complicated than most studio films at the time about the time during or leading up to WWII, and about Germany. There are some incredibly tense moments, as you figure out who is pro Nazi and who is not. and as the characters figure it out for themselves. The Nazi's murderous anti-Semitism isn't glossed over, as it is in so many films from this era. The character to watch: Peter Lorre as Johannes Koenig. He deserved a Best Supporting Actor nod. All your favorite character actors are here - nice to see them in such an intriguing ensemble piece.

Entertaining war drama with a darker tenor than most studio films at the time. The cast performs well but with the source material being from the author of Grand Hotel and a decent script it's a surprise that the players are more or less B level performers.

That's not a swipe at any of them since they all play their parts well, although a more charismatic actor than Helmut Dantine, someone like James Mason, would have given better focus to the lead character's plight. Andrea King, a good actress with an unusual quality but often stuck in nothing parts, has one of her best roles that she perhaps received because of the character's murky ethics. The audience is never fully sure what side her duplicitous Lisa Dorn is playing for which might have caused bigger stars such as Joan Crawford, Ann Sheridan and Alexis Smith to decline the role.

The supporting cast is stocked with great character actors all getting the most out of their parts. Faye Emerson's role of Tillie, an opportunistic hotel employee, somewhat shadows Joan Crawford's Flaemmchen in Grand Hotel though she's not as sympathetic. She offers a fine interpretation of the role making her moral quandary relatable and touching. Likewise Raymond Massey and Peter Lorre also stand out fleshing out their roles surely more than what was on the page.

Not readily available but well worth seeking out.

Most of the wartime pictures made in the US portray the Nazis as complete sadists...almost demonic. While there are bits of that in this film, the way they portray the Nazis in the final weeks of the war is a bit more multidimensional.

In some ways, the film plays like a Nazified version of Grand Hotel- -with this Berlin hotel being a way to tie together the various stories in the picture. There are evil Nazis, not quite so evil Nazis, Germans not in the military that hate the Nazis and Germans who are just hoping to survive. As for the really terrible Nazis, some of the better actors who specialize in portraying evil characters are here...such as George Coulouris, Henry Danielle and Raymond Massey. The stories are engaging and the picture manages to show a reasonably accurate picture of Germany in the final days...which is amazing since the film came out only weeks before the war ended in Europe. Well made and its only fault is that, at times, the film seems overly long and a bit of editing would have helped the tempo.

By the way, some of the anti-Nazis in the film were portrayed by folks who actually DID escape from Nazi Europe, such as Frank Reicher, Peter Lorre and Helmut Dantine.

This war film offers a unique slant on the German political/social climate during early 1945. Because it was conceived without the benefit of hindsight it's that much more interesting to view 60 years later. While the story is necessarily compacted to allow for the drama of various characters to be inserted, there is a solid story at the core. Good performances...Raymond Massey was particularly fine in a relatively low key role while Peter Lorre plays a repentant Nazi with equal effectiveness. The female leads here are also great, especially Faye Emerson as the hotel "hostess." There are some dated elements of propaganda (a painting of Hitler hanging in hotel lobby prompts one guest to comment "I'd like to see him hanging another way") All the same this film offers thoughtful character studies of human beings at their best and worst while under duress. Some plot loopholes exist but they do not greatly detract from story; the brisk pace holds viewer attention from beginning to end. A worthwhile way to spend an hour and a bit.