Hollywood and Vine

Daisy must have been the most overworked animal star of the 1940s. She appeared in over 40 films starting with "Blondie" in 1938 and finishing with "Badman's Gold" in 1951. Her bread and butter was, of course, the Blondie series but she still found time to appear in films like "The Perfect Snob" (1941) where she was uncredited as "Beano" and "Hollywood and Vine" (1945), where as Emperor, the story revolved around her.

Daisy is the real star of this movie. She plays a cute pooch, Emperor, who goes to Hollywood with a starstruck young hopeful and is the one who makes it big. The movie isn't much but the story of the dog has some novelty. Emperor becomes a big star - dining at all the fancy restaurants, his picture in the gossip pages, even being investigated for tax evasion. Thrown in is the missing dog angle and a dog hating spinster who tries to claim him and takes the studio to court!!

Wanda McKay and James Ellison (looking a dead ringer for Ralph Bellamy) supply the tepid romance and two stars from the past - June Clyde as Gloria, who came to Hollywood with stars in her eyes only to end up as a stand-in, and Ralph Morgan, who was a great villain in the early thirties, he plays the head of Lavish Studios.

This is a real oddity...a film from tiny PRC Studio that I really liked! While most of PRC's pictures were rather awful, this one was terrific all due to Daisy. Who is Daisy? It's an adorable and well-trained dog that gained most of its fame in the Blondie and Dagwood films...and it really rescued this film.

The film is about Larry Winters...a big-time Hollywood writer who becomes infatuated with a lady. They meet each other and at the same time they meet a homeless dog (Daisy). Larry takes the dog with him and searches for the girl. But she thinks he's just some poor schmuck and so he pretends to be so that he can win her heart. In the meantime, the dog goes off to Hollywood and becomes a sensation!

The reason I liked the film is that without Daisy the film was pleasant. But with this great trained dog, it was absolutely charming. Well worth seeing.

Weird Hollywood comedy about a young girl who tries to make a name for herself in Hollywood, meets a nice guy and then finds success as the owner of a dog that makes it big in the movies.

Funny but really strange. The humor and the performances often border on deranged (and I don't mean that in a good way). There were times when I didn't know if it was a comedy or not (though I suppose not knowing whether this was a comedy or drama going in didn't help). At other times I didn't know what type of comedy it wanted to be as it shifted gears through several styles (slapstick,screwball,punny) all at once. There are several great actors in it, Frank Pangborn, Charles Middleton (uncredited) and Frank Morgan who give it their all and make it fun to watch even if you get the feeling that they weren't too sure about the material either.

Its worth a try if you're in the mood for an off beat comedy, but I don't know what you'll make of it, I'm not sure what I did.

In his top floor office, millionaire businessman Pop Barkley (Emmett Lynn) tells a roomful of reporters the story of his success. He begins his tale in the days when he ran a roadside diner, and the action flashes back to a pretty girl stopping in for a hamburger on her way to Hollywood….

Wanda McKay is perfect as the girl brimming with brightness and confidence. "It'll be different with me," she tells the friend who warns her that fame and fortune are tough to achieve. "I'm positive I'll get my break immediately."

In the diner, McKay briefly encounters the picture's two other stars: Jimmy Ellison, a popular (and handsome) Broadway playwright on his way to Hollywood himself to write for the movies; and Daisy, the friendly and talented dog who appears from nowhere, begs a meal, and then hitches a ride the rest of the way to the coast.

The dialog is slick, the pacing fast, and the acting enthusiastic in this sweet and nutty comedy. Much of the humor is broad yet affectionate satire of Hollywood types and conventions; Leon Belasco, for example, is the crazy imported director who bashes the latest script he is given: "The dialog is terrible, it's full of accents," he gripes—in his own exaggerated European accent.

Even better is Ralph Morgan as studio boss B. B. Lavish (of Lavish Studios), whose next big picture is going to be a mammoth biography of Napoleon, his hero. He has busts of Napoleon—which he talks to—displayed all around his office. He stands with one hand tucked inside his shirt, Bonaparte-style, when making pronouncements or decisions. Also, his secretary is named Josephine.

A typical line from Robert Greig as (of course) the exceedingly dignified butler: "It has always been my contention, sir, that Hollywood is not a place. It's a state of mind."

Ellison and McKay are charming, witty and beautiful; they look good together and are easy to cheer for. However, it's Daisy who practically steals the show: Daisy dances to Strauss's "Emperor Waltz" playing on the juke box, reacts humorously to the other characters' follies, and just generally out-cutes everyone else on the screen.

Somewhat unfortunately, the picture wraps up in rather a hurry. (We never do find out just how the diner owner made it from burger flipper to millionaire….) But overall, what a happy-spirited movie, even if it doesn't make a lot of sense! Good, wacky fun.

Oh, just for the record: B.B. Lavish's name is not pronounced as you would expect—everyone addresses him as "Two B's."

Had Hollywood And Vine not been done by poverty row PRC studios I might have given this a better rating. It's a nice comedy about a couple of hopefuls trying to break into pictures.

James Ellison is a writer and Wanda McKay an actress, but it's a stray dog that Ellison mistakenly believes belongs to McKay that makes it big in Tinseltown. Ralph Morgan playing a dual role as a pair studio executives decides this is the dog to rival Lassie over at that big studio that has a lion logo.

Such players as Franklin Pangborn, Emmett Lynn, and even 'Prince' Michael Romanoff make this a pleasant hour of film making.

This could have been done at MGM and would have been a bigger hit there.