Aggiungi una trama nella tua linguaMartha arrives in Hollywood determined to become a star but finds work only in a drugstore. There she meets New York playwright Larry again who has been hired for a script about Hollywood - ... Leggi tuttoMartha arrives in Hollywood determined to become a star but finds work only in a drugstore. There she meets New York playwright Larry again who has been hired for a script about Hollywood - which he knows nothing about.Martha arrives in Hollywood determined to become a star but finds work only in a drugstore. There she meets New York playwright Larry again who has been hired for a script about Hollywood - which he knows nothing about.
- Regia
- Sceneggiatura
- Star
James Ellison
- Larry Winters
- (as Jimmy Ellison)
Karin Vengay
- Ann Mason
- (as Karin Lang)
Michael Romanoff
- Prince Romanoff
- (as Prince Michael Romanoff)
Grandon Rhodes
- Attorney Wilson - replaced by Charles Middleton
- (scene tagliate)
Richard Bartell
- Office Worker
- (non citato nei titoli originali)
William 'Billy' Benedict
- Joe - Newsboy
- (non citato nei titoli originali)
Lillian Bronson
- Abigail Wrighthouse
- (non citato nei titoli originali)
Bill Chaney
- Guy walking Lassie
- (non citato nei titoli originali)
Recensioni in evidenza
In his top floor office, millionaire businessman Pop Barkley (Emmett Lynn) tells a roomful of reporters the story of his success. He begins his tale in the days when he ran a roadside diner, and the action flashes back to a pretty girl stopping in for a hamburger on her way to Hollywood
.
Wanda McKay is perfect as the girl brimming with brightness and confidence. "It'll be different with me," she tells the friend who warns her that fame and fortune are tough to achieve. "I'm positive I'll get my break immediately."
In the diner, McKay briefly encounters the picture's two other stars: Jimmy Ellison, a popular (and handsome) Broadway playwright on his way to Hollywood himself to write for the movies; and Daisy, the friendly and talented dog who appears from nowhere, begs a meal, and then hitches a ride the rest of the way to the coast.
The dialog is slick, the pacing fast, and the acting enthusiastic in this sweet and nutty comedy. Much of the humor is broad yet affectionate satire of Hollywood types and conventions; Leon Belasco, for example, is the crazy imported director who bashes the latest script he is given: "The dialog is terrible, it's full of accents," he gripes—in his own exaggerated European accent.
Even better is Ralph Morgan as studio boss B. B. Lavish (of Lavish Studios), whose next big picture is going to be a mammoth biography of Napoleon, his hero. He has busts of Napoleon—which he talks to—displayed all around his office. He stands with one hand tucked inside his shirt, Bonaparte-style, when making pronouncements or decisions. Also, his secretary is named Josephine.
A typical line from Robert Greig as (of course) the exceedingly dignified butler: "It has always been my contention, sir, that Hollywood is not a place. It's a state of mind."
Ellison and McKay are charming, witty and beautiful; they look good together and are easy to cheer for. However, it's Daisy who practically steals the show: Daisy dances to Strauss's "Emperor Waltz" playing on the juke box, reacts humorously to the other characters' follies, and just generally out-cutes everyone else on the screen.
Somewhat unfortunately, the picture wraps up in rather a hurry. (We never do find out just how the diner owner made it from burger flipper to millionaire .) But overall, what a happy-spirited movie, even if it doesn't make a lot of sense! Good, wacky fun.
Oh, just for the record: B.B. Lavish's name is not pronounced as you would expect—everyone addresses him as "Two B's."
Wanda McKay is perfect as the girl brimming with brightness and confidence. "It'll be different with me," she tells the friend who warns her that fame and fortune are tough to achieve. "I'm positive I'll get my break immediately."
In the diner, McKay briefly encounters the picture's two other stars: Jimmy Ellison, a popular (and handsome) Broadway playwright on his way to Hollywood himself to write for the movies; and Daisy, the friendly and talented dog who appears from nowhere, begs a meal, and then hitches a ride the rest of the way to the coast.
The dialog is slick, the pacing fast, and the acting enthusiastic in this sweet and nutty comedy. Much of the humor is broad yet affectionate satire of Hollywood types and conventions; Leon Belasco, for example, is the crazy imported director who bashes the latest script he is given: "The dialog is terrible, it's full of accents," he gripes—in his own exaggerated European accent.
Even better is Ralph Morgan as studio boss B. B. Lavish (of Lavish Studios), whose next big picture is going to be a mammoth biography of Napoleon, his hero. He has busts of Napoleon—which he talks to—displayed all around his office. He stands with one hand tucked inside his shirt, Bonaparte-style, when making pronouncements or decisions. Also, his secretary is named Josephine.
A typical line from Robert Greig as (of course) the exceedingly dignified butler: "It has always been my contention, sir, that Hollywood is not a place. It's a state of mind."
Ellison and McKay are charming, witty and beautiful; they look good together and are easy to cheer for. However, it's Daisy who practically steals the show: Daisy dances to Strauss's "Emperor Waltz" playing on the juke box, reacts humorously to the other characters' follies, and just generally out-cutes everyone else on the screen.
Somewhat unfortunately, the picture wraps up in rather a hurry. (We never do find out just how the diner owner made it from burger flipper to millionaire .) But overall, what a happy-spirited movie, even if it doesn't make a lot of sense! Good, wacky fun.
Oh, just for the record: B.B. Lavish's name is not pronounced as you would expect—everyone addresses him as "Two B's."
Weird Hollywood comedy about a young girl who tries to make a name for herself in Hollywood, meets a nice guy and then finds success as the owner of a dog that makes it big in the movies.
Funny but really strange. The humor and the performances often border on deranged (and I don't mean that in a good way). There were times when I didn't know if it was a comedy or not (though I suppose not knowing whether this was a comedy or drama going in didn't help). At other times I didn't know what type of comedy it wanted to be as it shifted gears through several styles (slapstick,screwball,punny) all at once. There are several great actors in it, Frank Pangborn, Charles Middleton (uncredited) and Frank Morgan who give it their all and make it fun to watch even if you get the feeling that they weren't too sure about the material either.
Its worth a try if you're in the mood for an off beat comedy, but I don't know what you'll make of it, I'm not sure what I did.
Funny but really strange. The humor and the performances often border on deranged (and I don't mean that in a good way). There were times when I didn't know if it was a comedy or not (though I suppose not knowing whether this was a comedy or drama going in didn't help). At other times I didn't know what type of comedy it wanted to be as it shifted gears through several styles (slapstick,screwball,punny) all at once. There are several great actors in it, Frank Pangborn, Charles Middleton (uncredited) and Frank Morgan who give it their all and make it fun to watch even if you get the feeling that they weren't too sure about the material either.
Its worth a try if you're in the mood for an off beat comedy, but I don't know what you'll make of it, I'm not sure what I did.
Delightful little comedy from an unlikely source, PRC. Except for the charming Wanda McKay and a likable James Ellison, it's a wacky cast, featuring such specialists in exaggeration as Pangborn, Belasco, Lynn, and most of all, little Daisy. Seems Martha (McKay) wants to break into movies, and with her brilliant smile I'd hire her in a minute. Seems too, screenwriter Larry (Ellison) would like to help, but he's too busy being an inept soda jerk. Meanwhile, Daisy shows she can twirl and dance like any two-legged critter, and so gets hired on immediately. Show-biz is nothing if not fickle. So, will our lovey-dovey twosome finally find happiness and success on Hollywood and Vine. Stay tuned. No, this is not Grant or Hepburn or MGM, but it is a minor little gem, just right for an hour's worth of harmless amusement.
This is a real oddity...a film from tiny PRC Studio that I really liked! While most of PRC's pictures were rather awful, this one was terrific all due to Daisy. Who is Daisy? It's an adorable and well-trained dog that gained most of its fame in the Blondie and Dagwood films...and it really rescued this film.
The film is about Larry Winters...a big-time Hollywood writer who becomes infatuated with a lady. They meet each other and at the same time they meet a homeless dog (Daisy). Larry takes the dog with him and searches for the girl. But she thinks he's just some poor schmuck and so he pretends to be so that he can win her heart. In the meantime, the dog goes off to Hollywood and becomes a sensation!
The reason I liked the film is that without Daisy the film was pleasant. But with this great trained dog, it was absolutely charming. Well worth seeing.
The film is about Larry Winters...a big-time Hollywood writer who becomes infatuated with a lady. They meet each other and at the same time they meet a homeless dog (Daisy). Larry takes the dog with him and searches for the girl. But she thinks he's just some poor schmuck and so he pretends to be so that he can win her heart. In the meantime, the dog goes off to Hollywood and becomes a sensation!
The reason I liked the film is that without Daisy the film was pleasant. But with this great trained dog, it was absolutely charming. Well worth seeing.
I always like films wih Frank Pangborn.. here, he's Reggie, pharmacy owner, next to the studio. Wanda McKay is Martha, who is headed for hollywood. (Although McKay's real claim to fame is that she was married to musician Hoagy Carmichael.) Ralph Morgan (the wizard's brother) is Mr. Lavish, head of the studio. We watch as Martha tries to get a start in hollywood, but it just isn't happening. Larry (James Ellison ) follows her around, and keeps trying to return her dog, which isn't really hers. The whole story is pretty corny, and it barely holds together, but it's fun if you go along for the ride... kind of an insider's look at hollywood. Cameo by Dewey Robinson, the banana surprise guy. It's all silly, but fun. A shortie from PRC, at 58 minutes. Directed by Alex ThurnTaxis... one of the five films he directed; didn't seem to spend much time in hollywood, unlike everyone else in this film! apparently ThurnTaxis was related to the royal family of Austria, and was on the committee that investigated the murders of the russian Tsar's family. Now THAT's a movie !
Lo sapevi?
- QuizDaisy, the dog that stars as "Emperor" in this movie, is the same dog that appears in several of the "Blondie" movies of the 1940s under the character name of Daisy.
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Dettagli
- Tempo di esecuzione58 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Hollywood and Vine (1945) officially released in Canada in English?
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