Il sergente e la signora

This romantic comedy stars Barbara Stanwyck as Elizabeth Lane, a woman who writes a lifestyles column for a popular magazine. Her publisher commands that she host and prepare a dinner for Jefferson Jones (Dennis Morgan), a sailor who was lost at sea for eighteen days. Because Miss Lane's own lifestyle is a literary fabrication, she resorts to an elaborate ruse. Her deception has consequences that complicate matters, leading to both romance and comedy.

There is a strong supporting cast, including "Cuddles" Sakall and Sidney Greenstreet, who is fun to watch in a comedic role.

Stanwyck and Morgan display a convincing chemistry that is the focus of the film.

This Christmas gift arrived courtesy of TCM. We had never seen the film, even though we have seen most of the films of Barbara Stanwyck. This comedy made us laugh so much, that at times, we had to restrain ourselves, in order to hear the dialog.

This is a movie that should be seen by people suffering from stressful situations, especially around Christmas. It would certainly lift one's spirits by just letting go. The movie would make a perfect gift in the form of a DVD, or a VHS tape.

"Christmas in Connecticut" was directed with great panache by Peter Godfrey, based on a story by Aileen Hamilton.

The best thing in the movie is the felicitous pairing of two of the most popular stars of that era: Barbara Stanwyck and Dennis Morgan. Barbara Stanwyck always played strong willed women, obviously, this was a change of pace for her. In this film, as well as "Lady Eve", Ms. Stanwyck displays a knack for comedy. She and Mr. Morgan, who played in a lot of musical comedies, make a winning combination.

There are no weak performances in the film. Sydney Greenstreet, an actor notorious for playing 'heavies', is a delight to watch as the rich, and fat, Alexander Yardley, the man who owned a media empire and who knew a good thing when he saw it. Reginald Gardiner, an accomplished English actor, adds luster to the stellar cast behind the two principals.

S. Z. Sakall, is another source of continuous mirth; he plays the Hungarian chef Felix,who has a hard time with his own version of the English language. Also, Una O'Connor makes a perfect Norah, the housekeeper in the Sloan perfect Connecticut farm.

In reading other comments in this forum, it's sad to learn that the glorious black and white cinematography is not appreciated by some people. After all, color was not widely used in the 40s, and most of the classic movies have to be seen in its original format because, what would be accomplished in 'coloring' them?

This film should be a requirement for anyone looking to spend almost two hours of uninterrupted fun at Christmas time because total merriment is assured. Watch it with an open mind and heart an maybe you'd like to see "Christmas in Connecticut" every year.

From the perspective of the hectic, contemporary world in which we live, the so called `good old days' always seem so much more serene and innocent; an idyllic era gone by of which we have only memories and shadows that linger on the silver screen, as with `Christmas In Connecticut,' a warm and endearing film directed by Peter Godfrey. Barbara Stanwyck stars as Elizabeth Lane, a popular `Martha Stewart' type magazine columnist who writes about life on her beloved farm in Connecticut, always with the latest recipe at the center of the story. One of her biggest fans is Alexander Yardley, played by Sidney Greenstreet, the publisher of the magazine for which she writes. Yardley has never visited her farm, and in response to an idea expressed to him in a letter from a nurse, Mary (Joyce Compton), he decides to spend an old fashioned Christmas with Elizabeth, her husband and child and, as a special guest, a certain Mr. Jefferson Jones (Dennis Morgan), a sailor just recovered from spending fifteen days at sea on a raft after his ship was torpedoed. Elizabeth of course cannot refuse her boss, but there are problems; not the least of which is the fact that she has no farm and writes her column from the comfort of a high-rise in the city. It makes for a precarious situation for her as well as her editor, Dudley Beecham (Robert Shayne), as the one thing Mr. Yardley demands from his employees is total honesty. What follows is a charming and delightfully romantic comedy that transports the audience back to a seemingly more simple time and place, to share a Christmas Past where a warm hearth, good food and kindness prevail.

Barbara Stanwyck absolutely sparkles as Elizabeth, with a smile and presence warmer than anything the grandest hearth could provide, and totally convincing as a city girl entirely out of her element on the farm. Morgan also fares well as the somewhat naive sailor, whose trust in his fellow man is admirable. Even with the deceptions being played out around him, he's the kind of guy you know will somehow land on his feet, and in the end it's Elizabeth you really feel for. One of the true delights of this film, however, is Sidney Greenstreet. His Yardley has a gruff exterior, but beneath you know without a doubt that this is a man with a heart as big as Texas. It's a straightforward, honest portrayal, and it's a joy to watch him work; the most memorable scenes in the movie belong to him.

The supporting cast includes Reginald Gardiner (John Sloan), the terrific Una O'Connor (Norah), Frank Jenks (Sinkewicz) and Dick Elliott (Judge Crothers). A feel-good movie that plays especially well during the Christmas Season (though it would work any time of the year), `Christmas In Connecticut' is a memorable film that never takes itself too seriously, is thoroughly uplifting and will leave you with a warm spot in your heart and a sense of peace that makes the world seem like a good place to be. It's a true classic, and one you do not want to miss. I rate this one 10/10.

This is a screwball comedy disguised as a Christmas movie. I almost prefer Barbara Stanwyck in this than in the Lady Eve. She is a bit less restrained, a bit warmer. She moves with ease in an almost all male cast. The holiday theme is almost incidental, it definitely takes a sideline to the charade in the house of her being a domestic goddess. Barbara Stanwyck carries the movie right through to the end. Her extra slim figure is pleasing in very simply tailored clothes. Your heart almost sinks for her when she is going to be married to the very droll architect. The actual farm setting is fun and makes it more believable. Not very well known, but not to be missed.

Anyone who has watched the recent remake of 'Christmas in Connecticut' will fully appreciate just how wonderful the slim story was in the hands of Barbara Stanwyck, Dennis Morgan and Sydney Greenstreet. No masterpiece, but so much better than the weak remake. The whole film revolves around the mistaken belief by editor Greenstreet that Stanwyck (his favorite Martha Stewart-type of writer) is a homemaker with a house, husband and baby in the country. This, of course, means that the inventive woman has to enlist the aid of others to play out her scheme when Greenstreet invites himself and a ship-wrecked sailor (Dennis Morgan) for the holiday week-end.

The slight comedy develops a few complications along the way--and it all looks very holidayish with the lovely country home in Connecticut--which, thanks to Warner Bros. art decoration, looks like something from a magazine cover. Stanwyck's forte is really heavy drama but here she displays a light enough touch to make her scenes with Morgan and Greenstreet delightful to watch. She gets great support from Una O'Connor, S.Z. Sakall and Reginald Gardiner under Peter Godfrey's light-hearted direction.

It's as unpretentious a confection as a child's homemade Christmas card and just as charming--light and fluffy entertainment that makes no great demands on your viewing pleasure. Worth viewing, especially around the holidays.