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The most surprising thing about Betrayal From The East is that Drew Pearson put his time to it. In post war America Pearson was one of the earliest and most consistent critics of Senator Joseph McCarthy and the brand of right wing conspiracies he was peddling. It shocked me that he would lend his name to this kind of propaganda claptrap.

Lend it he did to this film which has the Japanese contacting former army guy Lee Tracy now a carnival barker to see if he could get the plans for the Panama Canal defense. Presumably Tracy's efforts in foiling the Japanese designs on the canal are the reason it was not a casualty of war.

I'm still trying to figure out why American agent Nancy Kelly who Tracy sees killed in San Francisco winds up in the Canal Zone on another assignment on the same case where Tracy is now. What were the writers thinking with?

The film is a cheap imitation of one of Humphrey Bogart's and John Huston's lesser films Across The Pacific. This makes that one look like Gone With The Wind.

This was a very well produced picture in B&W for the 1940's, it told about the Japanese trying to obtain vital information to be used against the United States in the Panama Canal and the horrible tortures they inflicted on American Citizens during those WWII War Years. Lee Tracy (Eddie Carter),"High Tide",'47, was a former Army soldier and was a wheel and dealer. However, his love of country forced him to work against Japanese spies like Richard Loo,(Lt. Cmdr.),"Battle Hymn",'57, who all during the War Years played hateful roles in many films as a "JAP" as they were called in the 1940's. It is foolish to be critical of this film, it was under budget and had a great story to tell the American People that we must be always ready to defend this great Country we live in. It was Germany and Japan and Italy in those years, today we have the same threat of TERROR!

the first time i saw this movie was when I was about 8 years old and even after all these years i still remembered the movie even though I couldn't at times remember who the stars were and it wasn't until I was looking through an old movie book that had all of the 1940s movies in it did I see a brief review and several pictures of it And found out who the stars were.And quite recently at a movie memorabilia show in NYC I asked about the movie and was able to find out that it was on DVD.But the man didn't have a copy of it but told me would bring it to the next show.And he did and of course I purchased it and watching it again made me recall how good it was.The stars were Lee Tracy,Nancy Kelly,Regis Toomey and my favorite Japanese villain of all time Richard Loo ,If you see it anywhere my advice is pick it-up regardless of the cost.

Inspired from actual events, this William Berke's film is very unusual and interesting. It shows that in America, you have born Americans - white, not Asian - who could work for the Rising Sun evil empire. What a shock for me...I thought that only Americans from Japanese descent could, for obvious reasons. Thats' for this reason, I guess, they were all sent to camp such as Manzamar.... So, yes, what a gem this RKO movie, revealing astounding matters. Philip Ahn is of course i the cast. I am deadly sure that he played in every forties decade war film involving the Pacific front, not the European of course !!!

With World War II approaching, Japan's diplomatic services push a global message of peace but, behind the scenes they plot their attack on the US, using a network of spies and traitors to get information to aid their mission. In America, Japanese secret agent Kato approaches former soldier Eddie Carter to recruit him to report back the details of the Panama Canal. Eddie is down on his luck and working as an announcer in a tacky fair sideshow and he agrees to help them for a big payday. However he quickly has his doubts and finds himself in the position to do the right thing for the US and act as a double agent.

With lots of talk about "Japs" and the title sequence involving a typical "yellow menace" image of a Japanese man it is no surprise that this thriller is very much a simple propaganda film. Presented by newsman Drew Pearson, we are told the story of how "friendly" Japanese in America are really spies, not to be trusted, who use their cunning and sweet talk to win over a typically good American to make him betray his country. Unsurprisingly the drama is as simple as the characters and although it works well enough on the level of an engaging piece of propaganda it doesn't have too much to make it stick in the mind; with perhaps a late scene of steam bath torture being the one exception. It goes where you expect it to and it moves forward without the pace and tension that I would have liked but, like I said, as a simple propaganda thriller it just about does enough.

The cast match this approach by being solid but nothing more. Lee Tracy is a cookie-cutter all-American Joe who does "the right thing" and opens all our eyes to the fact that no Japanese people in America can be trusted. He is OK but I wonder does he regret his role given what happened to Japanese Americans around this period? Kelly is alright and Ahn and Biberman do their usual roles in American films from the time but generally they all turn in the type of solid performances that one would expect to find in this type of thing.

Overall this is an OK but unmemorable thriller that is heavy with propaganda and a sense of fear-driven rabble-rousing. It more or less works as a simple b-movie but it is hard to totally get into it when looking back with hindsight and modern eyes and seeing the clear racism and very broad strokes used to present clean-cut white heroes and smarmy, untrustworthy yellow devils.