Le campane di Santa Maria

The key to the movie is the scene when Patricia reads her essay (made with a little help from Father O'Maley) : to be (or not to be) is the final sense ,the common sense and the most important of them all.

Although it takes place in a Capraesque universe ,some of the subjects are not irrelevant today:Patricia who does not pass her exam on purpose ,any teacher of the world has met such a pupil! At a time when many marriages are broken ,the movie has a contemporary feel.

A priest -who 's going his way,to mention the first movie he appears in- and nuns ,with Ingrid Bergman as Mother Superior.And it's never dull,never tedious ,thanks partly to the marvelous chemistry Crosby/Bergman.They would give faith to a complete and utter heathen.

Remarkable scenes

-O'Maley's delivering his speech while the nuns roar with laughter cause the kitten is playing with the priest's hat.

-Patricia,reading her essay,which does deserve an A+

• My favorite is the play the kids perform before a very small audience (Sister Benedicte and O'Maley):the nativity scene.Sister tells they did everything by themselves."I would not change a line" O'Maley says. McCarey probably let his young actors improvise -and they are very cute-.Nowadays ,acting becomes more and more important in the national curriculum ,as soon as the pupils begin school:it works wonders for the children's self-confidence,teacher's honor!The boxing lesson (by the nun,not the priest) is probably largely improvised too.

-When O'Maley tells Sister Benedicte she won't be in charge of the school the next year ,she barely utters three words.Stunning.

Horace P.Bogardus seems to be out of a Capra movie,"you can't take it with you" comes to mind.

"The Bells" is also a musical made with taste; the songs always come at the right time ;best example : Crosby singing "song of beginning again" as the prodigal father accompanies him on piano.Phil Spector enjoyed the title track so much he had Bob B Soxx and the Blue Jeans record it on his Christmas record (1963):their version is sumptuous.

In spite of its sugar-coated side,"Bells" can still appeal to today's audience :Bergman's and Crosby's beaming faces can win anybody over .

What has always attracted me to the oldest films starring Bing Crosby as a priest has been the ability he had to transfer to the viewer a tremendous warmth and tenderness. Certainly, his lines were written, but they were more than mere lines, for he embodied the attitude and intent of them so noticeably that it is hard not to end such a film without wanting to emulate such a man.

From his son, Gary, from his book "Going My Own Way," one can read a different story of his father. He claimed that Bing was cruel, cold, remote, and both physically and psychologically abusive -- such hard words to take in when one can be so deeply moved by his performances, especially as a priest.

His son, Philip, disputed his brother's claims, writing, " I loved him very much. He loved all of us too, including Gary. He was a great father." It is Philip's words I prefer to believe, for no man could give as much as his father did on the screen and it not come from his soul.

Ingrid Bergman's face in TBOSM was very beautiful, as though she came from heaven herself. Truly, she was one of the most gorgeous women that ever graced yesterday's films, and she too portrayed remarkably well the gentleness and kindness we envision God to be.

Watch this film and be blessed.

I had often heard how this film was nominated for Best Picture and other important Academy Awards, so I was glad to see it on cable a few days ago. I was very pleased with it. The film builds up to quite an emotional, dramatic ending. There are some moments when Ingrid Bergman simply shines with a special radiance. Bing Crosby was excellent also, although I think he had many better songs to sing in his long career. The direction seems slow-paced at times, but in a way this measured pacing gives the audience a better chance to focus on the characters on the screen.

The story certainly touched upon some important issues of Catholic education in the 1940's and 1950's. There were always fine attempts to help children from the other side of the tracks to prosper in a private school, with assistance of various kinds. The postwar population boom, however, led to huge numbers of children being educated as cheaply as possible in crowded, old, unsafe buildings. It was not uncommon to have 70 pupils in one classroom. In this film the nuns are relentlessly polite, but in real life they had to be very strict to control large classes. The picture refers to "fire traps" and the fact that St. Mary's School was about to be condemned. How ironic this was, for just 13 years later -- on December 1, 1958 -- a fire swept through the antiquated Our Lady of the Angels elementary school in Chicago, killing 92 children and three nuns. That tragic fire led to sweeping changes in building code laws and the modernization of thousands of schools across America, both public and private.

At a big city Catholic school, Father O'Malley (Bing Crosby) and Sister Benedict (Ingrid Bergman) indulge in friendly rivalry, and succeed in extending the school through the gift of a building.

Although generally associated with Christmas, there is really only about five or ten minutes directly related to the holiday season. Of course, being a feel-good movie, it is appropriate to watch at that time of the year, just the same. Especially with Bing Crosby in the lead... who captured Christmas in the 1940s and 1950s more than he did? This is also a great performance from Ingrid Bergman during her Hollywood years. The boxing scene is incredible and make the whole film worth watching.

As the companion piece to "Going My Way", "The Bells of St. Mary's" shares the same pleasant, upbeat tone, and it has a similar story that, though stylized, has some worthwhile and thoughtful material. Besides Bing Crosby, the cast here features Ingrid Bergman and several solid supporting players such as Henry Travers and Rhys Williams.

As Sister Benedict, Father O'Malley's foil here, Bergman gives this movie its own feel, with themes somewhat different from those in O'Malley's debates with Barry Fitzgerald's character in "Going My Way". Everyone has their own preference between the two movies, but as fine an actress as Bergman is, it's really hard to match - much less top - the dimension that Fitzgerald added in the other film.

Probably each of the two Father O'Malley movies should just be enjoyed for its own merits. While the story here is hardly anything weighty, "The Bells of St. Mary's" offers good entertainment and some worthwhile, positive thoughts.