Weird Woman

"The Inner Sanctum" films usually failed to live up to anyone's expectations. Out of the six movies made from this series, only two are worth bothering with. "Weird Woman" is a pretty good one. Once again, Lon Chaney Jnr is the leading man as he plays a college professor who is the subject and target for petty jealousy and bigotry from his colleagues and students. As a result of this, his wife employs Witchcraft so as to protect her husband.

Evelyn Ankers is completely cast against type as the main villain of the piece. She plays her role well.

This had always been the one "Inner Sanctum" I was most interested in because it was an adaptation of Fritz Leiber's "Conjure Wife", later filmed as a superior British horror film, NIGHT OF THE EAGLE aka BURN, WITCH, BURN! (1962). This version is highly enjoyable, even if some of the fun to be had is the result of its unexpected goofiness and campiness (at least when compared to the deadly serious 'remake'). The would-be sinister native rituals consist of nothing more than harmless Tahitian dancing and risible mumbo-jumbo! Lon Chaney's irresistibility to the female sex is unconvincingly stretched to no fewer than 3 women in the film when, ultimately, he is no more than an amiable beefcake of a leading man!

Still, the female roles here are surprisingly strong: Anne Gwynne (as Chaney's superstitious native wife), Elizabeth Risdon (as the acid-tongued Dean), Elizabeth Russell (as the ambitious wife of Chaney's senior colleague) and especially Evelyn Ankers (relishing a rare villainous role as Chaney's vengeful ex). Ralph Morgan (as Russell's ill-fated husband and Chaney's direct competitor) also makes a good impression. While the film is occasionally atmospheric, it suffers in comparison with NIGHT OF THE EAGLE and that film's memorable climax is sorely missed (especially since the supernatural element is heavily toned down here). A highlight of the film is Ankers' nightmarish vision as she is haunted by her victims into confessing her crimes.

P.S. As with the previous entry in the series, CALLING DR. DEATH (1943), the Ygor theme from THE GHOST OF FRANKENSTEIN (1942) is incorporated into the music score! By the way, am I the only one bothered by the fact that Chaney is billed merely as "Lon Chaney" rather than "Lon Chaney Jr." - or, for that matter, the fact that the credits merely state that the film is based on a story by Fritz Leiber without mentioning its actual title?

One of the better films in Universal's INNER SANCTUM series of mysteries to star Lon Chaney, and based on the novel CONJURE WIFE. As a suave and calculated writer of a recent book about dispelling false superstitions, Lon is married to a lovely young girl named Paula (the adorable Anne Gwynne) whom he first met at a voodoo ritual on an island some years ago and who is still interested in the occult, magic, and strange rituals. When all sorts of odd occurrences and deaths transpire, the blame is laid at the feet of the "witchy" Paula, much to her husband's chagrin.

This installment benefits from a good cast. Anne Gwynne has always received my vote for the most attractive of the '40s Universal babes, and Evelyn Ankers (THE WOLF MAN, THE GHOST OF FRANKENSTEIN) is a close second and earns extra points in this one for portraying a baddie this time around, much against type. Elizabeth Russell turns in a strong and compelling performance. Director Reginald LeBorg makes good use of dark, windy nights and eerie atmosphere to nice effect. The subject was tackled again later for the 1962 British film BURN WITCH BURN. *** out of ****

After 40-odd years of watching horror films,I finally caught up with this one. My expectations were not high and I thoroughly enjoyed it. I found the opening satisfyingly creepy as the movie is liberally larded with all the necessary elements of the genre e.g. howling wind, "haunted house" organ music, Lon Chaney's thoughts vouchsafed to us in the form of voice-overs etc etc. I thought the tension was maintained throughout the film, with the exception of the jungle scenes which are dopey.The ending is fantastic but appropriate. The companion feature on the video, "The Frozen Ghost", I thought was dull.

"Weird Woman" was the second of six "Inner Sanctum" mysteries adapted from the popular radio series of the day produced in 1943-45 by Universal and starring Lon Chaney Jr.

In this installment we begin with the young wife, Paula Reed (Anne Gwynne) of College Professor Norman Ried (Chaney), returning home in the middle of the night from an unknown destination. Reed is concerned about her irrational behavior. We then flashback to their initial meeting on an unnamed tropical island. It seems that Paula had been raised by a group that were involved in some sort of witchcraft and voodoo.

Norman and Paula marry and return to Norman's home in the US. They attend a welcome home party where Norman introduces the people to his new bride. Totally surprised is Ilona Carr (Evelyn Ankers) who thought that she had been the apple of Norman's eye. Others at the party who welcome Norman's new bride are Professor Millard Sawtelle (Ralph Morgan) and his wife Evelyn (Elizabeth Russell), the Dean of Reed's college, Septimus Carr (Harry Hayden), Ilona's brother and Norman's ally, Women's Dean, Grace Gunnison (Elisabeth Risdon).

Scorned by Reed's rejection of her, Ilona begins to lay a plan for his destruction. Meanwhile, Reed has become a successful author and scholar. Ilona meanwhile convinces the wimpish Professor Sawtelle that Reed is planning to expose him for plagiarizing a thesis in order to write his own successful book. Sawtelle becomes despondent and commits suicide. His wife blames Reed for causing her husband's suicide.

A young hero worshiping student Margaret Mercer (Lois Collier) goes to work for Reed and develops a crush on him. Her boyfriend David Jennings (Phil Brown) becomes insanely jealous and Ilona uses this to her advantage.

Reed follows his wife on one of her late night outings to find out where she is going. What he finds out changes the whole course of the story and results in further tragedy.

Chaney as always is excellent. He made even a low budget feature such as this better just by his presence. Anne Gwynne is lovely as Chaney's mysterious wife. Evelyn Ankers, Universal's Queen of the "B" horror movies stands out as the scheming Ilona. And yes you do get to hear her trademark blood curdling scream over the course of the film. Ralph Morgan has little to do and is killed off far too early in the story. The under appreciated Elizabeth Russell (who had appeared in several Val Lewton films of the same period) with her scary eye piercing stare also stands out in the supporting cast.

Pretty good little mystery.