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IMDbPro

The Very Thought of You

  • 1944
  • Approved
  • 1h 39min
VALUTAZIONE IMDb
7,0/10
802
LA TUA VALUTAZIONE
Dane Clark, Dennis Morgan, and Eleanor Parker in The Very Thought of You (1944)
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
Riproduci trailer2:38
1 video
5 foto
DrammaGuerraRomanticismo

Aggiungi una trama nella tua linguaArmy sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

  • Regia
    • Delmer Daves
  • Sceneggiatura
    • Alvah Bessie
    • Delmer Daves
    • Lionel Wiggam
  • Star
    • Dennis Morgan
    • Eleanor Parker
    • Dane Clark
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    802
    LA TUA VALUTAZIONE
    • Regia
      • Delmer Daves
    • Sceneggiatura
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Star
      • Dennis Morgan
      • Eleanor Parker
      • Dane Clark
    • 27Recensioni degli utenti
    • 7Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Official Trailer
    Trailer 2:38
    Official Trailer

    Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali55

    Modifica
    Dennis Morgan
    Dennis Morgan
    • Sgt. Dave Stewart
    Eleanor Parker
    Eleanor Parker
    • Janet Wheeler
    Dane Clark
    Dane Clark
    • Sgt. 'Fixit' Gilman
    Faye Emerson
    Faye Emerson
    • Cora Colton
    Beulah Bondi
    Beulah Bondi
    • Harriet Wheeler
    Henry Travers
    Henry Travers
    • Pop Wheeler
    William Prince
    William Prince
    • Fred
    Andrea King
    Andrea King
    • Molly
    John Alvin
    John Alvin
    • Cal Wheeler
    Marianne O'Brien
    • Bernice Wheeler
    Georgia Lee
    Georgia Lee
    • Ellie Wheeler
    • (as Georgia Lee Settle)
    Richard Erdman
    Richard Erdman
    • Jimmy
    • (as Dick Erdman)
    Francis Pierlot
    Francis Pierlot
    • Minister Raymond Houck
    Richard Bartell
    • Trailer Camp Manager
    • (non citato nei titoli originali)
    Joseph E. Bernard
    Joseph E. Bernard
    • Mailman
    • (non citato nei titoli originali)
    Walden Boyle
    • Manager
    • (non citato nei titoli originali)
    Loie Bridge
    Loie Bridge
    • Landlady
    • (non citato nei titoli originali)
    John Burton
    • Wounded Soldier
    • (non citato nei titoli originali)
    • Regia
      • Delmer Daves
    • Sceneggiatura
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti27

    7,0802
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    10

    Recensioni in evidenza

    8pgilvoz

    Moving romance with solid performances... the good old kind!

    I happened to see it today on TCM and am glad I did (I actually remembered I had already seen it). Eleanor Parker is lovely and nuanced in this one, and as the previous comments say, her chemistry with Dennis Morgan was terrific. Morgan was a much better actor than many of his roles. Dane Clark and Faye Emerson were also better-than-average performers who always made a mark in their films. The dysfunctional family situation is surprisingly straightforward for its time. And the philandering sister is handled with finesse by Andrea King, another reliable supporting star at Warners throughout the 40s and 50s.... All in all, a good time at the movies... and it still holds up after 62 years.
    8friscodick

    A delightful romance filled with nostalgia and a surprise happy ending.

    I was born in 1936 and must have seen this movie as a kid because during my entire lifetime as soon as I heard the song "The Very Thought of You" the image of Eleanor Parker comes to mind. This movie, probably more than any other from that era, takes me back to the "home front" mentality during the war. It tells a story so common during wartime of two people in love and the tension and worry so typical when the man went off to war, perhaps never to come back. It told of love making without the embarrassing display of sex that permeates so many of today's movies. Yes, it was naive, and it would probably bore today's generation because there are no car chase scenes, no violence and no vulgar language. But most of all it gives one a good feeling about being an American. Eleanor Parker and Dennis Morgan are ideally suited. A couple of things strain credibility; i.e.,living in a large two story house on a clerk's income, getting a telegram from the War Department that names both Dennis Morgan and Dane Clark of being wounded as if they were joined at the hip, but aside from that it is mainly honest in its portrayal of wartime life on the home front. I know, I had three older brothers that went off to war. Richard Lane
    10reelguy2

    Can take its place with the great screen romances

    This WW2 romance can take its place alongside Now Voyager and An Affair to Remember as one of the most romantic films ever made. It's easy to see why Dennis Morgan became one of the busiest (and highest paid) actors under contract to Warner Bros. in the 40s; he's an ideal leading man here, projecting masculine strength together with the soft-spokeness so essential to romances of this type. His scenes with lovely Eleanor Parker are a working definition of chemistry on the screen. Dane Clark registers delightfully as Morgan's hyperactive sidekick. And what a score by Franz Waxman - there's one short cue for the scene atop Mount Wilson that's an absolute masterpiece.

    Offsetting the tender romance of the story is the edgy handling of the scenes with Parker's fairly dysfunctional family, which includes her bickering parents, philandering married sister, and developmentally-challenged brother.

    This is a film deserving of a greater reputation -- and thanks to recent showings on TCM, that may already be happening.
    6bkoganbing

    The Boy From Cal-Tech, The Girl From Pasadena

    The Very Thought Of You concerns a wartime romance between Dennis Morgan and Eleanor Parker, the people I describe in my review title. Though the film is dated by its time, it's still a pleasant romantic film about life and love in World War II America on the home front.

    Dennis and his buddies have been spending a cold, but relatively safe war so far in the Aleutians where the Japanese began an offensive, but are now stranded there. Someone in Washington decided to send his platoon to an area of actual fighting. Where does Dennis go, but to Pasadena as opposed to home. Pasadena is where the California Institute of Technology is and where Dennis attended school and he apparently identifies more with that town than where he is from.

    Dane Clark accompanies Morgan and soon the two are involved with a pair of hometown girls, Eleanor Parker and Faye Emerson. Parker who comes from a large family has divided opinion about her wartime fling, opposition especially coming from Beulah Bondi. In fact what with wartime housing and travel restrictions it seems that the fates themselves are working against the romance.

    There's a nice subplot going involving an older sister of Parker's, Andrea King and her marriage to sailor William Prince. King's been doing a little stepping out and isn't sure she didn't marry in haste as so many in wartime do.

    Though The Very Thought Of You is dated as mores have certainly changed and arguably not for the better, the film is a nice voyage to a more innocent and hopeful time.
    Flicker-15

    Dear John, from the Home Front

    This is an impressive drama about the other side of the familiar "Dear John" plot in World War II movies -- that is, what the women back home went through in fear, loneliness, and temptation while their boyfriends and husbands were far away, perhaps never to return. If you think of 40's movies as prudish, you'll be surprised by lines like, "I can't remember anymore the way it felt when we made love."

    Sidebar: A supporting actress, the later-famous Faye Emerson, had just married FDR's son Elliott when this film was released. Also, if you live in L.A., you'll enjoy scenes on the Cal Tech campus and on Mt. Wilson.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      During filming, Eleanor Parker learned that co-star Andrea King had a husband away at war, just as she did, and that King lived far away from the studio. With wartime gasoline rationing factored in, Parker invited King to stay with her, as Parker's house was only a five-minute drive from Warner Bros.
    • Blooper
      During an outdoor scene involving the rental car, there is a brief instance of the reflection of an crew member being seen, perfectly centered, in the car's right passenger "vent" window.
    • Citazioni

      Janet Stewart: Been out on a date?

      Molly: Yes. I want to talk to to you, Jan.

      Janet Stewart: I don't feel much like talking, Molly.

      Molly: Alright then listen. I think I know what the score is. You went ahead and got hooked, in spite of my advice. OK, so it's spilt milk. You made yourself a lonely bed and you're willing to lie on it.

      Janet Stewart: That's right.

      Molly: It isn't right. It's all wrong.

      Janet Stewart: Molly, please...

      Molly: Well what kind of a marriage have you got? A quick kiss, a swift kick and bingo - you're a war widow!

      Janet Stewart: Don't keep saying that.

      Molly: What kind of a man is it who'd talk a girl into an overnight marriage, knowing he's going off to war? Didn't it ever occur to him that you may never see each other again?

      Janet Stewart: It occurred to both of us. I know I'll see him again.

      Molly: You got some special kind of magic you sprinkled over him? Don't you think there are millions of girls who want to know their guys are coming back? Don't you think I wanted Freddy back once?

      Janet Stewart: Once? Don't you now?

      Molly: Sure I do. But don't you realise you can forget how a man really looks and talks and makes love? After two years, Freddy isn't real anymore.

      Janet Stewart: I'd remember everything about Dave, if we never saw each other again.

      Molly: That's because you can still feel his arms around you. Wait a couple of months, baby, and you'll be making double dates with me, just like we used to.

      Janet Stewart: No, I won't. Ever.

      Molly: No? Wait'll you get sick of the family and the cold cuts and Mom's nagging. Wait'll the smell of the orange blossoms in the valley gets you drunk at night and you're so alone, you're sick to your stomach.

      Janet Stewart: What do you think Freddy and all of the other husbands and sweethearts are fighting for?

      Molly: Well I didn't ask him to go.

      Janet Stewart: He didn't ask to go either. He went because there's a war to win and he is decent.

      Molly: Meaning I'm not?

      Janet Stewart: Yes, meaning just that. I've seen your lipstick smeared when you've sneaked in. Don't deny that you've...

      Molly: That's entirely my business...

      Janet Stewart: Oh, no it isn't, not when you butt into mine. I'd like to know how Freddy feels, away on a carrier for two years, wondering why you don't write. You and your being alone. How do you think he feels? I what if he knew you were spending his allotment on buying evening dresses for other fellows to enjoy? When he comes back, nobody'll blame him if he beats your head off.

    • Colonne sonore
      The Very Thought of You
      (uncredited)

      Written by Ray Noble

      Played during the opening credits

      Vocal rendition played on the car radio

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    Dettagli

    Modifica
    • Data di uscita
      • 20 ottobre 1944 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Con sólo pensar en ti
    • Luoghi delle riprese
      • Mount Wilson, California, Stati Uniti(David and Janet's drive in the rental car)
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 408.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 39min(99 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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