L'uomo ombra torna a casa

Generally the Fourth Sequel to nearly anything would be considered Garbage and You'd think that the Producers had milked the cash cow once too often...BUT 'The Thin Man goes home' the Fourth Sequel and penultimate Film in the Enjoyable MGM Series which ran from 1934-1947 is FAR better than you could really hope for.

Nick (William Powell) & Nora (Myrna Loy) catch a Train to see Nick's Parents merely for a Vacation, but everybody in the Small town are led to believe that Nick is on a Case... He Isn't...Well, Not until a Young man drops dead on his Parents doorstep from a Gunshot Wound -

'The Thin Man goes home' despite being 65 Years old now, doesn't feel anywhere near as dated as many other Films from the Era, There is plenty of Witty lines that are still Funny today and the Sparkling Chemistry between Powell & Loy is a joy to watch.

***1/2 out of *****

The Thin Man Goes Home find's Nick and Nora Charles visiting Nick's parents in their small New England town. The parents are Harry Davenport and Lucile Watson and Davenport has never gotten quite over the fact that Bill Powell did not choose to follow him in the medical profession. And he disapproves of Powell's liquid lunches mightily. Powell goes on a spartan diet of apple cider though no one believes him and that's a source of a lot of the comedy in The Thin Man Goes Home.

Of course no one also believes that Powell could be in town on anything but business and his mere presence touches off one guy ready to confess to some illegal activity when he's shot to death right on the doorstep of Davenport. An espionage ring his uncovered during the course of the investigation and the murderer who is eventually uncovered is not someone we would suspect. Due to some falsification of evidence the murderer almost gets away with it.

Here's a hint for you though. Forensics here more than in any other Thin Man film plays a part in the solution leading Harry Davenport to be proud that his influence was for the good with Powell.

When World War II started Myrna Loy unlike any other female star in Hollywood completely abandoned her career to devote herself to work with the Red Cross and other civilian agencies. It was a sacrifice that no other star of her gender made during the war years. This film was the only one she made from Pearl Harbor to V.E. Day.

This fifth film of the Thin Man series is also the first made without director Woody Van Dyke who committed suicide when he was diagnosed with terminal cancer. One of MGM's able studio directors, Richard Thorpe, pinch hit admirably for Van Dyke.

Funniest scene in the film is when Powell ditches Loy onto a jitterbugging sailor while he investigates. Worth it to see that alone.

Everybody has at least one skeleton in their closet, and Nick Charles is the man who can bring them out into the daylight. The fifth film in the excellent 'Thin Man' series sees our favourite married detectives, Nick and Nora Charles (William Powell and Myrna Loy), visiting Nick's parents in the small town of Sycamore Springs, a sleepy locale where everybody knows everybody and crime is practically non-existent… or so they thought! The famous detective's arrival is greeted with a wave of controversy, despite his own insistence that the visit is merely a quiet vacation. With everybody under the impression that Nick is investigating an important case, long-forgotten skeletons begin to emerge from their hiding-places, a young artist is shot dead on the doorstep and an ordinary-looking painting of a windmill becomes a vital clue in identifying his murderer.

'The Thin Man Goes Home' was the first film in the series not directed by W.S. Van Dyke, after he committed suicide in February 1943. Nonetheless, Richard Thorpe does a good job of recreating the mystery and good humour of the previous instalments, working off a script from Robert Riskin, Harry Kurnitz and Dwight Taylor. There are also a few notable adjustments to the usual formula: the action takes place in a small town rather than the city, and Nick Charles has gone completely teetotal {no doubt a consequence of the WWII liquor rationing}. Aside from obviously solving the mystery and apprehending the killer, the film has another important sub-plot concerning Nick and his disapproving father. Nora makes it her goal to convince Dr. Charles (Harry Davenport) that his son is, indeed, a detective genius, and fuels the rumours – in a not-so-subtle fashion – that he is here on a case. However, his father won't believe that Nick has gone off drinking, and various unfortunate moments of bad-timing do little to prove him otherwise.

Of course, the main reason we watch 'The Thin Man' movies is to enjoy the witty banter and playful rivalry between husband and wife, and a lot of it is still here, even if it takes a back-seat to the murder mystery itself. Just like the audience, Nora believes that she understands Nick's mystery-solving tactics to the letter, and she enthusiastically narrates his technique to the attentive Dr. Charles, occasionally tossing in her own opinion of the identity of the killer. Of course, she's almost always wrong. This mystery is a muddled affair, with seemingly everyone guilty for at least something, but it's the killer's name that proves a real surprise.

This film is hilarious! Powell and Loy's chemistry just doesn't let up, even after four sequels. I've now seen three of these films (The first, third and fifth), and the quality is as high as ever. I liked this one better than the third (Another Thin Man), though it's not quite as good as the first (The Thin Man).

The humour is excellent. These films wouldn't be half as good without the oft-subtle, always hilarious dialogue rampant throughout. And Powell and Loy are always perfect, they never miss a beat. One of the problems I had with the third one was that it felt forced, the humour just wasn't top-notch. But it's full-force here, nearly at the level of the first one. As well, the story is much more interesting than the third one, and almost at the level of the first. The first one had the spark, the originality, that won't ever be reproduced. But this script is sharp (although I really missed all of the great drinking jokes;), and it didn't (thankfully) have the brat of a baby;) And Asta is as cute as ever, what more could I ask for??

It's not perfect, it's not as good as the first. But it's up there! Another definite must-see; I'd recommend these films to all, an eternal classic!! 8/10.

It's 1945, the trains are packed with people, Asta doesn't remain hidden under Nora's fur coat so Nick, Nora and Asta end up in the baggage car as they travel to Nick's home town. And Nick is drinking only cider - his father never approved of drink. Thus begins, "The Thin Man Goes Home," made as the war was ending and a lot of people whose lives had changed were thinking about going home.

Nick, it turns out, has an uneasy relationship with his doctor dad because he himself never became a doctor. When the inevitable mystery arises around a murder, Nora wants Nick to solve it to impress his dad.

The fact is, the scripts of "The Thin Man" series never mattered. It was always the acting and interaction of William Powell and Myrna Loy, and here, as usual, they're great - loving, flippant, and funny. Since Nick is always falling on the floor or getting hit on the head, it's hard for anyone to believe he's sober. At a charity dance, in order to do some investigating, he gives his dance tickets to a sailor and Nora becomes his partner. The dance scene is hilarious as the sailor tosses Nora all over the place and swings her around with the kind of maneuvers you see in pair figure skating.

The war is still on so the story involves espionage. A very young Gloria de Haven does nicely as a self-consciously over-dramatic young woman; Harry Davenport and Lucile Watson are great as Nick's parents; and the later blacklisted Anne Revere does a fine job as Crazy Mary.

William Powell could read the phone book with class and humor; Loy looks beautiful and their teamwork has never been better. Highly recommended.