Aggiungi una trama nella tua linguaRags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a ... Leggi tuttoRags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a bandleader, she gets a chance to get back in the limelight by singing for his group.Rags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a bandleader, she gets a chance to get back in the limelight by singing for his group.
- Regia
- Sceneggiatura
- Star
- 2nd Butch - Specialty Act
- (as Walt Pietila)
- Nightclub Patron
- (non citato nei titoli originali)
Recensioni in evidenza
Okay, I'm a sucker for low-budget quickies, hoping for the occasional over-achiever. Happily, this is one of them. The flick's really more a comedy with a complex plot than a musical. But the pacing's snappy, the acting's colorful, and Tilton's such a sweetheart. Sure, it's the sassy Adrian and the scheming Brodel who get the acting and screentime, still, songstress Tilton's lovely voice carried me away. I just wish she had more numbers uncrowded by the screenplay. On the other hand, I'd never seen the feisty Brodel before. Too bad she didn't opt for a longer career since her talent for villianry is darkly clear. At the same time, I was hoping for some swing dancing with the flaring skirts so popular at the time, but maybe the budget didn't allow it. Anyway, the pacing never drags, while the sticky plot's happily softened by a supporting cast of humorous oldsters. So give it a look-see, especially for the "liltin' Martha Tilton".
When the film begins, Judy (Martha Tilton) is a poor aspiring band singer. She's out of work and cannot seem to get anywhere when she tries out for various producers. However, her break seems assured when she makes a lovely recording at a local studio...but it's lost when the record is accidentally mixed up and a no-talent gets credit for the single. Can they manage to straighten all this out and Judy get a chance to sing for the Benny Jackson band?
This film, not surprisingly, has a lot of singing. After all, Martha Tilton was a famous big band singer and so she croons repeatedly....and it's rather pleasant. However, despite decent music, the film also suffers from sloppy writing and some obnoxious characters. Overall, a passable time-passer but not exactly a film you should rush to see. And, actually, for PRC this is all very glowing praise!
It's a plot that's not remarkable in broad, and it's been done many times, well and poorly. This one has several advantages, including songs by Ray Evans and Jay Livingston, a couple of years before they hit it big. There are also some nice moments of gag comedy, and it's a pleasure to watch the professional musicians gawp in horrified astonishment at Miss Brodel's voice.
It also has a nice example of inadvertent documentary, showing how centralized jukebox systems worked.
The names in this are not ones to conjure with. Behind the camera was Jack Greenhaigh, a talented cinematographer who never got out of the Bs and frequently used his considerable talents lensing ludicrous films like ROBOT MONSTER and HITLER -- BEAST OF BERLIN. Sam Newfield, a mainstay of the usually dire PRC, directed, and shows that with a good script and eager talent, he can turn out a happy, modest movie.
Lo sapevi?
- QuizThe earliest documented telecasts of this film took place in Washington DC Monday 14 August 1947 on WTTG (Channel 5), in New York City Thursday 2 October 1947 on WCBS (Channel 2) and in Los Angeles Saturday 29 January 1949 on KTTV (Channel 11).
- Citazioni
Marge O'Day: What's good?
Waitress: T-bone steak, pork chops, hamburger, friend chicken and rabbit.
Marge O'Day: T-bone steak. T-bone steak.
Waitress: I just said that's good, but we don't have any. Uh, maybe you better have a salami sandwich.
Marge O'Day: Oh, well. That's what we had in mind.
- Curiosità sui creditiOpening credits and ending are viewed with background of spinning vinyl record being played on a turntable.
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Dettagli
- Tempo di esecuzione1 ora 16 minuti
- Colore
- Proporzioni
- 1.37 : 1