Temporale d'estate

SUMMER STORM is Douglas Sirk's 1944 filming of Chekhov's 'The Shooting Party.' Why this literate, mature and well acted film isn't better known is a mystery to me.

Set in Russia just before the revolution, it stars dark and lovely young Linda Darnell as a peasant beauty who's quest for wealth and position leads to tragedy and death.

Linda Darnell has one of the best roles of her film career, and she's never been better then she is here. She gives a sensual and sexy performance as the vain and greedy girl who plays several lovers against each other in order get all she can out of each of them. I think Linda Darnell's beauty hardened rather early, and even by A LETTER TO THREE WIVES in 1949, she was already rather sharp and cold looking. But in 1944 and SUMMER STORM, she was still soft and lovely, and one of the most remarkably beautiful brunettes of the era.

George Sanders gives another fine performance, in a rather typical George Sanders part, as a snobbish, aristocratic judge who's obsession with the girl ruins his career and his engagement to lovely Anna Lee. His loves scenes with Darnell are quite frank and passionate for their day, and both stars are excellent together.

And Edward Everette Horton gives what has to be one of the best performances of his career, in a role quite unlike his usual, as a spoiled, lecherous Russian count.

A top notch adult drama in every way.

This movie is a stagy Hollywoodish interpretation of a story by Anton Chekhov. While the story itself is good, the problem is that Hollywood converts the story into melodramatic pulp. George Sanders was a great actor but here he is entirely miscast. Playing starstruck was not Mr. Sander's forte. Linda Darnell was beautiful and was also a great actress but casting her as a Russian Russian peasant woman, and a self-centered, illiterate one at that, was a bit of a stretch. Her manipulations were laughable. The idea of her character actually getting over George Sander's character tested the limits of plausibility. Some of the supporting cast were more believable, something however that cannot be said for Edward Everett Horton. One was hard pressed to ignore Mr. Horton's jocular Americanese inflection suggesting a character who might have been more at home at a baseball game anywhere in the United States. All this notwithstanding, it's still a good movie and worth watching because despite the aforementioned flaws, Mr. Sanders is dashing, Ms. Darnell is ravishing, Mr. Horton is amusing, the rest of the cast is wonderful and the movie overall is entertaining, which is the ultimate bottom line.

This had to come my way by accident. I must have wanted the 2006 film of the same name, and clicked this by mistake. It's the only reason I can imagine I have it.

Well, have it I do, and lets see what we have.

Linda Darnell (The Mark of Zorro) was excellent as a gold-digger, and George Sanders (All About Eve) outstanding as the object of her love. Edward Everett Horton was amazingly funny as a Count who was to lose it all in the impending Russian Revolution.

Lori Lahner was also a scene stealer in her only film.

A tragic love story that makes me glad I got it in error.

Count Volsky (Edward Everett Horton) submits a book to be published at the publishing house owned by a former acquaintance, Nadena (Anna Lee). It is an account of the life of his friend and Nadena's one-time boyfriend, Judge Fedor (George Sanders) and it takes place over the summer months. Nadeena reads the manuscript and the story unfolds in flashback as we are introduced to a peasant girl, Olga (Linda Darnell). We follow her journey to obtain wealth and power and the lovers that she cheats in order to obtain her goals. The account is written by Fedor and he does not know that his friend Volsky has sold it for money. How will he react....especially given the contents.....?

The film is set in Russia where there is a definite class split. We see Olga climb her way to the top at the expense of those who fall in love with her. Then, there is a dramatic twist - a murder. Who is the killer? The cast are good - Horton is funny, Sanders is both suave and desperate, Darnell is ruthless while Sig Ruman is particularly good as Kuzma, Darnell's husband. The film is a love story that is particularly tense and dramatic at the end. There is a terrible substitute for the word "lightning" that is repeated a few times in the film, an attempt to draw in the viewer to sympathize with those that utter it. It fails. If anyone said "heavenly electricity" to me, I'd tell them to talk properly. Nevertheless, it's a good film and worth seeing again.

Such a pity that Detlef Sierck was unable to realise his wish to film Anton Checkhov's 'The Shooting Party' whilst working at UFA Studios, even more so in that, as Douglas Sirk, he eventually turned out this homogenised Hollywood version.

Mr. Sirk's visual sense is evident here and it is nicely shot by Archie Stout but the whole enterprise is studio bound, pedestrian and utterly devoid of passion.

The film's poster is designed to show the physical attributes of ravishing Linda Darnell who plays the first of her sultry temptresses. Her beauty wreaks havoc in the lives of her woodcutter husband played touchingly by Hugo Haas whose East European accent makes his character refreshingly idiomatic; the blinkered, hedonistic and utterly loveable aristocrat of veteran scene stealer Edward Everett Horton and the judge of George Sanders. Although Russian by birth, Gentleman George in his first of three films for this director, is far too urbane to convince in such a passionate role whilst his scenes with Miss Darnell lack the necessary fire.

In retrospect, with the notable exception of Clarence Brown's 'Anna Karenina', Hollywood's attempts to film Slavonic literature must be accounted a failure. The cultural gap is simply too vast.