Il ritorno del vampiro

I really enjoyed this movie. It was unique in that the Vampire had a werewolf as his assistant. This werewolf wears a suit, talks, smiles and, in general, acts like a normal human being. The movie was basically a sequel to Dracula but the vampire played by Bela Lugosi could not use the name Dracula because this was a Columbia picture and Universal Studios had the legal rights to the Dracula character. But, it was still Lugosi at his scary, pompous best.

It's interesting that even though Bela Lugosi enjoys an eternal reputation of playing the most imitated vampire of all (the legendary Count Dracula), the actor really didn't star as a true bloodsucker in that many motion pictures. But he's nothing less than the real deal here, in an enjoyably misty and moody horror offering which was produced by Columbia Pictures, yet could be easily mistaken for any one of the 1940s classics that Universal Studios was churning out at this time.

Though Bela looks and sounds much like Dracula with his trademark flowing cape and piercing eyes, this time he plays a different character called Armand Tesla, a vampire who rises from his grave in ravaged WW II times to seek revenge many years after being destroyed with a metal spike. Frieda Inescort is a welcome change of pace as a female "Van Helsing" type of protector, and the Lon Chaney-ish Matt Willis is cast as a pitiable servant named Andreas, who becomes corrupted by Tesla and is transformed into a werewolf that TALKS! Adding this hirsute Renfield character in fangs and fur was possibly an effort by Columbia to compete with Universal's current monster rally, FRANKENSTEIN MEETS THE WOLF MAN. Nina Foch is the pretty young damsel in distress whom the vampire plots to possess. Fans of Bela Lugosi and the classic old Universal monster movies will not want to skip this one. *** out of ****

If you're looking for a movie that will give you some good, old fashioned, escapism and not try to preach to or lecture you, you will enjoy this movie. Lugosi, with the aid of Andreas (his werewolf assistant) is once again trying to capture the heart and soul of a young woman. But, the young womans' soon to be mother-in-law is on to Lugosis' plot and a real battle royale is soon underway. This is a down to earth, old time vampire movie which takes place during the WW II years. Enjoy it for what it is and don't take it too seriously. IMHO, the walking, talking, sharp dressing vampire assistant is one of the best parts of the story. Andreas has a real inner conflict while trying to decide whether to help his evil vampire master or to help the heroine rid the earth of this monster.

This beautifully shot B&W 1940s vampire film is loaded with the kind of old fashioned, spooky atmosphere that fans of classic Gothic horror will love. The fogbound sets are deliciously creepy, the graveyard & crypt sets nothing short of fabulous! The spooky music adds a lot as well. Bela Lugosi, about 60 here and well into the undeserved waning days of his career, is damn good. Tall, imposing, and as strong a screen prescence as ever, he raises questions as to why the often heartless and stupid film industry did not make better use of his talents. He shows here that he could certainly still carry a film and command the screen. But the script needed work. Matt Willis as the talking werewolf is laughable. When he's seen entering the graveyard carrying what looks like a package of Chinese laundry, I howled! I just couldn't see him running shopping errands in his werewolf garb! And no explanation is offered as to why the vampire's slave turns into a werewolf, a state he retains regardless of whether or not the moon is full. He's a wolf even in broad daylight. Still, this is a fun, somewhat creepy film, and Lugosi is always worthy of your time.

This has got to be one of Bela's most underrated performances, a bright spot among the dreariness of Monogram potboilers. Columbia allows him to both reference Dracula while at the same time expanding the definition of vampirism by having him play Dr. Armand Tessla, the "depraved Roumanian scientist" who is so obsessed with evil that he actually becomes a bloodsucker. (there is also a nifty sketch of Lugosi drawn in a book about his character) Lugosi is alternately sinister, avuncular, lovestruck, arrogant, and commanding. His voice, usually cause for laughter at its ripe indelibility, is used extremely effectively as a whisper when he is calling Nina Foch into the graveyard. ("Just a little bit further--further--further!") This is actually quite eerie. His exchanges with Matt Willis are atmospheric and believable, in that someone undead would naturally have supernatural acolytes surrounding him. (so what if they sprout facial hair; that just gives the acolyte more "texture") I have to disagree with viewers who think Willis is ridiculous as a talking wolf; I happen to think he's the best thing in the film. Willis' natural speaking voice is kind of strange, half Southern, half something..and when he's the werewolf with those teeth his line readings are really creepy. My favorite is when he's saying "as if they could tell what happened!" and then he chuckles. He is really effective. The whole production is sort of tongue in cheek and the Britishness at its height. (Frieda Inescort: "The Gerries have rather taken things out of your hands") The WWII element adds more interest, and Lugosi has a droll line that he is going out of his hotel but, "whether I can be reached is another matter." A jarring note is Foch's boyfriend, who has "Lady Jane" as his mother and yet speaks with a German or Dutch accent. All in all, a must for Lugosi fans and all other horror film fans interested in how Columbia does this kind of movie as opposed to Universal.