Una donna senza scrupoli e la sua banda predano soldati e marinai in una città di imbarco.Una donna senza scrupoli e la sua banda predano soldati e marinai in una città di imbarco.Una donna senza scrupoli e la sua banda predano soldati e marinai in una città di imbarco.
Dorothy Morris
- Rosalie Dibson
- (as Dorothy Ruth Morris)
Wally Cassell
- Jenkins
- (non citato nei titoli originali)
Kernan Cripps
- Police Scientist
- (non citato nei titoli originali)
Tom Drake
- Radio Broadcaster
- (voce)
- (non citato nei titoli originali)
Dick Elliott
- Mac McLean
- (non citato nei titoli originali)
William Frambes
- Serviceman in Police Station
- (non citato nei titoli originali)
Dell Henderson
- Plainclothesman
- (non citato nei titoli originali)
Herbert Heywood
- Hotel Clerk
- (non citato nei titoli originali)
John Kellogg
- Soldier Assisting Police
- (non citato nei titoli originali)
Nolan Leary
- Messenger
- (non citato nei titoli originali)
Mitchell Lewis
- Plainclothesman
- (non citato nei titoli originali)
Robert Middlemass
- Detective
- (non citato nei titoli originali)
Recensioni in evidenza
While boasting "more stars than there are in heaven" MGM was not terribly stellar when it came to making crime pictures. This is a somewhat clunky example of that shortfall, but still worth an hour of your time.
What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.
No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.
All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.
What's interesting about Main Street After Dark is its noirish view of the American home front during World War II, made when the war was still going on.
No Andy Hardy-like coziness here. Main Street in this burg is teeming with pickpockets and pattyrollers (whatever those are) all eager to bamboozle the boys in uniform before they ship out.
All in all, it's a surprisingly gritty take on the seamy side of wartime America, enlivened by the screen debut of Audrey Totter, who plays-what else?-one tough dame.
MGM usually produced smoother B-films than MAIN STREET AFTER DARK, a curious item that starts out as a small-town study of crime, turns into a family melodrama about a bunch of pick-pockets and thieves, and then turns deadly serious when a murder is committed and the "crime doesn't pay" theme is attached to the unhappy ending.
SELENA ROYLE is the tough head of a crime family (in the sort of role you'd expect to find Shelley Winters) with TOM TROUT and DAN DURYEA as her criminal sons and AUDREY TOTTER as her wise-cracking daughter-in-law. The story involves girls who prey on soldiers and sailors to steal their wallets and anything else for financial gain so the profits can be turned over to the local pawnbroker (HUME CRONYN).
It's rather slow going even for a film that lasts just under an hour and leads to an obvious "crime doesn't pay" sort of conclusion.
The treatment is dated and heavy-handed with EDWARD ARNOLD in one of his least convincing roles as a detective committed to solving the series of petty crimes that eventually lead to a murder.
Summing up: You'll find the cast interesting but the plot is strictly by the numbers.
SELENA ROYLE is the tough head of a crime family (in the sort of role you'd expect to find Shelley Winters) with TOM TROUT and DAN DURYEA as her criminal sons and AUDREY TOTTER as her wise-cracking daughter-in-law. The story involves girls who prey on soldiers and sailors to steal their wallets and anything else for financial gain so the profits can be turned over to the local pawnbroker (HUME CRONYN).
It's rather slow going even for a film that lasts just under an hour and leads to an obvious "crime doesn't pay" sort of conclusion.
The treatment is dated and heavy-handed with EDWARD ARNOLD in one of his least convincing roles as a detective committed to solving the series of petty crimes that eventually lead to a murder.
Summing up: You'll find the cast interesting but the plot is strictly by the numbers.
Too bad that more work and fine tuning wasn't put into this film. What you get is a mildly entertaining programmer about a family of pickpockets harassed by a police lieutenant who could be held partly responsible for the murder that takes place during a robbery. Even the title is misleading. with a title like "Main street After Dark," one would expect to see either a film noir or a "Naked City" type docudrama. Instead we get a "Crime Does Not Pay" type package that plays too much like a stage presentation, especially for the first thirty minutes. That's not to take away from an intriguing story, acted out by a stellar cast. One of the reviewers for IMDb mixes up the family, although the review itself is excellent. The family consists of ma, one daughter, and two sons. Lefty is one of the sons. He is married to Jessie Belle.
This film is about a family of scum and a cop, Lt. Lorrgan (Edward Arnold) who knows that they are scum and hopes to catch them! It seems that the Dibson family would rather make money picking pockets and rolling drunks instead of working and one of the sons, Lucky, is coming home from prison. He's learned nothing from his incarceration and plans on going right back to his crooked ways....just like his mother, brother, sister and Lucky's wife.
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
Up until the end, I fully intended to give this one a 7...or possibly and 8. MGM Made an awfully good B-movie...that is, up until the end. Just a few minutes from the end of the film, the Lieutenant goes to the Dibson family home to look for the sons. However, Ma doesn't want him arresting her sons, so she pulls a gun on the cop. He's able to get it away from her and only a minute or so later, the sons arrive. Now, remember, Ma just threatened to kill the cop with a gun...and no one is paying attention to her and she, once again, grabs a gun!! Now, no cop could be THAT stupid...and Arnold's character didn't seem dumb at all up until then. I think the director just wanted to wrap the film up and keep it B-movie length....and Bs were supposed to be inexpensive...so they just filmed this contrived portion instead of coming up with some better ending!
This film belongs to the first part of Edward L Cahn's career, before he drowned in grade B and even Z movies industry. This light hearted crime film made for MGM is not uninteresting for gem diggers as I am. This is a feature destined to the whole family for matinee theaters. It is short but not as sharp and brutal as a Warner Bros pictures of the same period, because this is not Ma Barker and her sons gang, another crime family scheme. And I found very amusing a scene of the whole criminal family, sitting in the living room and listening on the radio, not a song nor the news but guess what, the police messages thtru a scanner.....very unusual...
Lo sapevi?
- QuizFilm debut of Audrey Totter.
- BlooperWhen Lorrigan is checking Lefty's hands with the ultraviolet lamp, Lefty's hands alternate from palms up to palms down between shots.
- ConnessioniReferenced in The Middle Men (2021)
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Dettagli
- Tempo di esecuzione
- 57min
- Colore
- Proporzioni
- 1.37 : 1
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