Janie

This was a very comical film starring Edward Arnold, (Charles Conway) who owns a newspaper in Hortonville and he has two daughters Janie Conway, (Joyce Reynolds) who is a pretty teenage girl of 18 years and she has a little sister named Elsbeth Conway, (Clare Foley) who is seven years of age and a great actress in this picture. Janie is a very liked girl in her town and she has many girl friends and one boy friend she grew up with. Charles Conway finds out that the Army are going to be stationed in their town and he is not in favor of this idea and writes editorials about this subject in his paper. The Army does arrive and this creates plenty of problems for the local town folks. However, Janie is always finding ways to have parties and eventually she gets involved with an entire base marching into her house for a party. Clare Foley gave an outstanding performance along with Edward Arnold, Robert Hutton, (Pfc Dick Lawrence). This was a film made during World War II and was a morale builder for the American Fighting men and was very well produced.

Charles Conway (Edward Arnold) is tired of his daughter Janie Conway (Joyce Reynolds) and her flighty teenage ways. She and her friends get on Life Magazine for their blanket party. It's WWII and a new Army base is built nearby. All the girls are obsessed with the soldiers. Janie gets obsessed with Pfc. Dick Lawrence. His mother is a friend of her mother.

This is wartime and this is a bit teenager fun. I do wonder if these young girls would be acceptable during that time. I think they are supposed to be around fifteen. The big party is some chaotic screwball fun. There is a harmless triangle. It also works as propaganda to show some Americana for the troops.

I usually find movies of this era a little too slow or dull, this one kept me. It was humorous and well paced, nostalgic. Nothing too serious, but not too goofy either. Of course the girls were all immaculately dressed and the costumes and scripting for phrases was excellent. The premise was the same as what they use to build sitcoms today, Small town girl has beau that she has grown up with, romantic older fellow in uniform sweeps her off her feet, girl is torn between childhood ties and grownup romance...girl plans small affair while her parents are out, huge crowd shows up, party ensues and is broken up by the police and all of the characters still love each other in the end; all of the little side plots are happily resolved and that's the end. Good family film. (doesn't Janie look remarkably like Geena Davis?!?)

Janie is a delightful example of mid-1940s escapist cinema - a spirited, breezy comedy that captures the flavor of small-town American life during World War II with warmth and wit.

At its heart is a lively and headstrong teenage girl whose exuberance and imagination drive the film's pace. The film balances light-hearted mischief with sincere moments of reflection, tapping into the patriotic mood of the era while never losing its sense of humor.

Visually, the film is crisp and bright, with snappy dialogue and an ensemble cast that knows how to deliver charm without slipping into caricature. The energy never flags, and the tone remains upbeat even when touching on the complexities of wartime life and young love.

Though its themes are firmly rooted in the 1940s, Janie holds up surprisingly well as a nostalgic time capsule. It's a film that celebrates youthful independence and family dynamics, offering a sweet, playful story that's easy to enjoy.

Now we know how America won the war. There's more sheer bounce and energy in this 1944 family comedy than in the Nazi invasion of Poland. The gag lines and wisecracks fly faster than speeding bullets, while director-General Raoul Walsh cranks up the movie engine to jet speed. Note the constant movement inside the house as people are always going here and there. Shrewd move-- adapting a film from a stage play is like moving into a a coat closet if you're not careful. Not much of a plot-- something about soldier-boys coming to steal the local girls from their highschool sweethearts, creating a big commotion at the same time.

But who cares, with such a great cast right down to bratty little Elspeth who gets all the good lines and does nothing without being paid. Already she's learned our great economic lesson. The trouble is Dad can't figure out the younger generation because he's forgotten his own, while Mom can't seem to figure out which service uniform to wear. But that's alright because she looks good in all of them. And of course there's Janie, all spunk and glow, with her own army of boy-hungry pals. Together, they keep the phones buzzing with enough animal pizazz to light up a defense factory.

Check out the cutting-edge teens of the day-- taking a blanket on a "smooching" date with just a few hundred others. Now Dad's in an uproar when he finds out, but that's nothing compared to what he and Mom find after coming home late. There's the sailor in the bedroom, the soldier in the bathroom, and the wall gone flat in the living-room. Naturally, there's an innocent explanation for everything. And, of course, the invading servicemen were nothing but gentlemen the whole time.

Hard to believe that boys like these were dying by the thousands on the beach-heads of Normandy and Saipan. None of that here. After all, it's the Janie's of the world, safe and shielded, that the boys were fighting for. Even if it's just 90 minutes, what a great escape from all those other horrors. This is small town America, about to undergo a sea change. You can hear the waves lapping already. It's really not just the army that's come to Hortonville; it's the outside world. And all the malt shops, "smooching" parties, and small town innocence will never be the same once the war ends. This is not only a darn good little comedy-- but also a darn good little time capsule worth preserving.