La mia via

If you are looking for something thoughtful, dramatic, or even controversial, go somewhere else. But if it's a light-hearted comedy you're after, then pull up a chair and check out "Going My Way".

Bing Crosby stars as Father Charles "Chuck" O'Malley, a newly-ordained priest assigned to take over St. Dominic's, a New York City church with a mortgage currently run by veteran priest Father Fitzgibbon (Barry Fitzgerald). Both Crosby and Fitzgerald give good performances in this movie, as attested by the fact they each won an Oscar (and Barry Fitzgerald was nominated TWICE, for Actor and Supporting Actor, a move that necessitated a rule change at the Academy). If you ask me, between the two of them, I would go with Barry Fitzgerald. His portrayal of the crusty, yet kind-hearted Father Fitzgibbon was a role he was born to do, and it shows.

This movie also features the talents of soprano Risë Stevens, who plays Jenny Linden, an old friend of Father O'Malley's, in town performing at the Metropolitan Opera House as Carmen. Though her acting is somewhat wooden (it was only her second role), she shines all three times she sings. Which leads me to the title of the movie itself.

"Going My Way" is not a story about the Catholic Church, nor is it about old friends reuniting, or even about two young lovers (James Brown and Jean Heather). It's about a song. That's right. A song, written by Father O'Malley, and upon which its success determines the very future of St. Dominic's. Like I said, this is light comedy; nothing too serious is happening here.

At the time of this movie's release in 1944, World War II was at its crescendo. The newsreels and the papers were full of reports of the war. Some war veterans had made their way back home after getting wounded in battle. Major offenses like Operation: Overlord (D-Day) had succeeded, but at tremendous cost. At a time when the world was at its grimmest, this was the perfect escape. The only reference to the war in the entire movie occurs when landlord Ted Haines Sr. (Gene Lockhart) discovers his son, Ted Jr. (Brown) quit his job and eloped with a young singer named Carol James (Heather). Just when he thinks his son has lost all sense of reality, he turns around and sees Ted Jr. in an Army Air Corps uniform. Only then, Ted Sr. realizes his son hasn't gone mad; he is off to join the war.

If you are a fan of the "Road" movies Bing Crosby did with Bob Hope, you most likely remember the occasional aside in which either Bing boasts about his Oscar, or Bob grumbles about it. Well, this is the film that gave Bing his Oscar. And he was nominated again the next year for playing the same character in the the sequel "The Bells of St. Mary's". Obviously, he must've been doing something right! "Going My Way" was a little ray of sunshine cast upon a pained world and, even now, it will still put a smile on your face.

A very enjoyable film starring Bing Crosby as a progressive Irish Catholic priest who comes to St. Dominick's, a church that is struggling. Initially, he's not very welcome by most, including old Father Fitzgibbon...but with his charm and the song in his heart, he manages to slowly grow on the folks as he finds subtle ways to solve everyone's problems. This is a heartwarming movie without being over-sappy.

*** (Out of 4)

A fairly old-fashioned film even when first released, Going My Way is probably a tough sell these days compared to other 'feel good' movies of its time. It's a little too long, a little too sweet, a little too casual, and has more than a little too much music. Then again, it also has Bing Crosby; and a Crosby picture without music is like a fish-tank without fish.

Bing plays a young, progressive priest assigned to the parish of an aging, stubborn, much older priest (Barry Fitzgerald) who desperately needs help in dealing with his church and congregation, and is too proud to ask for it. At first the old priest distrusts the younger one and regards him as too 'modern' in his outlook. In time the two men come to get along famously, but with a few bumps in the road along the way. The movie is a comedy and a sermon, a musical and a drama. It is at times painfully and at other times hilariously realistic. When it sticks to its central story it's just fine. But it zooms off in dozen different directions and at times seems to lose its way. In the end everything comes together neatly, but it takes an awful long time for the movie to get there.

Going My Way is literally the opposite of film noir. It is bright and sunny, and aggressively optimistic in tone. Yet it is set in the slums of New York in a parish surrounded by poverty and crime. Director Leo McCarey does not minimize the negative aspects of the parish community; if anything he emphasizes them,--in order to offer a cure, or rather cures: faith, hope and charity. The movie's sensibility can be summed up in the face and demeanor of its star, Bing Crosby, who manages to be smart, open, breezy, charming, sly and decent all at the same time. One can't help but be reminded, after seeing this film, that life's problems, heavy and complex as they are, can be addressed in other ways and in other vocabularies than those of social scientists and existential philosophers, and that simplifying matters, cutting them down to their essentials is perhaps as important as verbalizing them. Most people do not read the great books or discuss the great ideas, and for most of us complexity is a burden, simplicity a virtue. Without resorting to any theory or idea, Going My Way makes this point quite nicely, and offers some pleasant songs in the bargain.

This kind of picture would normally just be a pleasant, upbeat movie worthwhile for casual viewing, but "Going My Way" is made more memorable by Barry Fitzgerald, who co-stars with Bing Crosby. There's nothing wrong with Crosby, since he is his usual self, low-key and amiable, and he has a few chances to sing as well. But Fitzgerald and his character are what adds the depth to an otherwise fairly simple story.

Crosby is rather well-cast as a young priest, since his benevolent persona seems to fit rather well in the role. As his older, more inflexible colleague, Fitzgerald delivers one of his many fine supporting performances, and in this case he has much more room than usual to develop his character as the movie proceeds. He makes the rather crabby old priest both interesting and endearing, and the character provides a valuable balance to Crosby's straightforward, well-meaning character.

The story is worthwhile, and though it is simple, the interplay between the two priests makes the rest of it work much better than it would have on its own. The somewhat episodic plot generally works well, and it provides many good moments, in addition to having some worthwhile thoughts to communicate.

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish, O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund, winning over his aging, conventional superior, Father Fitzgibbon.

So, this is a role Bing Crosby had a few times... and it seems odd, a man who liked to golf with gangsters playing a Catholic priest. But maybe that makes sense, especially for the kind of priest he plays. He sees the value in helping the downtrodden and "lesser" members of society. That is a true hero.

This also happens to be a very musical film, again not surprising given Bing's history. But in it we also mix street kids singing, an opera and even a classic Irish song.