Aggiungi una trama nella tua linguaDetective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.Detective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.Detective Falcon and the police travel west to a ranch in Texas to try and solve the mystery of the murder by venom from a rattlesnake, in a New York City nightclub, of a Rich cattle baron.
- Regia
- Sceneggiatura
- Star
Edward Gargan
- Homicide Detective Bates
- (as Ed Gargan)
Donald Douglas
- Attorney Steven Hayden
- (as Don Douglas)
Robert Andersen
- Wally Waldron
- (non citato nei titoli originali)
Edward Biby
- Club Patron
- (non citato nei titoli originali)
Paul Bradley
- Club Patron
- (non citato nei titoli originali)
Patti Brill
- Hat Check Girl
- (non citato nei titoli originali)
Tom Burton
- Photographer
- (non citato nei titoli originali)
James Carlisle
- Club Patron
- (non citato nei titoli originali)
Wheaton Chambers
- Sheriff Bob
- (non citato nei titoli originali)
Recensioni in evidenza
When Lyle Talbot rich Texas rancher dies of snake bite at a New York night club while he's celebrating his upcoming marriage to Carole Gallagher, that's enough cause for suspicion on its face. Tom Conway gets involved when the Talbot's ex-wife tries to hire him to break up the forthcoming nuptials. Conway says that isn't his line, but being on the scene of the murder he has to get involved if for no other reason than the cops in the persons of Cliff Clark and Edward Gargan. Whatever the answers are they're out west back at the ranch.
So all the suspects and the Falcon meet up at Talbot's ranch. They include Talbot's former business partner Minor Watson and his daughter Barbara Hale, lawyer Don Douglas, and of course the ex-wife Joan Barclay.
Barclay in fact goes west with Conway and the cops follow them. With all the Dramatus Personae in one spot the better for Conway to find the culprit.
The Falcon Out West is a decent enough entry in the Falcon series, in the middle of the pack. Fans of the series should approve.
So all the suspects and the Falcon meet up at Talbot's ranch. They include Talbot's former business partner Minor Watson and his daughter Barbara Hale, lawyer Don Douglas, and of course the ex-wife Joan Barclay.
Barclay in fact goes west with Conway and the cops follow them. With all the Dramatus Personae in one spot the better for Conway to find the culprit.
The Falcon Out West is a decent enough entry in the Falcon series, in the middle of the pack. Fans of the series should approve.
Nice idea - bringing the urbane Falcon (Tom Conway) out west to solve the murder of a rancher (Lyle Talbot) killed by a rattlesnake bite in New York City. The rancher had a fiancée (Carole Gallagher), an ex-wife (Joan Irwin), and helpers (Minor Watson and Barbara Hale as his daughter), all of whom seem to have something to hide. Once out west, the search is on for the rancher's will and deed to his house, and the Falcon finds himself in danger.
This is actually a pretty good mystery with some old-fashioned Indians and prejudices thrown in - this is pretty common in old films, and gives one a good idea of the sensibilities of the time. Barbara Hale, who went on to play Della Street on "Perry Mason" is the most familiar face here - young and pretty, she started out as an RKO starlet. Carole Gallagher, the fiancée, had the beauty of a Lana Turner but alas, none of the spark, and her career didn't amount to much. Tom Conway does a good job at the Falcon, but I admit that I prefer George Sanders in the role.
This is an okay entry into the series.
This is actually a pretty good mystery with some old-fashioned Indians and prejudices thrown in - this is pretty common in old films, and gives one a good idea of the sensibilities of the time. Barbara Hale, who went on to play Della Street on "Perry Mason" is the most familiar face here - young and pretty, she started out as an RKO starlet. Carole Gallagher, the fiancée, had the beauty of a Lana Turner but alas, none of the spark, and her career didn't amount to much. Tom Conway does a good job at the Falcon, but I admit that I prefer George Sanders in the role.
This is an okay entry into the series.
Tom Lawrence aka The Falcon is out enjoying himself in a New York nightclub full of society types. Among them is a Texan playboy who suddenly starts complaining of a pain that feels like a snakebite, before dropping to the floor and dying. Investigating the body, Lawrence finds two marks indicating a snake had indeed bitten the man but soon finds that a minor detail as the man's fiancé flees the scene and catches a train back to Texas. Lawrence follows her and finds the police have already gotten to Texas via plane and are waiting legal papers to take her back. Lawrence investigates the murder with all the suspects on the victim's ranch in a case where he risks his own life.
By this stage in the series, things were looking like flagging and the location being built into the title (Texas and, later, Hollywood) suggested to me that the series wasn't relying on plotting and character to bring the audience in but seemed to be looking to the switching location to be enough to make the series suddenly feel fresh and interesting. In this regard the film fails because this is just the same formula but this time put into a setting that is poorly used and never really fits with the Falcon's style. The mystery story is still worth watching though because it is enjoyable in a b-movie sort of way. The setting is annoying and just seemed to be a way to drag in lots of western clichés into the film Indians, shoot-outs, horse riding etc without really adding value at all. Fans will feel that this could have been better and they would be right because it is only average at best and isn't the best of the series by a long shot; meanwhile the causal viewer will probably not bother with this at all.
The cast are OK, filled as it is with the usual b-movie actors. Conway is a great Falcon and is the main selling point of the series with a smart performance that is lacking Saunders' rather snide edge. Hale was a nice surprise since I only know her from the Perry Mason series and she is interesting in her character. Gallagher is a bit bland and blonde and isn't very impressive. Without a sidekick for the Falcon, Gargan is the sole comic relief and he does it reasonably well without interfering with the main thrust of the film, meanwhile Clark delivers a much more serious performance as the Inspector. Talbot has a few seconds of screen time and the rest of the cast are pretty clichéd Texan role although the Indians have some minor revenge by mocking Detective Bates' assumptions of their intelligence! Overall this is an average entry in the series but it is still good enough for fans to consider it worth seeing. The location is a big distraction and isn't used very well at all but the plot is reasonably interesting and the playing is quite enjoyable for a b-movie. Like I said, worth seeing it for fans of the series like myself but I doubt that this will be the Falcon film that wins over the casual viewer.
By this stage in the series, things were looking like flagging and the location being built into the title (Texas and, later, Hollywood) suggested to me that the series wasn't relying on plotting and character to bring the audience in but seemed to be looking to the switching location to be enough to make the series suddenly feel fresh and interesting. In this regard the film fails because this is just the same formula but this time put into a setting that is poorly used and never really fits with the Falcon's style. The mystery story is still worth watching though because it is enjoyable in a b-movie sort of way. The setting is annoying and just seemed to be a way to drag in lots of western clichés into the film Indians, shoot-outs, horse riding etc without really adding value at all. Fans will feel that this could have been better and they would be right because it is only average at best and isn't the best of the series by a long shot; meanwhile the causal viewer will probably not bother with this at all.
The cast are OK, filled as it is with the usual b-movie actors. Conway is a great Falcon and is the main selling point of the series with a smart performance that is lacking Saunders' rather snide edge. Hale was a nice surprise since I only know her from the Perry Mason series and she is interesting in her character. Gallagher is a bit bland and blonde and isn't very impressive. Without a sidekick for the Falcon, Gargan is the sole comic relief and he does it reasonably well without interfering with the main thrust of the film, meanwhile Clark delivers a much more serious performance as the Inspector. Talbot has a few seconds of screen time and the rest of the cast are pretty clichéd Texan role although the Indians have some minor revenge by mocking Detective Bates' assumptions of their intelligence! Overall this is an average entry in the series but it is still good enough for fans to consider it worth seeing. The location is a big distraction and isn't used very well at all but the plot is reasonably interesting and the playing is quite enjoyable for a b-movie. Like I said, worth seeing it for fans of the series like myself but I doubt that this will be the Falcon film that wins over the casual viewer.
Mrs. Irwin tries to recruit Tom "The Falcon" Lawrence (Tom Conway) to stop her ex-husband cattle baron Tex Irwin from marrying gold-digger Vanessa Drake. They are all at a New York nightclub. The Falcon turns down Mrs. Irwin. Tex dies mysteriously from an unseen rattle snake bite. Police Inspector Timothy Donovan is in disbelief and he starts investigating accompanied by the less than competent Homicide Detective Bates. They all head out west.
This is the 8th movie in the series. The Falcon has always been a light crime mystery franchise with a comedic touch. He does his 'work' with a smirk. In this one, the series is doing it with a cowboy motif. Instead of a mansion, it's a ranch. There are horses, Indians, and plenty of cowboy gear. There is even a piece of scalp. It is what it is. The best way to describe this is if a buddy cop comedic TV show does a case in a western-style fake town. It happens as old western sets get some use. No one expects greatness and non is found here.
This is the 8th movie in the series. The Falcon has always been a light crime mystery franchise with a comedic touch. He does his 'work' with a smirk. In this one, the series is doing it with a cowboy motif. Instead of a mansion, it's a ranch. There are horses, Indians, and plenty of cowboy gear. There is even a piece of scalp. It is what it is. The best way to describe this is if a buddy cop comedic TV show does a case in a western-style fake town. It happens as old western sets get some use. No one expects greatness and non is found here.
Average Falcon entry, with several notable touches. A wealthy Texan in a sophisticated New York nightclub dies suddenly on the dance floor. Okay, that's fairly standard B-movie plotting, except Tex dies from a rattlesnake bite of all things. Now last time I checked, rattlesnakes were not accepted on New York dance floors. Maybe they're found among celebrity gossips, but not between sashaying couples. So the unusual mystery deepens, taking Falcon and company out West to figure things out. Happily there're better humorous touches than usual, especially a twist on the stereotyped Indian use of "How". Still, Hollywood's version of Texas West means the rocky hills of greater LA, familiar from hundreds of cowboy matinees. Not that scenery really matters since plot and humor remain uppermost.
Then too, it's a good chance to catch Della Street, oops!, I mean Barbara Hale on horseback stop a runaway stagecoach and save our hero the Falcon from an untimely crack-up. And here I thought it was supposed to be the other way around—hero saving girl, not girl saving hero. But never mind, the suave Falcon takes it all in stride. Note too that the 1944 movie was circulated among overseas GI's. The guys may not have cared who killed Tex, but for darn sure, I'll bet they liked the three shapely ladies who are a part of it.
Anyway, it's an entertaining hour, courtesy RKO's slickly done detective series.
Then too, it's a good chance to catch Della Street, oops!, I mean Barbara Hale on horseback stop a runaway stagecoach and save our hero the Falcon from an untimely crack-up. And here I thought it was supposed to be the other way around—hero saving girl, not girl saving hero. But never mind, the suave Falcon takes it all in stride. Note too that the 1944 movie was circulated among overseas GI's. The guys may not have cared who killed Tex, but for darn sure, I'll bet they liked the three shapely ladies who are a part of it.
Anyway, it's an entertaining hour, courtesy RKO's slickly done detective series.
Lo sapevi?
- QuizWhen Bates turns off the recording of Tex using a remote control, what is shown is a Philco "Mystery Control" with the Philco brand name covered up with "Hills". It was the first wireless remote control unit, introduced in 1939 using radio frequency waves to operate Philco radios by tuning preset stations or raising or lowering the volume.
- BlooperIn two shots with the runaway stage, there is an obvious person sitting under the empty drivers seat driving the coach. The reins are visibly taut and run to a hole under the drivers seat.
- Citazioni
Tom Lawrence, aka The Falcon: There are three things one can never be sure about - horses, the weather, and women.
- ConnessioniFollowed by The Falcon in Mexico (1944)
- Colonne sonoreRed River Valley
(uncredited)
Traditional
Played and sung by a quartet at the barbecue
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Dettagli
- Tempo di esecuzione
- 1h 4min(64 min)
- Colore
- Proporzioni
- 1.37 : 1
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