Schiava del male

Atmospheric account of a chance meeting on a train that leads a doctor (George Brent) into the strange world of a young woman (Hedy Lamar) and her much older husband (Paul Lukas) . The opening takes place on a night time train ride to New York through cascading rainfall, and the inclement weather conditions continue on into a snowy and cloudy New York of the early 1900's. A story of a rich and jealous older husband with a lovely young wife, whom he had groomed in Parisian salons to enter society, and now feels insecure when she's enjoying the very society that he paid thousands of dollars to educate her to be in, who grew up in Austria and became laden with guilt and who now is so damaged that he can't see clearly enough to recognize his own good circumstances, and thus ruins everything. Director Jacques Tourneur dissects this pathological family (they have a son whom they keep in a bedroom which is up a spiral staircase) with great attention, creating some believable menace in true psychological suspense style. The need for a hero figure (Brent) to rescue the pretty Lamar and her innocent young son and provide a suitable conclusion, and Lamar's rather distracted and distant acting style are legitimate quibbles, but the overall tone is intelligently dark and serious.

Many critics have never been able to get past Hedy Lamarr's fabulous face. She was so beautiful, that it was hard to realize that she was actually human, an not some marble work of art. I think she gave a fine performance in this slick psychological thriller. The supporting cast was also good. I know I am probably the only person in the world, who would have preferred Hedy Lamarr over Bergman, in Gaslight. With superior direction, and a better script, I think Hedy Lamarr could have turned in a very good performance. Anyway, Experiment Perilous is a little gem, made during Hollywood's golden age.

Wow, Hedy Lamarr was so exquisitely beautiful in this film. I really must see some more of her films. There was an obvious similarity to "Gaslight" of the same year, and I wonder which film was released first. I enjoyed this film and recommend it. Grade: B

Jacques Tourneur directed this RKO historical melodrama that has a good cast, excellent director, and atmospheric cinematography by Tony Gaudio, so the money spent definitely shows on the screen. So what's wrong? The wordy, tortuously slow script that is all talk and no action and tries to echo "Gaslight".

When there's finally a confrontation between the good and bad guys, they yap forever before there's any action. Director Tourneur and his cast do their utmost, but they just can't redeem the script. They do make the film watchable and intermittently fascinating. In the end, Gaudio's cinematography and the performances are better than the script deserves.

It is an interesting factoid that Cary Grant and Gregory Peck were both scheduled to play George Brent's role but both dropped out. It might have been a better film had one of them been in it.

If you are a fan of Jacques Tourneur, "Experiment Perilous" is a must-see. This sinister and beautifully photographed period thriller ranks with Tourneur's supreme masterpieces, "Out of the Past", "Stars in My Crown", "Canyon Passage", "Curse of the Demon", "I Walked with a Zombie", and "Cat People". It is imbued with Tourneur's trademark touch of ambiguity and mystery. One of the reasons "Experiment Perilous" is so underrated is that the story does not flow logically. You have to do a bit of brain work to understand it, but if you are already familiar with Tourneur's cinema, this may come as a revelation. The film has often been compared to Cukor's similar costume thriller "Gaslight" which was also released in 1944 but "Experiment Perilous" is a better and more personal work. The opening chance encounter between Dr. Bailey (George Brent) and Cissie (Olive Blakeney) on the train resembles the mysterious chance meetings of "Cat People" and Tourneur's 1956 film noir "Nightfall". It has been said that the film was set in 1903 as opposed to 1944 because Heddy Lamarr wanted to wear period costumes. Lamarr is undoubtedly beautiful and her scenes with Brent and Lukas are exquisite and sensual.

There is an excellent analysis on the film in Chris Fujiwara's book, JACQUES TOURNEUR: THE CINEMA OF NIGHTFALL (1998).