Schiava del male

Many critics have never been able to get past Hedy Lamarr's fabulous face. She was so beautiful, that it was hard to realize that she was actually human, an not some marble work of art. I think she gave a fine performance in this slick psychological thriller. The supporting cast was also good. I know I am probably the only person in the world, who would have preferred Hedy Lamarr over Bergman, in Gaslight. With superior direction, and a better script, I think Hedy Lamarr could have turned in a very good performance. Anyway, Experiment Perilous is a little gem, made during Hollywood's golden age.

Wow, Hedy Lamarr was so exquisitely beautiful in this film. I really must see some more of her films. There was an obvious similarity to "Gaslight" of the same year, and I wonder which film was released first. I enjoyed this film and recommend it. Grade: B

If you are a fan of Jacques Tourneur, "Experiment Perilous" is a must-see. This sinister and beautifully photographed period thriller ranks with Tourneur's supreme masterpieces, "Out of the Past", "Stars in My Crown", "Canyon Passage", "Curse of the Demon", "I Walked with a Zombie", and "Cat People". It is imbued with Tourneur's trademark touch of ambiguity and mystery. One of the reasons "Experiment Perilous" is so underrated is that the story does not flow logically. You have to do a bit of brain work to understand it, but if you are already familiar with Tourneur's cinema, this may come as a revelation. The film has often been compared to Cukor's similar costume thriller "Gaslight" which was also released in 1944 but "Experiment Perilous" is a better and more personal work. The opening chance encounter between Dr. Bailey (George Brent) and Cissie (Olive Blakeney) on the train resembles the mysterious chance meetings of "Cat People" and Tourneur's 1956 film noir "Nightfall". It has been said that the film was set in 1903 as opposed to 1944 because Heddy Lamarr wanted to wear period costumes. Lamarr is undoubtedly beautiful and her scenes with Brent and Lukas are exquisite and sensual.

There is an excellent analysis on the film in Chris Fujiwara's book, JACQUES TOURNEUR: THE CINEMA OF NIGHTFALL (1998).

Some of the reviewers here have been unkind for Hedy's performance, and can't for the life me understand why. They are all making comparisons for 2 different performances, with 2 movies that have similar backgrounds...almost anyway. Hedy's was suppose to show fear, anxiety, and meekness in her character...afraid to confront her husband. In this regard, Ingrid's character in "Gaslight" was similar, up to a point. Ingrid, had the one big scene where she shows all her frustration and anger at her husband, in one lusty yell. Hedy had no such scene advantage. Her performance was more somber, which i think she did, to me, and at the time of its release, many of the reviews said the same. By today's standard of performances, she would have been at the least nominated for an Oscar, as in comparison to a Helen Hunt performance in a forgettable movie with Jack Nickelson, in which she won Best Actress.

Jacques Tourneur directed this RKO historical melodrama that has a good cast, excellent director, and atmospheric cinematography by Tony Gaudio, so the money spent definitely shows on the screen. So what's wrong? The wordy, tortuously slow script that is all talk and no action and tries to echo "Gaslight".

When there's finally a confrontation between the good and bad guys, they yap forever before there's any action. Director Tourneur and his cast do their utmost, but they just can't redeem the script. They do make the film watchable and intermittently fascinating. In the end, Gaudio's cinematography and the performances are better than the script deserves.

It is an interesting factoid that Cary Grant and Gregory Peck were both scheduled to play George Brent's role but both dropped out. It might have been a better film had one of them been in it.