Delinquent Daughters

PRC was just about the last studio on poverty row. Expectations for one of its productions were about rock bottom, and for the most part this exploitation quickie lives down to that well-earned reputation. The sets are cheap and few, the script darn near incoherent, the lighting and camera work fit for a bat's cave, and the acting wildly variable. Actually, some of the performances are pretty good-- Dawson and Loring are believable toughies, while Carlson and her swain come across as genuinely nice kids. However, D'Orsay's French accent is about as good as mine, at the same time Bovard's silliness is enough to make you reach for a stick.

One reason to check out a dead-ender like this is for its glimpse of teenagers past, that is, of how Hollywood framed teens during the stressed-out war year of 1944. Note how much of wanton teen behavior is blamed on the parents. Much of that behavior is obviously hyped for exploitation purposes (the gun battle, the stick-up), but the question of responsibility remains valid. What surprises me is that there is no mention of the war that was still raging in 1944. Youth Runs Wild, a more serious RKO teen film from that same year, shed a lot of light on how gas rationing and 24-hour factory shifts, for example, affected young people's behavior. None of that here. These youths and their parents appear to exist in an historical vacuum, and I'm not sure why. Maybe the producers thought war concerns would complicate the titillating plot. Whatever the reason, the only value to scoping out this ultra-cheapie is curiosity for curiosity's sake.

1st watched 1/22/2007 - 3 out of 10(Dir-Albert Herman): Mediocre, at best, juvenile teenager drama which starts at the onset of a high school girl killing herself with the authorities trying to find out why. Of course, the kids remaining aren't much help as they were all out partying together the night before and don't want their parents to find out. None of the kids show much sympathy, which appears to be the point of the movie -- if you're a bad girl and party you lose all your sensitivity. Although later in the movie, the tables turn and the parents are shown to blame -- which was a nice turn(with a good scene with the judge helping the parents understand where they were going wrong), but it comes too late in the movie(about ¾ of the way thru). For the most part the acting is pretty bad and the lighting on some scenes is so horrible that you can barely tell what's going on(this may have just been the age of the movie, though). Besides this, the movie tries hard from a story perspective, but turns out to be pretty much a snoozer that you're just waiting on to end.

This was on the compilation DVD, Cult Classics. The transfered print was awful. There was a big scratch running through print for about fifteen minutes. About fifteen minutes of the night material was so dark that you might as well be listening to the radio.

What can be seen is quite poorly written. We are talking Ed Wood bad here. A woman pulls a gun on a man. The man says, "What have you got there." She answers, "Something that goes boom, boom, boom!"

Teara Loring is interesting as a real sociopath. She really enjoys lying and stealing. Mary Boward gives a cute performance as a blond airhead, more blond and more airhead than anything in movies until Marilyn Monroe's comic performances.

Fifi D'Orsay is funny as a French woman.

Other than a few interesting performances, the bad dialogue and inane plot make the film difficult to take seriously. It is only redeemable for a few camp moments.

Another day, another juvenile delinquency film courtesy of poverty-row American producers. This one concerns a couple of girls who get caught up with some low rent criminal types and end up going on something of a crime spree. It's a little like a low key BONNIE AND CLYDE except made without any discernible scripting, characterisation, or narrative drive.

Indeed, this is poverty-row filmmaking at its nadir, and there's little here to tempt fans of the genre. The dialogue has been written by somebody with a tin ear and the acting is hardly up to scratch. These films always seem to have some boring reporter guy who goes undercover to bring down the criminals at large. But the worst thing about DELINQUENT DAUGHTERS is the quality of the public domain print in circulation; half the scenes have a massive scratch running down the middle of the screen, while the rest are so dark you're staring at a black screen.

The film is more than Delinquent Daughters, there are also Delinquent Sons. They could have called it Delinquent Youth/Teens. The one main delinquent daughter is Sally Higgins. Sally is the one that really loves the bad life (crime, stealing, guns, the mob). The other kids started going down the wrong path but they are fairly easy to correct... but Sally is still mad that her parents wouldn't let her see her boyfriend and the boyfriend ended up leaving town. Sally's father also hits her, leaving marks and constantly pushing Sally away from her family. - Sally is still sore about it all.

The suicide at the beginning of the film is what kicked off the police officer and reporter getting involved in the teens. The parents of the teens aren't good (example hitting the kids which pushes the kids away even more instead of drawing them in closer).

It's not a great film - but it's better than the rating suggests it is.

4/10