Dead Man's Eyes

In this above average offering from Universal, Inner Sanctum series regular Lon Chaney plays a talented painter named Dave Stewart who is in love with a girl he intends to marry (Jean Parker). His beautiful model (CAPTIVE WILD WOMAN's Acquanetta) is jealous of their romance and would rather have Dave all to herself. One day after a grueling painting session, Dave's eyewash gets switched with acid, and the artist is rendered blind when he accidentally douses his tired eyes with it. His fiancé's elderly father generously offers to donate his eyes to Dave upon his death, so when the old man is subsequently murdered, all suspicion points to the blinded painter.

This mild whodunit offers a variety of possibilities as to who the murderer might be -- is it Dave Stewart? His jilted model? Or perhaps one of two other men who harbor a jealousy (one loves Acquanetta, the other desires Dave's woman)...? It's a pity the exotic beauty Acquanetta never learned to act (and if you think she's horrible here, you should see her in 1944's JUNGLE WOMAN!). This entry also features Thomas Gomez as a pushy policeman who keeps on Chaney's trail, much as J. Carrol Naish did (but better) in the first Inner Sanctum Mystery, CALLING DR. DEATH. **1/2 out of ****

Dead Man's Eyes (1944) is the third of six Inner Sanctum films starring Lon Chaney, Jr. It is has a very intense atmosphere and is an overall good movie. David Stuart is an artist and engaged to be married to Heather Hayden. Heather's father, Dad Hayden, likes David. Tanya Czoraki is David's model - she falls for David, becomes jealous of his engagement and blinds David. David's friends tell him of a very expensive eye operation that may or may not work involving a dead man's eyes. David loves Heather, he wants to marry her but pushes her away due to his blindness. He's tired of everyone feeling sorry for him and wants his eye sight back. But at what price? Murder for their eyes? Or is David being set up?

This one is quite interesting and worth watching if you like mysteries, crime, thrillers and horror.

7.5/10

... and it really isn't a horror film. It is one of the Inner Sanctum Mysteries series of movies from Universal.

Artist Dave Stuart (Lon Chaney Jr.) is painting a portrait with Tanya (Acquanetta) as a model. Tanya is madly in love with Dave, although he has given her no encouragement and is in love with a woman he has known since childhood, Heather Hayden (Jean Parker). Dave is not the height of organization and keeps bottles of dangerous acid in the same cabinet as his bottle of eyewash. One day he reaches for the bottle of what should be his eyewash and instead puts acid on his eyes. He is blinded and can only have his sight restored by a cornea transplant. His future father in law has his will changed to say that upon his death his eyes will be used for the cornea transplant Dave needs if he has not found a donor and had the operation yet. And then said future father-in-law is found dead in his study, bludgeoned to death with Dave standing over the body and blood on his hands. Complications ensue, not the least of which is Dave's fiancee not feeling the same about Dave after having found her dad's body with Dave nearby and him having everything to gain from her dad's death.

I really enjoyed this atmospheric entry that is much more mystery than horror, but obviously lots of people didn't or they dozed off, with them saying that the model Tanya deliberately blinded Dave. She confesses to moving the bottles but said she was careless rather than trying to blind Dave as a woman scorned. She never recants this story. Just about everybody but the household pet has a motive to have killed Stanley Hayden, so the rest of the film is how that murderer is found out.

Acquanetta gives a lifeless performance as the model Tanya. It's like she is bored out of her mind and just reciting lines. This kind of performance worked for her in "Captive Wild Woman" where she is a woman produced by glandular experiments performed on an ape and was basically wandering around in shock, but here she just looks like the stand-in in a high school play.

Thomas Gomez is the bad cop in the bad cop/good cop routine who forgot to bring along a good cop. He likes to torment Dave Stuart because he believes him to be guilty. Will he ever be mortified if he is wrong.

The people who ran Universal after the Laemmles lost control, Standard Capital, really were up a creek since everybody on the lot who was loyal to the Laemmles - and that was lots of them - left when the Laemmles did. So think of it as though Mitt Romney, with tons of money but not an artistic bone in his body, now has to run a movie studio with no legacy personnel. Things are rough for a few years as you try to build up franchises, but by the 40s you are bringing in new talent and figuring out how to make Universal Horror work for you. This is where Universal was when this movie was made - trying to live off Universal horror as they got their other franchises and post Laemmle stars off the ground. When I look at the film through that lens it's pretty good.

So what's so scary about a corneal transplant. Maybe if they had shown the eyes in a bottle or some of the surgery, there might be a shudder or two. Instead, we get close-ups of Chaney's bleary-eyed squint, which is sort of scary in itself.

This is a tepid Inner Sanctum entry, at best, more of a whodunit than a Chaney horror exercise. The plot is somewhat offbeat—can accidentally blinded artist Dave Stuart (Chaney) see well enough to be a killer, and if not, then who did murder two people. The only suspense is a routine one of finding the culprit. Then too, the damning piece of evidence strikes me as pretty far-fetched. I wish there were a memorable scene or some catchy dialog to recommend here, but there really isn't.

Perhaps the most notable feature is Paul Kelly's (Alan) really authoritative head doctor. He's totally credible. On the other hand, for fans of truly inept acting, there's Acquanetta (Tanya) whose dialog delivery is at times almost painful. Actually, I blame the studio for pushing her into a speaking role she was so clearly unprepared for. All in all, the offbeat premise has more potential than the rather cheap and clumsy treatment it gets here. Too bad.

The third movie in the theatrical "Inner Sanctum" series is fine entertainment for old time thriller lovers. Lon Chaney Jr. is in fine form as Dave Stuart, a painter. He's engaged to rich girl Heather Hayden (Jean Parker), and this is in fact a union that her father Stanley (Edward Fielding) is eager to see come to fruition. One day Dave mistakes acid for his eyewash and blinds himself, and Stanley promises Dave that he will provide his own eyeballs for a risky cornea operation should the old man die. Well, the old man *does* get murdered, and Dave falls under suspicion. And, as it turns out, there are others who could conceivably benefit from the death.

"Dead Man's Eyes" is not what this viewer would consider a great mystery, but it *is* a solid and engaging diversion for barely over an hour. (All of the "Inner Sanctum" movies have very trim running times.) It does its job at setting up dubious characters and their motives, and having suspicion keep shifting from one to another. The filmmaking (Reginald LeBorg is the director) is efficient and to the point.

The acting is wonderful from much of the cast. Lon Jr. is rather over emphatic at times, but there's no denying the sincerity of his performance. Parker is cute and appealing. Acquanetta, who plays Tanya, the model who is in love with Dave, is a striking beauty but not much of an actress. Paul Kelly is good fun as Alan Bittaker, Daves' chipper psychiatrist friend. Thomas Gomez is likewise a stitch as the smirking detective on the case. Jonathan Hale (as the eye surgeon), Fielding, and George Meeker (as Heathers' pathetic former boyfriend) are all rock solid.

Fans of Lon Jr. would do well to check him out in this sort of atmospheric Universal B picture, where he's not required to put on elaborate makeup or dress in fanciful costume.

Seven out of 10.