VALUTAZIONE IMDb
6,5/10
1175
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman returns to the USA after a German U-boat sank her ship, and finds out that someone wants to kill her for her inheritance.A woman returns to the USA after a German U-boat sank her ship, and finds out that someone wants to kill her for her inheritance.A woman returns to the USA after a German U-boat sank her ship, and finds out that someone wants to kill her for her inheritance.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Odette Myrtil
- Mama Boudreaux
- (as Odette Myrtle)
Rita Beery
- Nurse
- (non citato nei titoli originali)
Danny Borzage
- Accordionist
- (non citato nei titoli originali)
Paul E. Burns
- Station Master
- (non citato nei titoli originali)
Eileen Coghlan
- Jeanette
- (non citato nei titoli originali)
Gino Corrado
- Party Guest
- (non citato nei titoli originali)
Charles Ferguson
- Party Guest
- (non citato nei titoli originali)
Donald Kerr
- Party Guest
- (non citato nei titoli originali)
Art Laforrest
- Party Guest
- (non citato nei titoli originali)
Recensioni in evidenza
A young woman, Leslie (Merle Oberon) is one of only a few survivors in a submarine accident that claimed the lives of her parents. Deeply traumatized, she goes to a relative's plantation to heal. She soon realizes that she's not safe, and turns to the local doctor (Franchot Tone) for help.
Elisha Cook, Jr., Fay Bainter, and Thomas Mitchell are the plantation residents, with Mitchell playing against type - rather than the absent-minded Uncle Billy of "It's a Wonderful Life," or the befuddled Mr. O'Hara, he's a calm conniver.
An exotically beautiful woman of mysterious background, Merle Oberon is excellent as Leslie, a real victim of post-traumatic syndrome if there ever was one. The elegant Tone gives her good support.
Nice, atmospheric film with a tense ending.
Elisha Cook, Jr., Fay Bainter, and Thomas Mitchell are the plantation residents, with Mitchell playing against type - rather than the absent-minded Uncle Billy of "It's a Wonderful Life," or the befuddled Mr. O'Hara, he's a calm conniver.
An exotically beautiful woman of mysterious background, Merle Oberon is excellent as Leslie, a real victim of post-traumatic syndrome if there ever was one. The elegant Tone gives her good support.
Nice, atmospheric film with a tense ending.
This film is often labelled as film noir; but this is incorrect. Dark Waters certainly has some elements of the genre; but not nearly enough for the film to be considered a part of it. That aside, however, this is still is still a very interesting melodrama/thriller. The film is directed by André De Toth, the director most famous for his remake House of Wax; but a director that also did plenty of work within the thriller genre. Dark Waters works well principally because of the atmosphere; but also benefits from a well worked script. The film focuses on Leslie Calvin. Leslie was fortunate enough to be the only survivor of a submarine accident. Naturally, she's emotionally distraught at the situation; and her doctor recommends that she recuperates with relatives. She looks up her aunt and uncle, who she has never seen, and goes to stay with them. However, her recovery soon starts to go awry after a series of strange events and Leslie comes to question her own sanity.
The film is slow to start and the first hour mainly focuses on the characters and their situation before the plot starts properly. However, getting there is at least interesting and the final third of the film certainly justifies the wait. The film is bolstered by a host of strong performances; especially Merle Oberon who takes the lead role. She has just the right atmosphere about her to take the role and convinces throughout the film. She gets good backup from Franchot Tone, Thomas Mitchell, Fay Bainter and the ever-talented Elisha Cook Jr who stands out as usual. Director André De Toth implements a thick atmosphere that benefits the film throughout. The film is set in a swamp and this provides an ideal location for it all to take place; as it is moody and ensures that we are always aware that everything we are seeing is taking place in an isolated location. As mentioned, the final third is really well worked and the director ensures that everything boils down to a suitable conclusion. Overall, this is an interesting little thriller and is well worth a look.
The film is slow to start and the first hour mainly focuses on the characters and their situation before the plot starts properly. However, getting there is at least interesting and the final third of the film certainly justifies the wait. The film is bolstered by a host of strong performances; especially Merle Oberon who takes the lead role. She has just the right atmosphere about her to take the role and convinces throughout the film. She gets good backup from Franchot Tone, Thomas Mitchell, Fay Bainter and the ever-talented Elisha Cook Jr who stands out as usual. Director André De Toth implements a thick atmosphere that benefits the film throughout. The film is set in a swamp and this provides an ideal location for it all to take place; as it is moody and ensures that we are always aware that everything we are seeing is taking place in an isolated location. As mentioned, the final third is really well worked and the director ensures that everything boils down to a suitable conclusion. Overall, this is an interesting little thriller and is well worth a look.
DARK WATERS is an engaging little movie with a great setting: the almost-deserted bayous of the American South, which provide a hostile backdrop to the hostile storyline. This is one of those descent-into-madness type movies, where you're never quite sure if the protagonist is losing his or her mind, or whether everyone really is out to get them. As such, it's one of the earliest variations on the theme I've seen.
The movie benefits from some strong players in the cast, notably Merle Oberon's lead, Leslie, who does the whole haunted-while-remaining-sympathetic thing very well. Franchot Tone, as the doctor who becomes involved in her case, is also very stalwart as a dependable hero type. Thomas Mitchell's villain has more than a touch of the Charles Laughtons about him, and of course there's a nice part for Elisha Cook Jr., too.
The story is quite slowly paced but it does take time to build the atmosphere and in the end it pays off with the doom-laden climax which finishes everything up as you would hope. As such films are usually all about the atmosphere, I think this one's readily up to the job.
The movie benefits from some strong players in the cast, notably Merle Oberon's lead, Leslie, who does the whole haunted-while-remaining-sympathetic thing very well. Franchot Tone, as the doctor who becomes involved in her case, is also very stalwart as a dependable hero type. Thomas Mitchell's villain has more than a touch of the Charles Laughtons about him, and of course there's a nice part for Elisha Cook Jr., too.
The story is quite slowly paced but it does take time to build the atmosphere and in the end it pays off with the doom-laden climax which finishes everything up as you would hope. As such films are usually all about the atmosphere, I think this one's readily up to the job.
A shipwreck survivor, trying to re-cooperate from a horrible experience, visits her relatives in the bayou. While there, she begins to see & hear things that make her question her sanity. Along with the help of a doctor, she begins to investigate all the weird goings on at her family estate.
For those of you that have seen this genre before, you won't be disappointed. Oberon does a good job here. I've seen her in so many period pieces that this film was a breath of fresh air for me. Also, Thomas Mitchell plays her uncle. You may remember him from "Gone with the Wind". His character is a very ruthless man. So ruthless, he'll stop at nothing to get the result he wants. The contrast between his character & Oberon's are very disturbing & fun to watch.
This film is full of suspense & will leave you guessing as to if our heroine will get out of this one.
Watch & see...
For those of you that have seen this genre before, you won't be disappointed. Oberon does a good job here. I've seen her in so many period pieces that this film was a breath of fresh air for me. Also, Thomas Mitchell plays her uncle. You may remember him from "Gone with the Wind". His character is a very ruthless man. So ruthless, he'll stop at nothing to get the result he wants. The contrast between his character & Oberon's are very disturbing & fun to watch.
This film is full of suspense & will leave you guessing as to if our heroine will get out of this one.
Watch & see...
Merle Oberon (Leslie) is a traumatized survivor of a sinking ship and Dr Alan Napier recommends that she goes to recuperate with her uncle and aunt on a plantation in the Louisiana swamps. Her mother and father have not survived the sea tragedy and she is loaded. However, she has never met her aunt or uncle. Does the visit do her any good
? Is her trauma sending her over the edge
?
Is everything as it seems in this film? No, it isn't but I don't think that it is the intention of the director to hide this. Perhaps this film could have been more suspenseful but the story still grips and has tense moments as we follow Oberon's awakening to what is going on around her. In fact, it is quite a rewarding moment when we watch her realize that things are not right. Thankfully, she has strength to take the situation on as opposed to crumble as a victim.
The cast are all good with the exception of that forever unconvincing loser that is Elisha Cooke Jr. In this film, he plays, once again, a heavy. How!!?? He's about 2 foot high, scrawny and more like a gimp than a threatening presence to anybody living in the real world. However, yet again, he turns up in a pretty decent film - see also "Phantom Lady" (1944), "I Wake Up Screaming" (1941) and "The Maltese Falcon" (1941). Check out "The Lodger" for another good film from this year starring Merle Oberon.
"Dark Waters" is a better film than I remembered it as being when I saw it around 10 years ago and so I recommend a viewing.
Is everything as it seems in this film? No, it isn't but I don't think that it is the intention of the director to hide this. Perhaps this film could have been more suspenseful but the story still grips and has tense moments as we follow Oberon's awakening to what is going on around her. In fact, it is quite a rewarding moment when we watch her realize that things are not right. Thankfully, she has strength to take the situation on as opposed to crumble as a victim.
The cast are all good with the exception of that forever unconvincing loser that is Elisha Cooke Jr. In this film, he plays, once again, a heavy. How!!?? He's about 2 foot high, scrawny and more like a gimp than a threatening presence to anybody living in the real world. However, yet again, he turns up in a pretty decent film - see also "Phantom Lady" (1944), "I Wake Up Screaming" (1941) and "The Maltese Falcon" (1941). Check out "The Lodger" for another good film from this year starring Merle Oberon.
"Dark Waters" is a better film than I remembered it as being when I saw it around 10 years ago and so I recommend a viewing.
Lo sapevi?
- Quiz"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 27, 1944 with Merle Oberon and Thomas Mitchell reprising their film roles.
- BlooperDr. George Grover drives Leslie Calvin to Rossignol in his car. As the car makes a left turn as it passes the camera it is clear that Leslie Calvin is driving the car, whereas in the following shot Dr. Grover is driving his car.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: Dark Waters (1970)
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Dettagli
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Proporzioni
- 1.37 : 1
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