Captain America

Captain America--the Star Spangled Avenger--minus the shield, his youthful sidekick, Bucky Barnes, and the Red Skull. The late Dick Purcell plays the crusading district attorney Grant Gardner in one of Republic's finest cliffhangers; who, attempts to uncover and stop the evil/cunning Scarab's "Purple Death" plot. Sadly, Purcell passed away before this serial's release. Lionel Atwill is great as the sinister Museum Curator, Dr. Cyrus Maldor. Maldor has been killing off members of his South American expedition to gain control of their wealth and stewardship of the museum. Lorna Gray is superb as Gardner's faithful assistant and the damsel in constant distress. The omnipresent George J. Lewis carries out the Scarab's evil plans as badguy, Bart Matson.

Cap must even combat Professor Dodge's (Hugh Southern) "Dynamic Vibrator"--ouch! Can Cap thwart the evil doctor's plans? Will Maldor manage to gain complete control of the scientific museum for his evil plans? Cap fights for truth, justice

No, it's just a cheap 1940s serial using the Cap's good name. If you are a fan of the comic book, you will be greatly disappointed. They have radically changed the character. No shield, no Bucky, no fighting the Nazis, no wings on the side of his mask and most importantly: Captain America is now a District Attorney and no longer a GI.

Dick Purcell as Captain America? Don't look too closely when he changes into his costume. It is pretty obvious that he was not in the best physical shape when he made this serial(can you say flabby?). It is also VERY obvious that a stunt man is performing most of the action here. Almost every chapter has an obligatory fist fight that is shot and performed in exactly the same way. The villain is rather bland and although he uses an alias (The Scarab), he doesn't wear a disguise of any kind. The story is repetitive and very simple. The effects are laughable and the action is average. On the plus side we have sexy Lorna Gray as the D.A.'s assistant and the good Captain gets to ride on a cool looking motorcycle in one early chapter. Overall OK but nothing special.

A crime wave is underway in the city, all masterminded by the Scarab, a sinister genius who is actually respected citizen Dr. Cyrus Maldor (Lionel Atwill). District attorney Grant Gardner (Dick Purcell) is determined to stop this rash of murders and robberies, and if he can't do it in the courtroom, he'll do it in costume as Captain America, a two-fisted crime fighter. He's helped by reporter girlfriend Gail Richards (Lorna Gray), and he'll need all the help he can get to stop the Scarab and his array of fantastic weapons.

I have to wonder why Republic licensed the Captain America comic book character if they had no intention of having the character resemble the print version, except in costume. The comic character was a puny young man named Steve Rogers who was eager to join the army to fight in WW2, but he was deemed physically unfit for duty. He volunteers for an experiment which turns him into the perfect human specimen, with strength, speed, agility and endurance at near superhuman levels. He's also outfitted with a shield made from an indestructible alloy, and he takes off for the war front, where he battles the Axis powers. Unfortunately, Republic changes the character into a lawyer with a different name and a bit of a paunch, no shield, no experimental super-fitness, only a revolver that he has no compunction about frequently using. Oh, and bizarrely enough, no Nazis or other Axis enemies to fight, only homegrown crooks.

Purcell is the central weakness of this serial. As I mentioned, he's not in good shape, and he has no screen charisma either in or out of his costume. He actually died the week after filming was complete, with the cause attributed to overexertion while filming this. There is a lot of action, even for a serial, with several car chases, jumping and falling stunts, and dozens of fistfights and shoot-outs. I think they throw about 7 dummies off of high places, and use a crate of explosives to simulate grenade attacks or gunpowder explosions. Our hero Captain America is not above killing his foes, either, shooting several, throwing a few out of skyscraper windows, or forcing them off the side of a cliff during a high-speed chase.

Lionel Atwill is fun as the villain, whose secret identity is never secret from the audience, only from the film's good guys. He utilizes various high-tech devices, including a resurrection machine and a lightning generator. My favorite though, and a source of much unintentional hilarity early on, is an earthquake machine that its inventor refers to as his "giant vibra-tor". When Atwill demands the plans, the inventor swears that "you'll never get your hands on my vibra-tor!". Later, when a test of the device is planned, Gray's reporter character arrives with big eyes and a smile, declaring, "I can't wait to see a demonstration of your vibra-tor!" Indeed.

According to marvel comics, a man was given extraordinary powers to fight Nazis during WWII. His arch-enemy, the Red Skull, was caught in an accident and perserved, while the hero himself was frozen in an ice cube. Both the heroes were revived, and Cap joined the avengers, who thawed him out (Austin Powers, anyone?. The Red Skull began a new criminal organisation. This is one of his adventures before being perserved. Like the 60s "Batman", some of his escapes from death are a bit cheezy, but they later got a bit less corny. It tells how he battles the Scarab, a villian who first murders with "The Purple Death", later steals a machine to revive corpses, and tries to rob a bank with a remote controlled armour car. At least better than the 70s movies of Cap!

In the 1940s, every studio had at least one genre they excelled at. Universal had horror films, Warner Brothers had crime dramas and social commentaries, MGM had lavish musicals and costume dramas. Republic Studios was near the bottom of the barrel, but they had something they did better than anyone else: serials, weekly chapterplays where the heroes faced a deadly peril at the end of each episode. No one did them better than Republic. They had the best writing, music, special effects, stuntmen, and these factors added up to the best serials of all time: `Zorro's Fighting Legion,' `The Lone Ranger,' `The Adventures of Captain Marvel,' `Spy Smasher,' and others.

But by 1944, the Republic formula had become just that, formula. `Captain America' is a product of a studio and a genre in decline. While the movie is technically proficient and slickly produced, the thrill and excitement is gone.

Any Captain America fan seeing this movie without prior warning is in for a shock: Republic was notorious for making arbitrary changes to characters, and Captain America had it worse than anyone. Instead of being Private Steve Rogers of the United States Army, now he was Grant Gardner, District Attorney of an unnamed American city. His trademark shield was gone, replaced by a mundane .38-caliber revolver. His sidekick, Bucky, was also missing, so Cap was assisted by an efficient secretary, Gail Richards (Lorna Grey). Most bizarre was ignoring the whole World War II angle – instead of having Captain America battle spies and saboteurs like he did in the comics, they had him battling a run-of-the-mill criminal mastermind, Cyrus Maldor (Lionel Atwill), alias the Scarab. It strikes me as an odd choice for an overtly patriotic hero in the middle of a world war, but…

Dick Purcell does a good job as Grant Gardner / Captain America, although he wasn't the best physical match for the part. Most of the young, trim guys were off fighting the war, so instead you have the nicely-rounded Purcell in the tights. Sometimes he looks more like Captain Dad than Captain America, but Purcell still does a decent job. Lorna Grey makes a surprisingly sexy sidekick (I can imagine younger moviegoers in 1944 lamenting Cap hanging out with a girl instead of his pal Bucky, while the slightly older audience would see the improvement). Lionel Atwill is appropriately scheming and menacing, but his climactic fistfight with Captain America stretches credibility a little too much.

The two words that best describe `Captain America' are `competent' and `tired.' The serial goes through all the paces and delivers some excitement, but the classic Republic crispness, the snap, is gone. The serials would die slowly over the next twelve years, doomed to exhaustion and competition from television, but the glories of those years live on in memory.