Bernadette

This is probably the best film on a religious topic ever made. Whereas many other films of this type wallow in sentiment which is a substitute for genuine reverence, this film is able to underplay the emotions and thus gives its subject a great deal of dignity. Jennifer Jones is totally convincing as the naive innocent who has an incredibly extraordinary experience which changes her life as well as the lives of everyone she touches and the lives of everyone who hears of her. The rest of the cast is also superb, including Lee J. Cobb as the careful doctor, Vincent Price as the petty politician, Charles Bickford as the stern priest, and Gladys Cooper as the envious nun. The FX are tender instead of dazzling, and thus they convince in a way that many FX totally miss. The settings, atmosphere, music, and cast add up to a truly moving and profound experience that few other films have achieved.

Bernadette Soubirous, 1844-1879, was a modest, shy, retiring religious girl of strong convictions in her faith who would have passed through this world unnoticed by many, but for an incident in her hometown of Lourdes in France. If you believe it was all a hallucination than this film will mean nothing to you.

But there are a great many people who believe that the pious young lady was chosen for a visit from the Virgin Mary one day when she was an adolescent teen. The Virgin Mary appeared to her several times in that location which in fact was the town garbage dump. In that spot an underground spring was discovered that had healing properties.

The film is based on a historical novel by Franz Werfel and Darryl F. Zanuck decided on an unknown to play young Bernadette. The girl chosen was Phyllis Isley of Oklahoma whose name was changed to Jennifer Jones and in her third film and first under her new identity, Jennifer Jones walked off with Best Actress Award of 1943. She beat out such seasoned veterans as Ingrid Bergman, Joan Fontaine, Jean Arthur, and Greer Garson. I'm sure it helped Jones that Fontaine and Garson were the previous two year's winners, that the film was such a hit, and that David O. Selznick had totally flipped for her and used every bit of influence to get that Oscar.

With all of that and a great performance as well. Jones captures both the simple beauty and piety of the young girl who may have been given insights into matters spiritual. Playing the Virgin Mary in an unbilled part was Linda Darnell, a fact I believe that did not come out until after Ms. Darnell's death in 1963.

Director Henry King gave his young unknown a lot of support by assembling a thoroughly professional cast without a bad performance in the lot. Such people as Lee J. Cobb, Vincent Price, Charles Dingle, Gladys Cooper, Roman Bohnen, and Anne Revere were just perfect in their parts.

As was Charles Bickford in the role of the priest and director of the Catholic school in Lourdes. He's very skeptical at first, but becomes her firm champion. Jones and Bickford became extremely close in this film, she looked up to Bickford for the rest of his life as a father figure in Hollywood. Bickford was nominated for Best Supportin Actor, but lost to Charles Coburn and Cooper and Revere both received nominations for Best Supporting Actress, but lost to Katina Paxinou.

Even with a more recent film telling the Bernadette Soubirous story that came out in 1989 with Sydney Penny, this film is still owned and shown in many Catholic churches and schools to this day. But even the most hardened of unbelievers will be blown away by Jones's performance.

Despite being a huge classic film fan, it took me a while to get round to watching 'The Song of Bernadette'. Partly because of being so busy, but also, although being an admirer of a lot of the cast and crew, finding that the subject matter didn't appeal to me for a while.

Goodness knows why though, because finally getting round to it 'The Song of Bernadette' was a miracle of a film. Sure it is a long film, perhaps a little too long (the only thing that counts as a debit against it for me, and it is so small because what it does right is enough to fill a novel), but contrary to one might think its point of view that it portrays is valid and very sincerely put across, not heavy-handedly or in a way that's biased. It also, from personal view, doesn't contrive to move audiences, or convert viewers and sceptics to its way of thinking. The emotional impact comes from how well it explores its subject matter and how much the sincerity and poignancy shines through every frame and performance.

Before one forgets, 'The Song of Bernadette' is a surprisingly quite faithful account of the story of Bernadette Soubirous, which is an amazing story in itself, some may ask how idealised it is, actually considering other films based on true stories/history etc and the subject matter it doesn't actually feel that idealistic. It manages to do the seemingly impossible in making capture the main events, spirit, background and atmosphere of Werfel's novel and making everything cohesive while condensing things necessarily to the point from a book so rich in detail to the point of bloat.

There are so many that make 'The Song of Bernadette' a film miracle. The luminous black and white photography wholly deserved its Oscar, that, the atmospheric lighting and sumptuous production values help make 'The Song of Bernadette' one of that year's (that half of the decade even too) most visually beautiful films. Alfred Newman's score adds so much to the film to the extent that the film may have been a completely different one without it, and it's hardly surprising it's garnered a soundtrack album of its own considering how well it stands up as music on its own. It's stirring and achingly gorgeous music, some of my favourite work of his.

Scripting doesn't resort to preachy sermonising or bias, instead it's very intelligently written and as aforementioned the argument it makes is valid and sincere, and it makes sense. The dialogue itself does provoke thought some time after. The story is incredibly moving and inspiring, also being careful not to paint its characters too black and white. Despite being a long film, the production values, music and performances are so wonderful, Henry King's direction so sensitive and the emotions so high that one is riveted throughout.

Jennifer Jones, in her debut performance (in her own name that is, having done a few other previous projects under a different name), seldom gave a more touching or better performance, of her five Oscar nominations this was the only time she won one and it was a very deserved win from personal view.

In support she is particularly well aided by Gladys Cooper, on fiery form, Vincent Price, impeccably giving his character menacing colour and unusual restraint, and Charles Bickford, suitably sympathetic. The Virgin is sincerely portrayed as a symbol of hope by Linda Darnell, am also of the opinion that the film and role were not trying to say anything comparing who was greater between Mary and Jesus, it was just a symbol.

Overall, a miracle of a film. Whether one is converted is very dependent on the person, personally I watched 'The Song of Bernadette' expecting to be challenged but still admire it a good deal, finished it feeling very moved and inspired. 10/10 Bethany Cox

I'm not Catholic, but this film makes you want to believe the whole thing. I've never been so moved by a story demonstrating the incredible power of innocence and simplicity as performed by Jennifer Jones in this faithful adaptation of the true story of the now-canonized Bernadette Soubirous. Beyond this story, the sets, performances, narrative flow, and in particular, the heavenly-inspired music of Alfred Newman is nothing short of transporting. Some may find the movie overlong, but I cherished every character and angle to the story--much like enjoying the book with all of its detail. This effort demonstrates more than just the quality of the golden age of cinema and 20th Century Fox, but it adds a cast and crew clearly inspired to tell this true story like no other has been told before or since.

I have read where several people claim that there are flaws and imperfections in this film. But that is just not so. Even if you do not agree with the subject matter, and I do not come down on either side here, even though a catholic, it is simply a matter of capturing the emotional perfection of the story. Jennifer Jones had many fine roles in her career, but, as is all to often not the case, she honestly deserved the Best Actress Oscar for this her finest screen moment. Guided under the very skilled hand of one of Hollywood's often unsung but greatest director's Henry King this motion picture shines with a divine radiance all its own.

The performances of the other cast members were also on a par with the lead role. I will here only mention a few. Charles Bickford as the priest who first scoffs and eventually becomes a firm believer was his very best. Vincent Price, who is always able to play a villainous role to perfection was excellent as the doubting prosecutor who cannot be convinced. And Lee J. Cobb turns in an excellent performance also. But the second kudos of the film go to Gladys Cooper, who should have won a best supporting award as the old nun, who cannot accept Bernadette for who and what she is.

Finally, a note for the person who said the was no song in the movie and questioned the title. The whole film was a song or more correctly a psalm of faith, and the psalms were never sung but spoken. The music of ALfred Newman again underscores the action of this film perfectly. It is high on my top twenty-five films of all time.