Aggiungi una trama nella tua linguaA university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.
- Regia
- Sceneggiatura
- Star
Lillian Cornell
- Isabel's Singing Voice
- (voce)
- (non citato nei titoli originali)
Bess Flowers
- Woman in Audience
- (non citato nei titoli originali)
Gus Glassmire
- Caretaker
- (non citato nei titoli originali)
Chuck Hamilton
- Policeman
- (non citato nei titoli originali)
Hans Herbert
- Attendant
- (non citato nei titoli originali)
Isabel La Mal
- Maid
- (non citato nei titoli originali)
Mike Lally
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
During the 1940s, George Zucco made a ton of horror films--most of them for crappy little studios and with microscopic budgets. However, occasionally he'd appear in a decent film--one with higher production values and plots which made a bit more sense. This is the case with "The Mad Ghoul", as Zucco appeared in a film by Universal--a studio that made horror films just a bit better than everyone else.
Ted is in love with Isabel. He apparently can look past her annoying singing (it's very operatic and you either like it or hate it--most folks today would hate it). However, Ted doesn't know that the professor he's working for, Dr. Morris (Zucco), is a maniac who will do anything to possess Isabel. Eventually, Morris uses a gas he's created to turn Ted into a maniac who will do whatever the doctor tells him---including kill. What's next? See the film.
The acting is a tiny bit better than the usual B and the plot, though a bit silly, quite enjoyable if you like this sort of thing. Worth seeing.
Ted is in love with Isabel. He apparently can look past her annoying singing (it's very operatic and you either like it or hate it--most folks today would hate it). However, Ted doesn't know that the professor he's working for, Dr. Morris (Zucco), is a maniac who will do anything to possess Isabel. Eventually, Morris uses a gas he's created to turn Ted into a maniac who will do whatever the doctor tells him---including kill. What's next? See the film.
The acting is a tiny bit better than the usual B and the plot, though a bit silly, quite enjoyable if you like this sort of thing. Worth seeing.
Of all the Universal stars and stock character actors, the one that seems to get lost in the shuffle the most is George Zucco. It is a shame as I can never say I saw him give a bad performance despite the lack of depth in the cinematic vehicle he was appearing in. Zucco is the star of Mad Ghoul and does a wonderful job playing a man obsessed with a pretty singer played by Evelyn Ankers. Zucco works with the fiancee of Ankers, both scientists working on what keeps life after death..in a zombie form at least. Ankers, however, is not quite sure she loves David Bruce still, and is having a relationship with the pianist touring with her, Turhan Bey, who has little to do in his role. Zucco somehow induces Bruce to become a zombie/ghoul at times...thus telling his pretty fiancee things that cool down the relationship so old George can have a crack at her..or so he thinks she might be so inclined toward him(not knowing about Bey of course). The Mad Ghoul is a wonderful film because it has some great scenes and dialogue for George Zucco. Zucco shines as a sinister man with a battle between moral conscience losing to his base desires. The rest of the cast is good(look for Robert Armstrong of King Kong fame), the scenes and graveyard sets in particular are very appropriate. Don't forget the Mad Ghoul when catching up with your list of Universal horror films. It is worth seeing if for no other reason than seeing Zucco in one of his finest performances.
"The Mad Ghoul" is the only one of its kind. George Zucco gives the best performance in this film as a mad professor. (how often did he play those??)
David Bruce as the luckless student is OK, Evelyn Ankers does her usual and Turhan Bey is about as wooden as they get. Not longer after "The Mad Ghoul," his career came to an end and he was forgotten. Robert Armstrong as the journalist is good and he livens up the proceedings. A shame he couldn't have had more screen time.
The production values are pretty much what you would expect. The make-up used to make David Bruce look ghoulish works very well. The film has a fair bit of incident and being only on for about 65 minutes, works to the films advantage.
David Bruce as the luckless student is OK, Evelyn Ankers does her usual and Turhan Bey is about as wooden as they get. Not longer after "The Mad Ghoul," his career came to an end and he was forgotten. Robert Armstrong as the journalist is good and he livens up the proceedings. A shame he couldn't have had more screen time.
The production values are pretty much what you would expect. The make-up used to make David Bruce look ghoulish works very well. The film has a fair bit of incident and being only on for about 65 minutes, works to the films advantage.
Lovely concert singer Isabel Lewis (Evelyn Ankers) is engaged to marry medical student Ted Allison (David Bruce.) When she unexpectedly falls in love with her pianist Eric Iverson (a very suave Turhan Bey), she turns to Ted's laboratory boss Dr. Morris (George Zucco.) But it happens that Dr. Morris is in love with Isabel himself, and he decides to get rid of his assistant by subjecting him to ancient Mayan gas! Unfortunately for Ted, this gas is of a particularly nasty sort: it transforms him into a zombie-like creature. Under the control of Dr. Morris, Ted then participates in gathering the human hearts he must have for injections that allow him to return, temporarily, to normal.
The idea for this story seems to arise from a number of sources, most particularly the silent classic THE CABINET OF DR. CALIGARI, the various versions of DR. JEKYLL AND MR. HYDE, and THE RETURN OF DR. X--the latter a particularly peculiar B-flick featuring an unexpected Humphrey Bogart as a lab-created vampire of sorts. It other hands, the concept might have worked quite well, but although the cast is accomplished and the production values are generally quite good, the make-up effects are hardly up to the Universal standard, the pace is slow, and the script is quite dire.
The film makes no effort to create any sort of "transformation" when actor David Bruce goes from golly-gee lab assistant to shambling zombie; it is a straight cut-away, cut-back-to shot, and the latter finds him in uninspired make-up and with very untidy hair. Director James P. Hogan maintains a pace every bit as leaden-footed as the zombie, and as for the script... well, it is probably this sort of script that Evelyn Ankers, the studio's "Scream Queen" of the 1940s, had in mind when she walked away from Universal a year later. Given the talents of the cast and the overall look of the film, which (make-up effects aside) is handsomely mounted, I find it difficult to give this film less than three stars. All the same, I greatly doubt that THE MAD GHOUL will have any appeal for those outside the circle die-hard Universal horror fans.
GFT, Amazon Reviewer
The idea for this story seems to arise from a number of sources, most particularly the silent classic THE CABINET OF DR. CALIGARI, the various versions of DR. JEKYLL AND MR. HYDE, and THE RETURN OF DR. X--the latter a particularly peculiar B-flick featuring an unexpected Humphrey Bogart as a lab-created vampire of sorts. It other hands, the concept might have worked quite well, but although the cast is accomplished and the production values are generally quite good, the make-up effects are hardly up to the Universal standard, the pace is slow, and the script is quite dire.
The film makes no effort to create any sort of "transformation" when actor David Bruce goes from golly-gee lab assistant to shambling zombie; it is a straight cut-away, cut-back-to shot, and the latter finds him in uninspired make-up and with very untidy hair. Director James P. Hogan maintains a pace every bit as leaden-footed as the zombie, and as for the script... well, it is probably this sort of script that Evelyn Ankers, the studio's "Scream Queen" of the 1940s, had in mind when she walked away from Universal a year later. Given the talents of the cast and the overall look of the film, which (make-up effects aside) is handsomely mounted, I find it difficult to give this film less than three stars. All the same, I greatly doubt that THE MAD GHOUL will have any appeal for those outside the circle die-hard Universal horror fans.
GFT, Amazon Reviewer
The Mad Ghoul is one of the many horror movies Universal made during the Second World War and like most of the ones I've seen, is quite good.
In this one, of the regular stars to appear in these, George Zucco is a mad scientist experimenting with an ancient nerve gas and is a success on a monkey, but only for a short while. To keep his experiments a success, he has to rob graves and kill people to obtain a fluid from their hearts and he turns one of his pupils he teaches into a ghoul to do this.
The Mad Ghoul is creepy in parts, especially the foggy graveyard scenes shot in the dark.
Joining George Zucco in the cast are other sci-fi/horror regulars: Robert Armstrong (King Kong), Evelyn Ankers (The Wolf Man), Milburn Stone (Invaders From Mars) and David Bruce.
The Mad Ghoul is a good way to spend just over an hour one evening. Enjoyable.
Rating: 3 stars out of 5.
In this one, of the regular stars to appear in these, George Zucco is a mad scientist experimenting with an ancient nerve gas and is a success on a monkey, but only for a short while. To keep his experiments a success, he has to rob graves and kill people to obtain a fluid from their hearts and he turns one of his pupils he teaches into a ghoul to do this.
The Mad Ghoul is creepy in parts, especially the foggy graveyard scenes shot in the dark.
Joining George Zucco in the cast are other sci-fi/horror regulars: Robert Armstrong (King Kong), Evelyn Ankers (The Wolf Man), Milburn Stone (Invaders From Mars) and David Bruce.
The Mad Ghoul is a good way to spend just over an hour one evening. Enjoyable.
Rating: 3 stars out of 5.
Lo sapevi?
- QuizEvelyn Ankers hoped to do her own singing for the film, but because of the tight production schedule producer Ben Pivar used stock recordings of Lillian Cornell for the scenes in which Ankers' character sings (and the songs are obviously older recordings since their sound quality is inferior to the rest of the soundtrack).
- Citazioni
Dr. Alfred Morris: [Responding to the corpse sitting up and pulling a gun on him] Reports of your death seem to be greatly exaggerated.
- ConnessioniFeatured in Son of Svengoolie: The Mad Ghoul (1980)
- Colonne sonoreI Dreamt I Dwelt in Marble Halls
(uncredited)
from "The Bohemian Girl"
Music by Michael William Balfe
Lyrics by Alfred Bunn
Sung by Evelyn Ankers (dubbed by Lillian Cornell)
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- Paese di origine
- Lingua
- Celebre anche come
- Mystery of the Ghoul
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 5 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was The Mad Ghoul (1943) officially released in India in English?
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