Le stelle hanno paura

The most surprising thing about LADY OF BURLESQUE was that it got made at all. Burlesque was all but dead by 1942, shut out of most towns and cities by relentless moral crusaders, and Hollywood itself was mired in the infamous "production code," which put a heavy lid on what could and could not be shown on screen. But burlesque had spawned a number of stars who remained favorites with public, and in 1941 the legendary Gypsy Rose Lee penned a book called THE G-STRING MURDERS. It proved extremely popular, and a year later United Artists took a chance on the film project.

True enough, the movie couldn't show the strippers in action or play out the bawdy comic sketches so popular in burlesque, but writer James Gunn turned in a superior script, and director William Wellman and his cast gave the whole thing tremendous dash and style. The result was a movie that captured the seedy, underworld-edged world of burlesque without actually causing censors to yank it from distribution.

In theory, LADY OF BURLESQUE is a murder mystery, but mystery takes a back seat to the brawling backstage antics of crossed love affairs and star rivalry. Barbara Stanwyck endows star stripper "Dixie Daisy" with her own memorable brand of tough class--and although she can only be shown from the waist up when she bumps and grinds, she still manages to tear strips off her musical number "Play It On The G-String." The rest of the cast is equally memorable, many of them burlesque stars in their own right. Pinky Lee (Mandy) is memorably teamed with Marion Martin (Alice Angel) to delightful effect; Iris Adrian (Gee-Gee)is the gum smacking brash blonde to end all gum smacking brash blondes; and such memorable character actors as Michael O'Shea (Biff), Gloria Dickson (Dolly), and J. Edward Bromberg (Foss) round out the cast superbly.

Sad to say, LADY OF BURLESQUE has fallen into public domain, and it has not been well preserved. I have seen several releases of the film, and all of them are plagued with breaks in the film and the soundtrack. LADY OF BURLESQUE may never be regarded as a "great" film, but it is an extremely entertaining one, particularly for those who already know something about the now-lost world of burlesque. As one character says, "Makes me want to leave the wife!" Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

"Lady of Burlesque" takes an unusual combination of story, setting, and characters, and puts it together into a rather entertaining movie. The murder mystery plot, the cast, and the seedy backstage setting make for an interesting setup, with things moving at a good pace.

Barbara Stanwyck makes an interesting lead, as the burlesque star who has to try to track down a murderer while having some tart exchanges with her companions backstage. Michael O'Shea plays his stage comic role a bit too broadly at times, but he is often entertaining. Charles Dingle makes good use of his scenes as the police inspector, and he gives Stanwyck a good foil to play off of. Of the numerous other dancer characters, a couple of them are given some occasional good moments, although several of the others remain too indistinct from one another.

Almost the entire story is told in the theater and dressing rooms where the company is playing, and the script is generally resourceful in keeping things interesting within these narrow confines. The mystery in itself is not particularly complex, but it works as a setup for a number of interesting sequences. Overall, there's not anything remarkable, but it works well as light entertainment with some interesting character interaction.

Barbara Stanwyck got to really show her versatility in Lady of Burlesque doing a couple of numbers that did make me wonder why she didn't try to do a full blown musical. Of course she had the best of inspiration in a book that was partially written by the one and only Gypsy Rose Lee.

Gypsy needed a ghostwriter, but she certainly knew the world of burlesque as none other. So with Craig Rice's ghostwriting they fashioned a murder mystery set in the burlesque world. Somebody is killing the strippers at a burlesque theater and Barbara isn't sitting around waiting to be the next victim. With the help of comic Michael O'Shea she's going to find the perpetrator before she gets done in with her G String.

A lovely group of movie queens help Barbara out in this film. Playing some of her peers are Iris Adrian, Gloria Dickson, Marion Martin, Janis Carter, Stephanie Bachelor, and Victoria Faust. Some of these don't make it to the end of the picture.

Playing another of the comics is Pinky Lee who I well remember because I used to watch his kid's television show back in my salad days. Pinky was as frantic as I remember him and he does a mean jitterbug with Stanwyck.

William Wellman as director keeps the pace of things going pretty nicely. And if you're a leg man, this picture will leave you nothing to complain about. As for the murderer, here's a hint, it's roughly the equivalent of the butler doing it.

William Wellman, the man who brought you NOTHING SACRED, BEAU GESTE, ROXIE HART, THE PUBLIC ENEMY, A STAR IS BORN, and WINGS, brings you this neglected gem starring the one and only Barbara Stanwyck. Available for some reason in a thousand cheapie video bins for under five bucks, this 91 minute classic B-movie puts the B in sublime. An A-list group decided to adapt Gypsy Rose Lee's exploitation sex - murder - laughs novel for the silver screen, and the sheer joy brought to the tawdry enterprise somehow transmutes the base material - the murder plot was creaky for 1943 - into show-biz gold. When you think of old-fashioned entertainment, you are picturing LADY OF BURLESQUE, in which a maniac is killing the show-girls in a run-down burlesque theater, and a baggy-pants comic steadfastly pursues Barbara Stanwyck with wisecracks and dutch-treat dates. The real stars are the burlesque performers, lovable freaks from the Hollywood gutter spouting a hard-bitten patter with the nano-second timing of people who'd been doing this since their parents dragged them onto the vaudeville stage when they were three. Stanwyck was the only major screen queen from the thirties and forties who specialized in hopelessly vulgar heroines (see STELLA DALLAS and BABY FACE), but here she's the class act because she's the only one not trying to be classy. Her love interest is the wonderful Michael O'Shea, who plays the false nose comedian who falls for Stanwyck. Stanwyck puts a spin on the word "comic" that makes it sound like a four letter word. One scene above all others stakes this movie's claim to greatness - while in the middle of a hoary old comedy sketch, Stanwyck and O'Shea are interrupted by the off-stage wailings of a stripper being beaten up by her thug boyfriend. No one backstage will stop the brutality because they're all scared of the thug, so the onstage performers strike up the band and try to drown out the screams with an up-tempo musical number and improvised jitterbugging. Note, too, the big built blonde with the lisp who declares of the most recent murder "How gruethome!"

Director William A. Wellman gives us Lady of Burlesque a boisterous whodunit played out in an old burlesque theatre. Based on Gypsy Rose Lee's novel The G-String Murders theres plenty of humor surrounding the murders with wisecracks left and right. Theres some bumps and grinds but no stripping due to the movie code at that time. Of course we have the wonderful Barbara Stanwyck here who dazzles us with some neat song and dance routines. Also a lovely bunch of beauties in scanty costumes including gum snapping Gee Gee (Iris Adrian), troubled Dolly (Gloria Dickson), gorgeous Alice (Marion Martin), Lolita (Victoria Faust) and Princess Nirvena (Stephanie Bachelor) both delightfully bitchy. Theres also Michael O' Shea and Pinky Lee involved in the mystery and humor at the old former opera house. So "Take It Off The E-String, Play It On The G-String" (song) and have a good time. Oscar nominee for Best Score.