Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
- Alma
- (as Teresa Harris)
- Dancer
- (as Jeni LeGon)
- Clement
- (non citato nei titoli originali)
- Black Friend of Melise
- (non citato nei titoli originali)
- Friend of Melise
- (non citato nei titoli originali)
- Melisse
- (non citato nei titoli originali)
- Job Interviewer
- (non citato nei titoli originali)
- Dancer
- (non citato nei titoli originali)
- Bayard
- (non citato nei titoli originali)
- Sabreur
- (non citato nei titoli originali)
Recensioni in evidenza
Betsy is told by Jessica's doctor that Jessica has been this way since she had a bad case of a tropical fever, and the catatonia was the aftermath. Jessica can walk and follow simple commands, but she is mute and doesn't seem to comprehend what is going on around her.
Betsy gets to know both her boss Paul, who is a joyless curmudgeon who proves to be secretly sensitive, as well as his brother Wesley, who is outwardly charming but dangerously embittered. But it's the permanently unavailable Paul whom she grows to love. When a voodoo-believing servant tells Betsy that voodoo has the power to cure Jessica, Betsy takes Jessica to the voodoo encampment to see if they can cause her to reclaim her sanity. Complications ensue.
The film is for sure atmospheric, like all of the entries from Val Lewton during this time period. That atmosphere includes lumbering women in billowing long white gowns, tall stone staircases, and high gray ceilings. A great sense of unease runs through the veins of this movie from start to finish.
What did I not like? Character development is very abbreviated. And the locals who inhabit the island seem more like they are sporting the accent of the blacks of the American south than the West Indies. Plus the explanation of events is delivered in just a couple of sentences at the end and left me very unsatisfied - Show me, don't tell me! But then this was meant to be a 70-minute RKO quickie, not a horror classic, so it is remarkable that with such a small budget it has managed to have such staying power over the years. I'd recommend it.
"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.
Title (Brazil): "A Morta-Viva" ("The Living Dead")
In the film, a young Canadian nurse accepts a position in the West Indies where she will care for a plantation manager's convalescent wife. She finds that the woman's mental faculties have been affected by a fever and the locals refer to her as a zombie. She determines to effect a cure, even if she has to enter into the mysterious (and potentially dangerous) world of voodoo.
The acting is decent enough but nothing to write home about. The top-billed James Ellison gives a forgettable performance but co-stars Frances Dee & Tom Conway fare better. In support, some actors seem more authentic than others but overall the cast is satisfactory.
Jacques Tourneur was handed the directorial duties and he did a fine job with the resources that were available to him. The direction, cinematography & score (by Roy Webb) create an ominous atmosphere that makes up for any inadequacies inherent in the film's low budget. The screenplay (co-written by Curt Siodmak) also deserves praise for its psychological depth and ambiguous treatment of the supernatural.
All in all, "I Walked with a Zombie" is a worthwhile horror picture and a welcome change from today's stereotypical flesh-eating zombies. While its B-movie origins are sometimes apparent, this film elevates itself above the usual expectations with intelligent screen writing and skillful technique.
Lo sapevi?
- QuizVal Lewton did not like the article "I Walked With A Zombie" by Inez Wallace that had been optioned, so he adapted the story to fit the novel "Jane Eyre" because he felt the article's plot was too clichéd.
- BlooperOn Betsy's first morning, Alma brings her breakfast in bed and fills the coffee cup so full that it spills over. In the very next shot, the cup is much emptier without Betsy having drunk of it.
- Citazioni
[first lines]
Betsy Connell: [voice over, giggling after the first line] I walked with a zombie. It does seem an odd thing to say. Had anyone said that to me a year ago, I'm not at all sure I would have known what a zombie was. Oh, I might have had some notion that they were strange and frightening... even a little funny. It all began in such an ordinary way...
- Curiosità sui creditiAt the beginning, in small letters at the bottom of the screen is this disclaimer: The characters and events depicted in this photoplay are fictional. Any similarity to any persons, living, dead, OR POSSESSED, is entirely coincidental.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: I Walked with a Zombie (1969)
- Colonne sonoreO Marie Congo
(uncredited)
Traditional
Performed by ensemble
[Sung by the crew of the clipper ship]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Yo dormí con un fantasma
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 9 minuti
- Colore
- Proporzioni
- 1.37 : 1