Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.Un'infermiera viene assunta per prendersi cura della moglie di un proprietario di una piantagione di zucchero su un'isola caraibica e chi ha agito in modo strano fin dal suo arrivo.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
- Alma
- (as Teresa Harris)
- Dancer
- (as Jeni LeGon)
- Clement
- (non citato nei titoli originali)
- Black Friend of Melise
- (non citato nei titoli originali)
- Friend of Melise
- (non citato nei titoli originali)
- Melisse
- (non citato nei titoli originali)
- Job Interviewer
- (non citato nei titoli originali)
- Dancer
- (non citato nei titoli originali)
- Bayard
- (non citato nei titoli originali)
- Sabreur
- (non citato nei titoli originali)
Recensioni in evidenza
There may be modern horror fans who bemoan the lack of what one might consider horror in "I Walked with a Zombie". It starts to go for more of a traditional creep factor in its second half, using the imposing Darby Jones as the mysterious, zombified Carrefour to great effect. Everything is handled with a great deal of sensitivity and authenticity by screenwriters Curt Siodmak & Ardel Wray, producer Val Lewton, and director Jacques Tourneur. Unlike some of the horror product of the time, it actually treats its black characters with a great deal of dignity and respect, and also gives the actors a chance to shine, such as Theresa Harris as Alma the maid.
As was always the case with these Lewton productions, the story (based to some degree on Jane Eyre, with factual articles on voodoo in the West Endies also used as a basis) is pretty tight, and the running time is typically short. (69 minutes all told.) We don't get to know the characters all that well, but we do still like them, and in a refreshing touch, there are no clear cut villains or explanations for the strange events. The actors each do a solid job: Dee as the heroine, Conway as the husband, James Ellison as his half brother, Edith Barrett (in old age make-up) as their mother, James Bell as the doctor, and Sir Lancelot as the calypso singer. As one can see, some of the cast were regulars in these Lewton films.
Overall, there's a real feeling of sadness to the atmosphere, helping to make this one of the best of Lewtons' filmography. One wouldn't know from the end result how quickly and cheaply these productions were made, as they have the power to grip their viewers 70 plus years later.
Eight out of 10.
In the film, a young Canadian nurse accepts a position in the West Indies where she will care for a plantation manager's convalescent wife. She finds that the woman's mental faculties have been affected by a fever and the locals refer to her as a zombie. She determines to effect a cure, even if she has to enter into the mysterious (and potentially dangerous) world of voodoo.
The acting is decent enough but nothing to write home about. The top-billed James Ellison gives a forgettable performance but co-stars Frances Dee & Tom Conway fare better. In support, some actors seem more authentic than others but overall the cast is satisfactory.
Jacques Tourneur was handed the directorial duties and he did a fine job with the resources that were available to him. The direction, cinematography & score (by Roy Webb) create an ominous atmosphere that makes up for any inadequacies inherent in the film's low budget. The screenplay (co-written by Curt Siodmak) also deserves praise for its psychological depth and ambiguous treatment of the supernatural.
All in all, "I Walked with a Zombie" is a worthwhile horror picture and a welcome change from today's stereotypical flesh-eating zombies. While its B-movie origins are sometimes apparent, this film elevates itself above the usual expectations with intelligent screen writing and skillful technique.
This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.
The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.
But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.
Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.
"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.
Title (Brazil): "A Morta-Viva" ("The Living Dead")
Lo sapevi?
- QuizVal Lewton did not like the article "I Walked With A Zombie" by Inez Wallace that had been optioned, so he adapted the story to fit the novel "Jane Eyre" because he felt the article's plot was too clichéd.
- BlooperOn Betsy's first morning, Alma brings her breakfast in bed and fills the coffee cup so full that it spills over. In the very next shot, the cup is much emptier without Betsy having drunk of it.
- Citazioni
[first lines]
Betsy Connell: [voice over, giggling after the first line] I walked with a zombie. It does seem an odd thing to say. Had anyone said that to me a year ago, I'm not at all sure I would have known what a zombie was. Oh, I might have had some notion that they were strange and frightening... even a little funny. It all began in such an ordinary way...
- Curiosità sui creditiAt the beginning, in small letters at the bottom of the screen is this disclaimer: The characters and events depicted in this photoplay are fictional. Any similarity to any persons, living, dead, OR POSSESSED, is entirely coincidental.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: I Walked with a Zombie (1969)
- Colonne sonoreO Marie Congo
(uncredited)
Traditional
Performed by ensemble
[Sung by the crew of the clipper ship]
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Yo dormí con un fantasma
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 9 minuti
- Colore
- Proporzioni
- 1.37 : 1