Happy Go Lucky

This is clearly a cast-off Crosby-Hope script with a couple of additional songs for Hutton and Martin. Panama and Frank do their regular "Road" story and the color is nice. All it needs is a patty-cake routine.

Enjoyable only as an artifact, Paramount's Technicolor musical "Happy Go Lucky" is a film I'd never heard of, despite a terrific cast. Obviously a flop, it still has failed to attract residual film buff attention, now a YouTube freebie.

The movie is pleasant enough, with a Norman Panama/Melvin Frank script, plenty of songs and a completely escapist atmosphere for audiences weary of WW II, but it doesn't connect. At first, with its tropical island setting and cutesy humor it seemed to have endless camp appeal, but no Carmen Miranda to put it over the top.

Instead, Mary Martin and Betty Hutton are appealing in nothing roles, while DIck Powell and Eddie Bracken sweat their way through assignments beneath their dignity. One interesting element has several Black performers cast in decent-sized supporting parts and treated respectfully, rather than only subservient bit parts. But they are not American roles, but instead Caribbean characters.

One odd touch, the Calypso song here "If You Wanna Be Happy for the Rest of Your Life..." (a/k/a "Ugly Woman") falls flat, yet given a different beat, became a Number One novelty hit in 1963 performed by Jimmy Soul. And Jimmy McHugh's "Let's Get Lost" performed by Mary Martin subsequently became a jazz standard after being introduced here, ultimately used as the title for the Chet Baker 1988 docu.

This mediocre film mostly wastes the comic talents of the cast. It's instructive to compare the terrific comic performances of Bracken, Vallee, and Hutton in Preston Stuges films, and their so-so or worse performances here -- few laughs, no wit. Vallee especially is a completely charmless oaf in this film, while he is very funny and charming in a very similar role in The Palm Beach Story. Eric Blore is completely wasted, given almost nothing to do and is photographed in partial shadow in a couple of shots.

There are a couple of good songs, Murder She Says, a Hutton classic with lyrics by Frank Loesser, and Let's Get Lost, a pleasant ballad that has had a modest life beyond this film.

Mary Martin does a good job with her songs, she's energetic and sings as well as she did in her later Broadway shows. But she's a bit weak on charisma and star quality. Dick Powell is competent, but seems bored. It's no wonder that both stars were dropped by Paramount or visa versa soon after this movie. Of course that worked out great, as Martin and Powell did their best work in the years that followed.

Interesting that one of the reviewers here mentioned this movie might have been orignially written as a Crosby-Hope Road picture. I can really understand that that might have been the case.

In 1942 Dick Powell signed a contract with Paramount Pictures on condition that he vary his roles and would occasionally do some dramatic films which Warner Brothers had refused to cast him in. But his first film for them was Star Spangled Rhythm and his bit part in that wartime musical was with Mary Martin doing probably the best number in the film, Hit the Road to Dreamland. They certainly seemed well suited for each other.

With that in mind Powell got to do his first color film Happy Go Lucky with Martin the following year. But for some reason Mary Martin never quite clicked with film audiences. I'm at a loss to know why myself because she certainly had a sparkling personality.

Powell did this one with Martin with the hope that dramatic parts would eventually come his way and Happy Go Lucky is certainly amusing enough. Powell and Eddie Bracken play a pair of beachcombers on a tropical island in the Caribbean created nicely on the Paramount sound stage. Martin is a cigarette girl pretending to be a débutante hoping to land a rich husband and her sights are set on Rudy Vallee who is reprising his role from The Palm Beach Story replete with glasses and all. Also along for the ride is Betty Hutton who is a fellow cigarette girl traveling with Martin and an old flame of Bracken's.

Certainly Bracken and Hutton seemed to team well together as they had in The Fleet's In and Star Spangled Rhythm and both would be used again to even bigger acclaim by Preston Sturges in The Miracle of Morgan's Creek and Hail the Conquering Hero. In fact Hutton stole the film right out from under the leads with her rousing rendition of Murder He Says.

As long as Rudy Vallee and Dick Powell were appearing in the same film it would have been nice if they had sung together, but Rudy did not sing a note and an opportunity was lost.

I don't think I have to talk about the plot too much more with the ingredients I've given you, I'm sure you know exactly how this will all come out. The only other item involved in this film is a voodoo love potion that apparently is spread to victim like you were spraying your garden for pests.

Happy Go Lucky is an amusing average comedy from Paramount that led to nothing for its leads, but it's supporting cast did just fine.

The musical cinema careers of both stars was almost at an end when this film was released.Dick Powell clearly knew that his time as a juve lead was nearing its natural end as he appeared in "Farewell My Lovely" the following year.Mary Martin made one more film in this era before returning to the stage.She made very few films so a musical such as this is of great interest .Although she is quite delightful i do not think that she had the glamour of say Rita hayworth or the brashness of Betty Grable to enable her screen career to really take off.All of her performances that i have seen have been engaging without being memorable.Dick Powell does what he had been doing for 10 years on screen.Betty Hutton,Eddie Bracken and Rudy Vallee all lend support in this very entertaining and colourful 40s musical.