Anche i boia muoiono

In case you can't tell from the title, Hangmen Also Die! Is a very heavy film. It's one of those underground resistance movies made during the height of WWII, and it's incredibly powerful even now after we know we've won the war. There were many of this sub-genre made during the time period before an Allied victory was assumed, and they all captured a very scary feeling. Stick together, trust no one, and be prepared to give your life so your children won't have to live in a German-speaking world.

This movie takes place in Czechoslovakia, during the Nazi occupation with strict curfews and rules against congregation. However, there's a man out when he shouldn't be, running around where he shouldn't be. He kills a Nazi soldier, and just when he's about to be captured, a young woman who watched the incident does a small act of kindness. She lies to the pursuing guards and points them in the wrong direction, buying the man some time. Little does she know she's opened her entire family to scrutiny and changed everyone's lives forever.

Brian Donlevy is the man on the run, and Anna Lee is the woman who saves him. He believes he can trust her, so he seeks refuge for the night in her home as an alibi. Her father, Walter Brennan, and her mother Nana Bryant, are against the idea, knowing it will get them into trouble - but they're already in too deep to turn back. So, Brian stays the night and the family tries to come up with a plausible story that will keep everyone out of trouble. Sure enough, the Gestapo find out and question them, headed by the ruthless interrogator Alexander Granach.

Fritz Lang's fantastic direction keeps a fast pace that never lets you catch your breath. Everyone in the cast is uncharacteristically intense, giving some of their best performances - and I can't help but give credit to Lang as well. When the entire cast is at the top of their game, the director has usually given his all, too. Brian Donlevy is usually a villain, Walter Brennan is usually a crotchety hick, Gene Lockhart is usually genial, and Alexander Granach made very few talkies after his successful silent career. Partly because of these against-type performances, and partly because of the suspenseful script, the movie constantly surprises. This is not easy to watch, but it's worth it if you can.

Superb addition to Fritz Langs wonderful catalogue of films.

We see here his trademark 'almost documentary' style as well as propaganda (See The Last Testament of Dr Mabuse for another take on the Nazi regime). His trademark shadows (See 'M').

Early in the film we see Heydrich, an evil dictator who used his mandate from Hitler in the fullest possible way. Here he is played by Hans Heinrich von Twardowski who really is scary in portrayal. Lang shows this brilliantly in the way that the Czech people fear him, and also that he is feared by his own men. The master stroke here is the way Heydrich speaks only in German with no subtitles, given an English translation by someone else in the room. People fear him as he is and even though they cannot understand him, they fear what he has said.

The film centres around the reprisals after Heydrich's assassination. The assassin is still living/hiding in Prague. A few know his identity. But they know that if they inform the Gestapo they will be killed and they also know if they don't they may die anyway.

The tight script builds the tension to the highest level to a brilliant climax.

The cast are brilliant, especially the ever reliable Walter Brennan. An actor of the highest caliber. Abley backed up by Anna Lee, Brian Donlevy & Dennis O'Keefe.

This film is made all the more brilliant by the fact that it's idea was conceived only a short time after Heydrich's real-life assassination, not necessarily from a propaganda point of view, but with Lang you know you will get a film that will bench mark the film industry for years to come and people will sit up and take notice.

This is loosely based on the true story of a member of the Czech underground assasinating the nazi regional governer, a ruthless fellow they call 'the Hangman'. The story revolves around the assasin and the family that unknowingly hid him from the gestapo. When questioned by the gestapo, the family says the guy was there to see their daughter, who happens to be engaged to another fine gentleman. So this little situation complicates the story, as the gestapo detective,a very ruthless chap, tries to catch them in the lie. From there the story moves along in chilling fashion when 400 townfolks are rounded up to be executed in groups of 10 each day until the assasin is turned in. This causes people to question their inner strength and makes them wonder if it is worth it to sacrifice themselves to keep him hidden. The story gets resolves in a very clever way which I will not reveal. The movie has that film noir/Hitchkockian feel to it with the protagonist being chased down and making clever escapes by the skin of his teeth. Although the movie drags a bit here and there, it ends up being a worthwhile suspenseful drama and also makes you think a bit about what would you do if you were put in that situation.

A propaganda film, produced during World War II, written and directed by two of the most famous anti-Nazi Germans, exiled to the United States at the time, Fritz Lang and Berthold Brecht.

The story evokes the anti-Nazi resistance of the occupied Czechoslovak people, protecting the assassin of Reinhard Heydrich, the former head of the SS, head of the Reich Security Main Office and deputy Reich Protector in Bohemia and Moravia, even under the threat of death of hundreds of hostages, chosen among the most important civilian, religious and military figures in Czechoslovakia.

If the assassination was real, the story told in the film is fiction. But an interesting and well-woven plot, whose main objectives were to raise morale and honor of those who resisted the Nazi occupation in several European countries.

In 1942, the Czech underground assassinates Reinhard Heydrich, the governor of Bohemia-Moravia. Heydrich's assassin tries to escape capture.

This is based on a true story of course -- it's a well-known episode of World War II. Czech commandos were brought in from Britain on a mission with a slim chance of survival for the selfless agents. They unfortunately met a sad end after being betrayed by a fellow Czech. The history is described very well in books such as Callum MacDonald's "The Killing of SS Obergruppenführer Reinhard Heydrich".

In 1943, when this film was made, were the full details of the actual events widely available in the USA? I'm not sure, but it seems unlikely.

The story as presented here is the tale of what happens one day when a girl goes out to buy vegetables for supper, and when a taxi driver lets his finicky engine idle. Perhaps this plot was fabricated for want of any other alternative, but its sheer ordinariness adds to its immediacy.

The reptilian Heydrich was one of the architects of Hitler's Final Solution. It's no coincidence that the plan to assassinate him was code-named "Anthropoid".

Hans Heinrich von Twardowski plays him briefly at the beginning of the drama. He's cold-blooded, vicious, rabid ... and a little effeminate. That aspect seems questionable. In 1943, there were at least as many reasons for knowing what his character represented as there were occupied countries in Europe. This particular embellishment seems to add little or nothing to the suspense.

(Twardowski himself was a German exile in Hollywood. If you can read German and have a look at the titles of the films he made in 1928 and 1929, you can probably hazard a guess as to why he was forced to leave Hitler's Germany.)

Brian Donlevy plays the assassin. It's not by chance that this character is named Dr. Svoboda. Svoboda is a common name, but it also happens to be the Czech word for "freedom".

I always find Donlevy effective, particularly so in "The Great McGinty" (1940) for Preston Sturges, but he does have a certain B actor limitation on access to his character's inner thoughts. He doesn't quite have the hunted quality of someone facing certain capture and torture. A perspiring lip might have helped.

Better is Alexander Granach as the Gestapo man Gruber, a Bob Hoskins sort of person, only sinister. He's ruthless, cunning, perfect in the part.

Walter Brennan appears as a Czech professor arrested and held as a hostage. Prof. Walter Brennan, that's right! He's very good. Considering the typecasting he must have been fighting against, he's excellent in fact.

My moderate criticism of some of the performances notwithstanding, the suspense in the story was of the nail-biting kind, I felt. I wouldn't have wanted to watch this in 1943 -- it's just too bleak, too disturbing. When hostages are being held by the Gestapo, it's a lose-lose situation all around. All possible outcomes are disastrous.

I guess the filmmakers felt -- knew -- that this would be more than a contemporary audience could really handle in the middle of wartime. Hence the film has an uplifting, artificial, fantasy ending which arrives like a deus ex machina.

That's certainly a drawback for viewers now, but I can't fault anyone. The context of the times couldn't have allowed any other solution.

Fritz Lang directed this return to Mitteleuropa, the scene of his youth and early classic films. He runs the show like a police procedural, making it all too real. He allows himself a couple of his great shots which I will allow you to discover for yourself.

In real life, the actual Czech assassins -- Josef Gabcik and Jan Kubis, plus their look-out man, Josef Valcik -- were all killed in battle at their hiding place in the Karel Boromejsky Church in Prague on June 18, 1942.

Heydrich's state funeral had been held earlier in Berlin on June 9. The Nazis had Siegfried's Funeral March from Wagner's "Götterdämmerung" played for the occasion, probably with extra added bombast.

That's the sort of heroic farewell that the martyred Czechs should have received.