Joe il pilota

Irene Dunne is what makes any movie she is in, superb! No female actor today, or for that matter in the 30s and 40s can compare to her wholesomeness, versatility, and talent! This movie was a lesson in many aspects of life. It was made during a time that these things were much needed but we can certainly apply the same selflessness to our daily lives today. It is funny and dramatic, fast moving and keeps your interest. Spencer Tracy is good, so was Van Johnson in that part! Ward Bond is always so good at anything he dose, he is such a great SUPPORTING actor he supports and complements, he always seems to be the character he is playing.

Yet, again I must say Irene Dunne is a Jewel, she does every character in such a believable manner you feel they could be your next door neighbor. Thank You Irene !

This is one of those old-fashioned, nice stories with generally nice people, some good lessons to be learned and some touching scenes. You just have to go with the fantasy-type theologies, in this story dead people coming back as angels-you-can see.

Irene Dunne never looked better, although the soft-focus lens helped her looks. She isn't beautiful but she's wholesomely pretty, and thus appealing. Spencer Tracy gives his normal strong performance but I liked supporting actor Ward Bond in here better. Tracy gives an excellent short speech at the end of this film.

The special-effects in the aviator-war scenes were not good but, hey, this film was made about 65 years ago. You could tell the planes were model airplanes on several shots.

Note: this film was re-made by Steven Spielberg 40 years later under the title "Always." That was a nice film, too, but I think I'd still take this version.

As many viewers I saw "Always", actually several times, before I even learned about "A Guy Named Joe." It is factual that the later film was a remake of the earlier one, but being in more modern times a significant story difference was depicted. I have no reason to compare the two against each other, for each one is a fine film on its own.

Set in WW II England, "A Guy Named Joe" gets its title from a comment made by one of the British children waiting to talk to Pete after one of his bombing runs over Germany. He told one of the other children, "that's what all American soldiers are called, guys named Joe." There was no actual character named Joe in the film.

I had never seen Spencer Tracy in his prime, and he was quite a handsome actor. Now I understand why he was so popular. He plays Pete, the pilot who takes unapproved chances to get difficult jobs done. In "Always", Dryfuss as Pete does the same for putting out forest fires. In both films Pete dies during a heroic mission and in heaven is sent to help a novice pilot, who ends up romancing his old girlfriend, Drinda.

I understand that at least one viewer who was in WW II thinks this is not a very good or realistic film. Maybe not, but it is still entertaining, and for me interesting to see a film made the year before I was born. Worth seeking out, for anyone who also enjoyed "Always" to see where it came from. Two different films from two different times, both excellent.

"A Guy Named Joe" is a beautiful, sentimental, tear-jerker of a film starring Spencer Tracy, Irene Dunne, Van Johnson, Lionel Barrymore, Ward Bond, James Gleason, and Dom Defore. Tracy is Pete, a fighter pilot in World War II involved with Dorinda (Dunne), a female flier. Apparently pilots whose "number is up" emit some kind of dead man walking spirit, because Dunne recognizes the signs and wants Pete to return to the states with her and teach fledgling pilots. She's so desperate that he agrees, but he's called for one last mission, and the inevitable happens. Before he knows it, no one can see him or hear him, he's escorted around heaven and earth by Barry Nelson, and assigned to be an angel for a young pilot (Johnson).

For all the warmth of this film, it was fraught with problems behind the scenes. Van Johnson was in a horrid car accident before he finished filming. The actors said they wanted to wait for him rather than see him replaced. That story may or may not be true, as the scar on his forehead is only visible in a couple of scenes; there can't have been much left to film. The second problem was that Spencer Tracy kept coming on to Irene Dunne, which made her furious, and she complained to the front office. She never worked with him again, which is a pity, because they made a charismatic screen couple.

Spencer Tracy is fantastic as a cocky pilot who comes down to earth only when he dies. His scenes as he stands behind Dunne telling her what he should have said to her while alive are very tender. Dunne is excellent as always - strong yet vulnerable, and she gets to sing "I'll Get By" in her lovely soprano. Johnson, in his breakthrough role, is good-looking, boyish, and likable. One of the nicest thing about "A Guy Named Joe" is some of the lighting effects - the silhouette of Dunne as she says goodbye to Pete; the look of his plane in the distance when she first arrives - these really add to the sense of foreboding.

Strangely, when viewed today, "A Guy Named Joe" is a feminist movie in more ways than even it knew. Dunne is a female pilot and proves her mettle in a dangerous mission. But more than that, consider the fact that she becomes involved with Johnson in the film and was 18 years his senior! She was 45 when this movie was released, and Johnson was 29. The age difference is obvious. Good for her - playing a lead at that age while employed by Louis B, no less, and having a younger love interest! Mayer is the man who booted out Joan Crawford and didn't make any noise when Garbo and Shearer left.

If your eyes aren't moist at the end of "A Guy Named Joe," it'll be surprising. Much loved by Steven Spielberg (who remade it), and a lot of other people, it still touches the heart today and reinforced to wartime audiences that the spirit of their deceased ones continues on, with love the tie that binds.

A jingost and agreeable tale about the angel of a dead WWII pilot guiding another young one . ¨A Guy Named Joe¨ stars Spencer Tracy and Irene Dunne, it was one of MGM's top grossers for 1944. A gal named Dorinda loved a guy named Joe. They couldn't hear him. They couldn't see him. But he was there when they needed him... Even after he was gone. It deals with a likeable WWII pilot (Spencer Tracy) in love for the beautiful Dorinda (Irene Dunne) . One day he is killed , as he finds himself returning as an invisible ghost who's presence is barely felt giving advice to his successor. As he is guiding another young pilot (Van Johnson) throughout aerial battles and also helping him to romance his girl , who's still devoted to hiis memory . Pete then finds that his successor is also falling in love with her . A guy - a gal - a pal - It's Swell!

Thi is an exhilarating, heart-satisfying emotional experience - you will long remember .A patriotic , sentimental Hollywood fantasy dealing with the spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind . This classy film was remade as ¨Always¨ (1989) by Steven Spielberg . A clip from that film was featured in Poltergeist (1982), which was co-written by director Steven Spielberg. In ¨Always¨ Pete's angel's name is Hap , an early military aviation pioneer, trained at the Wright Brother's flying school, and the only five star general of the US Air Force, was "Hap" Arnold ; in the film this movie was based on , ¨A guy named Joe¨ (1943), Joe's angel was also a former pilot, this makes Hap's name more than a coincidence , originally, the character was supposed to be male . Spencer Tracy's sincerity is major asset as an airman who, after getting killed , looks after the fortunes of his fellows . The secondary cast of MGM reliables includes notorious stars such as : Van Johnson, Ward Bond, James Gleason, Lionel Barrymore , Barry Nelson , Henry O'Neill , Don DeFore , Addison Richards , and a very young Esther Williams without swimming pool in sight.

The motion picture was well directed by Victor Fleming . Victor worked for the Hollywood's main Majors , as in Paramount , Fleming's first major successes were Lord Jim (1925) , The Blind Goddess (1926) and Abie's Irish Rose (1928) , all of them Silent Pictures . The following year, he brought Clara Bow to fame in Mantrap, filmed the now-lost Spanish-American War epic The Rough Riders, and in 1927 he was Emil Jannings' first American director with The Way of All Flesh. Fleming's first all-sound film, The Virginian, established Gary Cooper's laconic character. At MGM, Fleming vaulted Clark Gable to stardom with Red Dust (1932) and began a string of fast-paced hits with Bombshell (1933), Treasure Island (1934), Reckless (1935) , Captains Courageous (1937) , A Star Is Born (1937) co-directed with William A Wellman and Test Pilot (1938). He also remade a large portion of The Great Waltz (1938) after the studio fired original director Julien Duvivier. Fleming took over The Wizard of Oz from Richard Thorpe in October 1938, but before he ended that picture, was asked to take over David Selznick's troubled production of Gone With the Wind from George Cukor. In the following decade, all Fleming's last pictures were big office hits and with the greatest stars , such as : Dr. Jekyll and Mr. Hyde (1941) with Spencer Tracy , Lana Turner , Joan of Arc (1948) with Ingrid Bergman , José Ferrer , Guy Named Joe (1943) , Adventure (1945) with Clark Gable , Greer Garson, Joan Blondell , among others.