Ragazze in catena

I agree with most of the criticisms of the first 11 reviewers and agree that Edgar G. Ulmer has not worked his magic and made a shoestring budget into a masterpiece. However there are two things that I think the film deserves credit for. The first is the genre. This is one of the earliest women in a bad prison pictures. I know there were a bunch of men in bad prison movie before this, and of course "Fugitive From a Chain Gang" was ten years earlier. Still this is the earliest or one of the earliest females in prison movies. It kind of sets up the basic formula for the bad girls in prison films. Here the prison staff are more criminal than the women prisoners.In fact, Ulmer seems to be making some kind of anti-Nazi statement with the film.

It does develop a lot of tension and you really root for the female inmates. Yes, it was shot in five days and lots of things are ridiculous, especially the actor and character of lead gangster Johnny Moon. Yes, the playing of Johnny Comes Marching Home Again when he's on-screen is ridiculous, but the film is fun and watchable nevertheless.

The second thing is the hairstyles. They are unique. When was the last time you saw a film and wanted to look up the credit for who did the hairstyles? They are outrageous and ridiculous. Still they are fascinating. I had to watch another film with Arlene Judge to make sure that her hair wasn't styled this way permanently. (I saw her in Baby Bride (1932) and her hairstyle was normal in that one.

Judge is actually a fine actress. You can actually believe that she does have a Masters Degree in psychology. She does seem to be compassionate and thoughtful towards the girls she must protect. It is not her fault that we are always mesmerized by the absurd hairstyle and we watch it instead of listening to her dialogue.

Anyways, I'm giving the film five stars because Ulmer did make a watchable early women in prison movie in just five days with on a shoestring budget. I'm giving the film two extra stars for the wild and unusual hairstyle. I'm pretty sure that the hairstylist, no matter who s/he was, never worked again on another picture.

Plot-- an idealistic mental health worker is conscripted into making changes in a girls reformatory run by a crooked combine. There the girls are being treated like nothing more than numbers. Trouble is the school's head is part of the criminal combine that has broad political influence. So, will the reformer be able to make the reforms needed for the girls rather than the combine.

Looks like legendary director Ulmer walked through this one. There's no evidence of his exotic stylings, e.g. Detour {1945}. Only the scenes in the reformatory carry any weight as the girls and matrons perform with some gusto. Otherwise, the leading men are blandly forgettable, even the ostensive criminal mastermind Moon (Jack Randall) fails to provide impact. On the other hand, Judge does her reformer-with-heart in persuasive fashion. But what really sinks this lightweight production is the comedy relief from a goofy Emmett Lynn. His drunken idiot is so over-the-top I wonder if Ulmer even cared. Then too, catch the clumsily mounted backdrops to outdoor action where even lake water remains motionless. Anyway, no need to go on. After all, it is a barrel bottom PRC production. I just hope the more capable actors like Judge were able to recover from this awkward effort. I know Ulmer did.

I'd never heard of this movie by the master of Poverty Row, Edgar G. Ulmer. The title is what drew me to it.

It's a hodgepodge of plot and subplot. It is far, far from his weird best. Music is used but not the classical music he often employed.

However, it's fun. The main character is the sister of a gangster's wife. She loses her job teaching school because of this. Not to worry, though! She has a Masters Degree in psychology.

Now, when Joyce Brothers appeared on the scene with a doctoral degree a decade later, it was a novelty. How rare this must have been in the early 1940s. (My grandmother, Smith College class of 1921, had an advanced degree and was a career gal; but she was unusual. And that was in the 1950s and sixties.)

What makes the character even more peculiar is her hairdo. Yikes! Ms. Judge sports what looks like a nest of some sort on her scalp. The women in the 1960s with bouffants had nothing on her. Furthermore, she frequently tops this with a hat. And on top of that (literally and figuratively) the hats sometimes have veils! When she gives up teaching she ends up at a women's prison. The rest is fairly routine. But it has the touch, albeit nearly imperceptible, of a master.

Arline Judge and Roger Clark head a no name cast in this Grade B flick about a woman's prison. This one ought to be seen back to back with Caged to note the difference between what an A film and a B film treatment of the same subject. I'm not sure I should dignify Girls in Chains by calling it a B film. By the way, I didn't see one chain during this entire turgid drama.

Ms. Judge is a psychologist and sister-in-law of the town's leading racketeer who gets a job despite that at a woman's prison. Roger Clark is a cop now working the juvenile beat. Together they bring down the political machine that controls the town and the women's prison which is just a patronage trough.

The film is badly edited and the story makes absolutely no sense whatsoever. Clark and Judge offered no competition to Tracy and Hepburn as a screen team. Best performance in the film is that of Emmett Lynn who played old codgers in westerns mostly. Here he does a great drunk act and actually plays the key role in bringing the villains to justice.

Probably the best known player in this is Sid Melton, later on better known as Ichabod Mudd with two 'd's, sidekick to Captain Midnight. He's the sidekick to the racketeer here. Captain Midnight was Shakespeare next to Girls in Chains.

Back in the 1930s and 40s, there were quite a few so-called 'poverty row studios'. These were small outfits with very small budgets...so small that they didn't even own studio space. Instead, they usually rented space in other studios at night...filming when the big studios were sound asleep. Many of these tiny outfits made lousy films...and perhaps the most consistently lousy was PRC (Producers Releasing Corporation). Sure, occasionally they made a decent film...but they seemed to be pretty much by accident! So, when I noticed that "Girls in Chains" was from PRC, I pretty much assumed it would be crap.

The story begins with sleazy gangter Johnny Moon murdering someone. In the next scene, he's in court for some murder--perhaps that one at the beginning or some other. Regardless, the jury finds him not guilty...and the judge lectures them about what horrible folks they are and he's baffled at how they could have said the man wasn't guilty despite overwhelming evidence.

In an odd plot twist, in the next scene, Johnny Moon's sister-in-law is fired because of her association with Johnny--though she hates who he is and what he stands for. Here's the odd part--some reformers help her get a job at the local women's prison, as they like her attitude and the place is desperate need of reform. Once there, she sees that the staff are indifferent towards the fates of the inmates...and the Warden is essentially employed by Johnny Moon! Can anything be done to clean up this festering mess?? And, will the women of this prison trust their new teacher or is she just like the rest? And why would a crook like Moon WANT to see the prisoners mistreated? Wouldn't he want them treated like princesses instead?!

According to IMDB, this film was shot in only five days--so there wasn't much room for re-shoots and making it a high quality product. Yet, despite this, the movie isn't nearly as bad as I expected. Now I am NOT saying it's great...but it sure looks better than a five-day film. And, its score of 4 is practically an Oscar win for PRC!!



By the way, the tough inmate who is first befriended by the teacher is played by Barbara Pepper. Pepper is better known as the lady who played the first Mrs. Zipfel on "Green Acres". Yes, that would make her Arnold's mom! And, Johnny's right hand man is played by Sid Melton...who played Al Monroe on the same show!