Desperados

"The Desperadoes" (1943) is a genuine classic, not for its story (which is fairly routine), but for its technical production elements. This was a landmark western, the biggest ever at the time of its release and all the more unique because it was a Columbia production-a lightweight studio with a bottom feeding reputation. Only Fox's "Jesse James" (also starring Randolph Scott) from a few years earlier gave anywhere near this lavish a treatment to the genre. Although it would be eclipsed in a few years by "The Searchers" and "High Noon", "The Desperadoes" was a ground breaking effort and a historical treasure.

In 1863, the economy in the town of Red Valley, Utah is based on rounding up and selling wild horses to the Union Army. The script gets a little messed up here with references to the railroad (which was several years away in Utah's future) and Custer's Last Stand (Custer was busy fighting Stuart in Pennsylvania at the time) but these are not important plot elements.

Red Valley has an honest sheriff, Steve Upton (Scott), but the banker and several citizens are corrupt; robbing their own bank each time the government pays for a herd of horses. The town is visited by Cheyenne Rogers (Glenn Ford), a famous outlaw who is an old friend Steve's. He wants to go straight, especially after falling for the pretty livery stable owner Alison McLeod (Evelyn Keyes). Cheyenne's partner "Nitro" Rankin (Guinn "Big Boy" Williams) is mainly there for comic relief as are Uncle Willie McLeod (Edgar Buchanan) and the town judge (Raymond Walburn who models his character on Frank Morgan's "Wizard of Oz" crystal ball faker).

Taking no chances with their huge budget Columbia packed this thing with tons of action and every western movie element but Indians and covered wagons. There is the best wild horse stampede ever filmed, a spectacular barroom brawl, an explosive climax, romance, and three-strip Technicolor. All this stuff doesn't necessarily fit together but who would have cared back in 1943. Unity is a problem as it tries to be both a serious action western and a comedy.

The cinematography was probably the best ever at the time of its filming. The indoor scenes are solid but it is the naturalistic outdoor photography that is truly impressive; both the lyrical static shots and the moving camera filming of the action sequences.

Scott and Claire Trevor were top billed, but the studio clearly wanted to promote Ford, who would soon be their biggest star. And Director Charles Vidor utilized the film to showcase his new wife Keyes (whose portrayal of Scarlett's sister in "Gone With the Wind" had connected with audiences more than any small part in the history of films).

The Ford-Keyes dynamic is "The Desperadoes" most unique and important feature. Rather than go for the cliché "love triangle" with Scott and/or Trevor (which it first appears will happen), the entire romantic focus is on the two younger actors. This was probably the best role Keyes ever got and she makes the most of it. Playing a tomboyish but extremely sexy young woman who looks great in both leather pants and dresses, and who rides and fights like Kiera Knightley's character in "Pirates of the Caribbean". This was revolutionary at the time and coincided with the 1942 formation of the WAAC for WWII military service.

"The Desperadoes" is one film that has been well taken care of and the print looks like it is brand new. Unfortunately there are no special features on the DVD.

Then again, what do I know? I'm only a child.

The bank of Red Valley, a small town in Utah, is robbed by a gang and three residents are murdered during the heist. However the corrupt banker Stanley Clanton (Porter Hall) has plotted the heist with the owner of the local stable, Uncle Willie McLeod (Edgar Buchanan), and the rancher Jack Lester (Bernard Nedell) and his gang. Sheriff Steve Upton (Randolph Scott) is out of town investigating the holdup and is surprised by the wanted outlaw Cheyenne Rogers (Glenn Ford). The gunman that was hired by Stanley but arrived late for the heist, steals his horse and heads to Red Valley. In the stable, the daughter of Uncle Willie, Allison McLeod (Evelyn Keyes), recognizes the horse and rescues the sheriff from the wilderness. Meanwhile Cheyenne meets Countess Maletta (Claire Trevor) and his friend Nitro Rankin (Guinn "Big Boy" Williams). The Countess is the owner of the local saloon and suffers from unrequited love for him, and feels guilty for the crime life of Cheyenne that committed his first murder to protect her ranch. When Steve returns to Red Valley and sees Cheyenne, he feels happy to see his old friend and Allison falls in love with Cheyenne. But Sheriff Steve is getting close to Jack Lester and now Stanley Clanton masterminds a plan to incriminate Cheyenne for robbing the bank. Will he succeed?

"The Desperadoes" is a funny and entertaining western directed by Charles Vidor and with a great cast highlighting the names of Randolph Scott, Claire Trevor and a young Glenn Ford. The story combines western, comedy and action in right doses and there are amazing scenes like for example the stampede. There is also a great message of friendship. My vote is seven.

Title (Brazil): "Império da Desordem" ("Empire of Mayhem")

Highly enjoyable Western with better than average character twists. Columbia was never a big-budget studio like MGM or TCF. But they did like Westerns. So it's not surprising Columbia got into Technicolor with this scenic, well-produced horse opera. Looks like they were angling for the broadest possible audience with not one leading lady, but two (Keyes & Trevor). Ditto with the leading men (Scott & Ford). Add the great Edgar Buchanan in the kind of slippery role he did so well, plus the hulking Big Boy Williams and blowhard Raymond Walburn, and you've got an excellent supporting cast.

It's a really entertaining mix of action, shifting loyalties, humor, plus a dash of romance. The plot's a little shopworn—two old friends find themselves on opposite sides of the law, but the rivalry is well done. Several scenes are standouts—the wild horse stampede nicely framed against the dramatic Utah background, the judge's comical idea of frontier justice, and the tongue-in- cheek barroom brawl. All in all, director Vidor blends the many different elements into a pretty smooth package.

I may be wrong, but I don't think many A-budget Westerns were produced during WWII. Action films were generally war films promoting the Allies cause. This movie, I think, is one of the few elaborate oaters of the period. And a good one it still is.

Ladies and gentlemen, is the daily grind getting you down? Do you want a good, old-fashioned oater to fill in the early evening hours? Well, it's all here for you folks in Charles Vidor's 1943 production "The Desperadoes".

You've got your stalwart lawman (Randolph Scott), your good bad guy (Glenn Ford), the spunky romantic interest (Evelyn Keyes), the tough but tender saloon hostess (Claire Trevor) and the not-too-bright sidekick (Guinn "Big Boy" Williams). You've got gorgeous Technicolor, stampedes, bronco riding, shady businessmen and an explosion or two! So, pop that corn and melt that butter. What's that? You want more, folks? You want scene stealers? Well, seeing as it's you, we have two of the greatest. Mr. Edgar Buchanan and Mr. Raymond Walburn will commit grand larceny before your very eyes.

So, sit back and relax, ladies and gentlemen. It's all here!

Randolph Scott and Glenn Ford were once outlaw pals together, but now Scott's a sheriff and young Ford is still hiring his gun out. He gets hired to pull a bank job, but is delayed getting to town and those that hired him get someone else. That leads to all kinds of complications, a lot for a film that's not even 90 minutes long.

Randy and Glenn both got girls here. Claire Trevor plays her usual good time gal with a heart of gold. And Evelyn Keyes is the daughter of Edgar Buchanan who falls for Ford big time without realizing who he is or why he came to the town that Scott is the sheriff in.

It's B western, but unusual for the time and for Columbia Pictures it was given the full technicolor treatment. The Desperadoes marked Glenn Ford's first film in technicolor, a process reserved only for some of the more expensive films from bigger studios. Harry Cohn was certainly not one to shell out for it. And definitely not during war time.

The plot gets a bit convoluted as both Ford and Scott are put to the test of friendship versus expediency/duty. The plot also involves some high class hypocritical skunks in Randy's town who are the real outlaws as far as the film is concerned.

The four leads do a fine job and the best supporting performance is Guinn Williams as Ford's lovable explosive lunkhead of a sidekick. The climax involves a cattle stampede and a shootout in the town saloon and is one of the best ever done in a western film.

Fans of the four leads and westerns in general will enjoy this one.