Tarzan contro i mostri

Edger Rice Burrough's Tarzan was never meant to be muscular although as portrayed by Elmo Lincoln, Frank Merrill and Gordon Scott's Tarzan was indeed very much so. Young Johnny Weissmuller's Tarzan was lithe, strong and athletic with a beautiful manly body. In Tarzan and the Desert Mystery, Johnny Weissmuller looked big , strong and the way he lifted the Arabs --accompanying the American girl magician Nancy Kelly who was providing a free performance in the middle of a desert-- and threw them by mistake despite protests from Kelly was very impressive and entertaining. The second scene that was equally entertaining was the scene in which Tarzan was attacked after being falsely accused of stealing the stallion. Here we find Tarzan throwing the opponents about like little toys and fighting like a majestic lion. I think only Weissmuller could give such a splendid performance. He looked every inch a Tarzan and I should think he was much better built than perhaps Lincoln and Scott. Scott had weight lifter's build and became an extremely believable Tarzan in later films and Lincoln so long as he was in the jungle proved to be a very popular Tarzan with the moviegoers. Nancy Kelly's performance was very humorous and at times very very perceptive. Johnny Sheffield's performance as boy was as to expected , excellent. Cheeta was a great fun to watch and interestingly besides the usual quota of animal extras viz lions, elephants, wild horses, monkeys a number of mysterious prehistoric creatures were included and also a gigantic spider. The stallion that Tarzan rode added an extra element of interest and a novel feature and instead of stampeding wild elephants we have horses stampeding in this movie. The story is quite what one could expect if one is familiar with Newspaper Tarzan Comic Strips as drawn by Hogarth, Manning, Celardo and Foster. These news paper comic strips gave Tarzan a personality and ultimately made it popular enough to be made into movies. The story is a good change but what one could expect for a good Tarzan yarn. Another feature one notices in this film is instead of the " repetitious" vine swinging one finds in in some of excellent MGM films the vine swinging is a refreshing change in this RKO film. I enjoyed it very much and it is an excellent fare for the whole family. I have seen it several times.

Tarzan's Desert Mystery (1943)

** (out of 4)

Jane, who once again sends Tarzan a letter saying she isn't coming home, also asks her boyfriend to get a secret formula that can cure troops fighting in the war. Tarzan, Boy and Cheetah set out to do this but end up fighting Arabs. I found it incredibly difficult to stay awake while watching this film and it took several viewings to be able to do so. I thought the first forty-minutes of this thing were deadly dull and lacked any nice comedy or action. The female lead also wasn't very interesting, which hurt matters. The film eventually picks up at the end when Tarzan must enter a mysterious jungle full of living vines, prehistoric creatures and a huge spider. If only the entire film had taken place here. This is the first Tarzan I've actually been disappointed in to the point where I probably won't watch it again.

Tarzan's adventures at RKO continue in his second film there (eighth overall for Johnny Weissmuller). Having not been recast yet, Jane is once again absent. She's in England helping with the war effort. Yes, this is another WW2 Tarzan film, although much less controversial than the last one. This time, instead of slaughtering invading murderous Nazis who deserved every bit of what they got, Tarzan is sent by Jane on a mission to find plants needed to make a malaria serum. He takes Boy and Cheeta along and they journey across the Sahara desert, where they are joined by a spunky American magician (Nancy Kelly). They also encounter Nazi spies, man-eating plants, stock footage prehistoric lizards, and a deadly giant spider.

This one's a little different from previous entries in the series. It seems full-on aimed at kids with more fantastic elements and comic relief. But it's all good and the change in setting is nice. A solid cast for this one backing up Weissmuller and Johnny Sheffield -- Otto Kruger, Robert Lowery, Lloyd Corrigan, and Joe Sawyer. Pretty Nancy Kelly seems to be channeling Barbara Stanwyck at times. She's a lot of fun and even gets to sing "Boola Boola." Another enjoyable entry in the series, which lost something in production values when it left MGM but kept the adventure and charm of the earlier films. As was often the case, Cheeta steals the show.

When I was growing up and Tarzan pictures were shown regularly on a local television station every saturday morning, this is the one I and my friends would wait for: the one with the giant spider. It's not the best of the series otherwise, but has an interesting locale (North rather than sub-Saharan Africa), and a non-Jane leading lady for the big guy (Nancy Kelly). I can't recall whether Tarzan and Miss Kelly get together romantically, but she was a most attractive woman and a nice change of pace for the series, which was beginning to run out of gimmicks. Otto Kruger makes a pretty good, refined villain; his small, slight stature contrasts interestingly with Weisssmuller's. But it's the spider most people remember best from this film, and it's big, furry one with a sticky web and eight disturbingly agile legs. I've never cared much for arachnids, and don't know anyone who does, and so just watching the movie was both a trial and a thrill, as I could only hope I would behave with such bravery and resourcefulness as the swinging hero of the film were I caught up in a similar circumstance.

Tarzan and Boy meet a magician entertaining troops in North Africa, Nancy Kelly, on her way to warn a sheik about evil Nazi plans to steal horses. Tarzan and Boy are wrongfully put in jail for stealing the horses, but break out to stop the evil Nazi plan. It's the usual Tarzan nonsense you'd expect, but it's all quite enjoyable, which includes giant lizards, killer spiders, and a man-eating plant. Top that all off with Hollywood WWII propaganda and this is something of a bizarre must-see film for it's era. Otto Kruger also appears in the film (as a Nazi, of course).