VALUTAZIONE IMDb
6,4/10
1891
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA submarine lieutenant and his commander fall in love with the same girl.A submarine lieutenant and his commander fall in love with the same girl.A submarine lieutenant and his commander fall in love with the same girl.
- Vincitore di 1 Oscar
- 4 vittorie totali
Tyrone Power
- Lt. Ward Stewart
- (as Tyrone Power U.S.M.C.R.)
May Whitty
- Grandmother
- (as Dame May Whitty)
Harry Morgan
- Brownie
- (as Henry Morgan)
Fred Aldrich
- German Seaman
- (non citato nei titoli originali)
Stanley Andrews
- Shipwrecked Captain
- (non citato nei titoli originali)
John Archer
- Curly Bowman
- (non citato nei titoli originali)
David Bacon
- Lieutenant
- (non citato nei titoli originali)
Brooks Benedict
- Angry Man at Hotel Registration Desk
- (non citato nei titoli originali)
Lulu Mae Bohrman
- Undetermined Secondary Role
- (non citato nei titoli originali)
Dorothy Brent
- Schoolgirl
- (non citato nei titoli originali)
Frederic Brunn
- Q Boat Lieutenant
- (non citato nei titoli originali)
Paul E. Burns
- Simmons - Desk Clerk
- (non citato nei titoli originali)
Harry Carter
- Sailor
- (non citato nei titoli originali)
Gene Collins
- Boy in Lifeboat
- (non citato nei titoli originali)
Recensioni in evidenza
There is plenty more of director Archie Mayo's films to be seen, but of the films already seen of his he has generally struck me as a very competent if not exceptional director. Most of the seen films of his ranged for me between average and pretty good, with a few very good ones ('It's Love I'm After', 'The Petrified Forest' and 'Legion'). Tyrone Power is not a favourite of mine either, but starred in a fair share of good and more films and showed more than once that he had acting ability in him.
'Crash Dive' was seen for those two main reasons. Other reasons being my love of classic/golden age film and seeing that the special effects won an Oscar (so wanted to see if the win was deserved and whether they held up today). Finally seeing it, 'Crash Dive' struck me as an uneven film that doesn't completely thrill with some noticeable flaws. Yet it also doesn't crash and burn either, with a lot of great things so there was enough for it to warrant a watch.
A lot of great things can be seen in 'Crash Dive'. First and foremost, the production values which are still mighty impressive. The Technicolor photography is truly ravishing, with colours that really pop up at you. The sets are not elaborate but don't look fake, but the standout visually is the special effects which were wholly deserving of the Oscar. They still look incredible, so much money and time clearly went into the ones featured in the climax, and they are used thrillingly towards the end. The music score is haunting and Mayo's direction in the action is accomplished.
Furthermore, the action does excite and move and does fare a lot better than what is going on in the more dramatic and romantic moments. Some of the script is intelligently done and the acting is fine. Power, in his last role before his military service, is a noble lead, while Dana Andrews is equally amiable and Anne Baxter has enough charm to her to make the romance believable. Really appreciated the sympathetic portrayal of Ben Carter's character, nothing stereotypical or demeaning here and nothing to be offended by either while Carter gives a dignified performance.
Mayo's direction is not as confident however in the non-action scenes and becomes rather undistinguished and like his heart wasn't in it. The romance is both bland and stale and too much of the storytelling borders on the ridiculous, complete with some rather leaden pacing.
It also gets rather heavy handed towards and at the end, don't like being talked down to and that's how the writing towards and at the end made me feel. The writing is on the most part daft and lacking in life and there wasn't enough to the film to make me connect all the way through for the characters, Carter's being the exception.
Overall, uneven with a lot of good but an equal amount of not so good. 6/10
'Crash Dive' was seen for those two main reasons. Other reasons being my love of classic/golden age film and seeing that the special effects won an Oscar (so wanted to see if the win was deserved and whether they held up today). Finally seeing it, 'Crash Dive' struck me as an uneven film that doesn't completely thrill with some noticeable flaws. Yet it also doesn't crash and burn either, with a lot of great things so there was enough for it to warrant a watch.
A lot of great things can be seen in 'Crash Dive'. First and foremost, the production values which are still mighty impressive. The Technicolor photography is truly ravishing, with colours that really pop up at you. The sets are not elaborate but don't look fake, but the standout visually is the special effects which were wholly deserving of the Oscar. They still look incredible, so much money and time clearly went into the ones featured in the climax, and they are used thrillingly towards the end. The music score is haunting and Mayo's direction in the action is accomplished.
Furthermore, the action does excite and move and does fare a lot better than what is going on in the more dramatic and romantic moments. Some of the script is intelligently done and the acting is fine. Power, in his last role before his military service, is a noble lead, while Dana Andrews is equally amiable and Anne Baxter has enough charm to her to make the romance believable. Really appreciated the sympathetic portrayal of Ben Carter's character, nothing stereotypical or demeaning here and nothing to be offended by either while Carter gives a dignified performance.
Mayo's direction is not as confident however in the non-action scenes and becomes rather undistinguished and like his heart wasn't in it. The romance is both bland and stale and too much of the storytelling borders on the ridiculous, complete with some rather leaden pacing.
It also gets rather heavy handed towards and at the end, don't like being talked down to and that's how the writing towards and at the end made me feel. The writing is on the most part daft and lacking in life and there wasn't enough to the film to make me connect all the way through for the characters, Carter's being the exception.
Overall, uneven with a lot of good but an equal amount of not so good. 6/10
Tyrone Power and Dana Andrews take on the Nazi's in their submarine.
When it comes to nautical movies you just can't beat a good old submarine story, the claustriphobic atmosphere of the sub, the inevitable sweating in the dark, listening to the ping of the sonar and anticipating the rocking explosions of the depth charges...
And it's all in glorious colour, which is unusual for a war movie actually made during the war.
Throw in a love triangle and a commando attack on a secret Nazi base and you have a solid patriotic entertainment (it even encourages you to buy war bonds over the final credits!).
Crash Dive was one of many films to be released during WWII. Its pluses are good acting, supplied by Tyrone Power, Anne Baxter and Dana Andrews and award winning special effects. The story takes place in and around our then American sub base in New London Ct. In between battles with the German navy, a love story evolves with Tyrone Power and Dana Andrews after the same woman played by Anne Baxter.James Gleason is a bonus as one of the sub's seasoned crew memebers.
This was a very enjoyable WWII film, though before I discuss why I liked the movie, I should point out that the film does have one BIG cliché. When Tyrone Power meets a woman (Anne Baxter--here with dark brown hair) and they immediately hate each other, lovers of classic Hollywood films know that this can only mean one thing---they are destined to fall in love by the end of the film!! Aside from this predictable aspect of the film, I really did like the movie.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
This is one of very few films shot partly at the submarine base in Groton, CT, aka Submarine Base New London, CT.
A few naval combatants rarely seen in Technicolor are visible in the early part of the film. The PT boats seen near the beginning are the 77-foot Elco type. The submarine primarily featured as the fictional USS Corsair is the experimental USS Marlin (SS-205), with a conning tower modified to resemble her sister USS Mackerel (SS-204). A few O-class and R-class submarines, built in World War One and used for training in WW2, are visible in the background of some shots. For wartime security reasons, no submarine classes used in combat in WW2 appear in the film. The USS Semmes (AG-24 ex-DD-189) is seen in one shot; there are probably not many good Technicolor views of a four-stack destroyer available today. The Semmes was being used as a sonar testbed at the time.
I personally did not like how the love story progressed, as Tyrone Power is consistently deceptive and gets the girl anyway.
Another reviewer has assumed that the Nazi base would have to be near New England on the basis that WW2 submarines had a short range. This is incorrect. US submarines in WW2 routinely went from Pearl Harbor to Japan's home waters, patrolled for several weeks, and returned to Pearl Harbor on a single tank of diesel fuel. A Gato-class submarine could cover 11,000 miles without refueling, thus could have patrolled in German home waters while based in Groton if necessary. My assumption is that the Nazi base would be in Greenland, not likely given the realities of the war, but the raid on it still makes for good action.
A few naval combatants rarely seen in Technicolor are visible in the early part of the film. The PT boats seen near the beginning are the 77-foot Elco type. The submarine primarily featured as the fictional USS Corsair is the experimental USS Marlin (SS-205), with a conning tower modified to resemble her sister USS Mackerel (SS-204). A few O-class and R-class submarines, built in World War One and used for training in WW2, are visible in the background of some shots. For wartime security reasons, no submarine classes used in combat in WW2 appear in the film. The USS Semmes (AG-24 ex-DD-189) is seen in one shot; there are probably not many good Technicolor views of a four-stack destroyer available today. The Semmes was being used as a sonar testbed at the time.
I personally did not like how the love story progressed, as Tyrone Power is consistently deceptive and gets the girl anyway.
Another reviewer has assumed that the Nazi base would have to be near New England on the basis that WW2 submarines had a short range. This is incorrect. US submarines in WW2 routinely went from Pearl Harbor to Japan's home waters, patrolled for several weeks, and returned to Pearl Harbor on a single tank of diesel fuel. A Gato-class submarine could cover 11,000 miles without refueling, thus could have patrolled in German home waters while based in Groton if necessary. My assumption is that the Nazi base would be in Greenland, not likely given the realities of the war, but the raid on it still makes for good action.
Lo sapevi?
- QuizIn the opening scene, the boy in the raft says that he can hear airplanes, which turn out to be PT boats. Many of the WWII PT boats were powered by airplane engines. Specifically, marinized versions of the Packard 3A-2500 V12 aircraft engine, designated the 3M-2500 (the "M" stands for Marine), the 4M-2500, and the 5M-2500 variants, each with higher power and other improvements.
- BlooperWhen the PT boat is rescuing survivors and they spot a U-boat, the young boy who was being hauled aboard the PT boat is wearing a life-jacket. The close up in the next shot shows Lt Stewart lifting the boy up to put him back in the lifeboat. The boy is no longer wearing the life-jacket. In the following shot, as Lt. Stewart completes putting him back into the lifeboat, the boy is again wearing the life-jacket.
- Citazioni
Oliver Cromwell Jones: Mac, it's none of my business, and it certainly isn't up to me to give you advice, but if I had a weak heart ...
Chief 'Mac' McDonnell: What are you talking about?
Oliver Cromwell Jones: A man don't take nitroglycerine for dandruff.
- Curiosità sui creditiThis movie's opening prologue states: "The cooperation and assistance of the officers and men of the U.S. Navy submarine base, New London, Connecticut, is gratefully acknowledged."
- ConnessioniFeatured in Going Hollywood: The War Years (1988)
- Colonne sonoreDon't Sit Under the Apple Tree
(uncredited)
Music by Sam H. Stept (1942)
Lyrics by Lew Brown and Charles Tobias
Sung in part by Tyrone Power in the car
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- How long is Crash Dive?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 46 minuti
- Proporzioni
- 1.37 : 1
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By what name was Agguato sul fondo (1943) officially released in India in English?
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