Colt Comrades

Of all the 66 Hopalong Cassidy films made, this one is probably the most common & easily available, especially before the US Television Office bought the rights to the films. You could find this one at K-Mart, drugstores, Amazon.com, everywhere. Why was this one so much more common that the other 65? Was it the best? Certainly not, it's probably around the middle of the group. The reason was undoubtedly its cast. Robert Mitchum (who got his start in Hoppy films & made seven of them, all in 1943) had probably his meatiest role here as a baddie. In addition, TV's Superman, George Reeves, also had a significant role in this film; he made four Hoppy films, all also in 1943). Then, for a little icing on the cake, you get Victor Jory (coming off his starring role as the title characters in the serials "The Green Archer" & "The Shadow") as a villain. The female "love interest" in this film, Lois Sherman (AKA "Teddi"), was not as pretty as most, & what acting ability she had was overshadowed by her squeaky voice (kind of like today's Rosie Perez). But it didn't matter, because she was producer Harry "Pop" Sherman's daughter. There's enough action to keep it interesting, & a plot that turns a couple of times. Jay Kirby, while not the best of the "Johnny/Lucky" sidekicks, could certainly act circles around Jimmy Rogers, who was to follow him in that sidekick role. Andy Clyde, as California, actually has a more significant role than usual, & his comedy doesn't get in the way of the plot (his character's actions actually fit in quite nicely). For readers who've followed my other Hoppy reviews on this website, the wardrobe forecast: good! (Hoppy wears his black outfit throughout this film). I rate it 7/10.

From the beginning the film starts out with a chase. Hoppy and co. Chase Robert Mitchum, and they soon they are battling victor jory over the land. Really nifty western that keeps one's interest throughout - William Boyd exudes style and charisma. As for Robert Mitchum in a small role has star quality.

It starts with Robert Mitchum on the run from Hopalong and his sidekicks Andy Clyde and Jay Kirby. He tells cattle baron Victor Jory he's at the end of his rope. Jory shows no mercy and retorts, "that's where you belong." Next comes the other future star George Reeves with his sister writer/actress Teddi Sherman. I only wish Gabby Hayes was in this one but the fantastic cast held their own without him. It's always great to see Earle Hodgins. This time as Wildcat Willie tricking Clyde into buying the mineral rights.

Hoppy, California and Johnny cross paths with town bad guy Jeb Hardin and his hired thug Joe Brass (Victor Jory, Douglas Fowley) after they beat Hardin and Brass out of a $5000.00 reward for the capture of wanted outlaw Dirk Mason (Robert Mitchum). In order to collect Hoppy and the boys are forced to 're-invest' the reward money back into the community. With a limited numbers of choices they become partners with Lin And Lucy Whitlock (Teddi Sherman, George Reeves) in their ranch which is nearing foreclosure. Like the rest of the ranchers in the area they have been unable to sell their beef because Hardin who owns the upstream property has been extorting payments by withholding water. Things change abruptly when California is suckered into a hair-brained oil drilling scam by local con man Wildcat Willie (Earle Hodgins).

This entry into the Hoppy series is the last in a handful of appearances by Jay Kirby as the Johnny Travers character. With the departure of Russell Hayden as Lucky Jenkins from the series, the studio never quite found the same chemistry with the third member of the trio. The Jay Kirby episodes, though largely forgotten, are by in large a pretty solid lot.

If not memorable, Colt Comrades makes for acceptable viewing. An average chapter in the Hoppy string.

Bruce Dern, to this day, has people who hate him because in one of his early roles "he killed John Wayne."

Shot him in the back, in fact. Well, his character shot the John Wayne character.

Robert Mitchum, in this early role as Dirk Mason in "Colt Comrades," also plays a murderous bad guy, but managed to overcome any aspersions cast upon him.

Mitchum is just one of a splendid collection of superlative actors in this entry in Pop Sherman's Hopalong Cassidy series.

William Boyd, who reached immense fame as Hoppy, was one fine actor, beginning in the silent days, where he was a favorite of Cecil B. DeMille.

In fact, his short part in DeMille's "King of Kings" has always stood out in my memory as one of the highest high points in the film. Boyd accomplished a lot without words, just expression.

After the disaster of another William Boyd's arrest, and our Boyd's photo being displayed in the story, his career took a nosedive. The story is he was so traumatized, his hair turned white.

When the Hopalong Cassidy series was being readied, the story goes, he pleaded for the chance to play the lead, and, well, the rest is genuinely history.

Hopalong Cassidy is one of the classic heroes of Hollywood, even though the cinema version is quite different -- surprise, surprise - from the book version.

Boyd was, as I said, an excellent actor, and he became an excellent cowboy, and a good business man: He was smart enough to acquire the TV rights to his movies and apparently to the character, and became rich thereby. Deservedly, in my opinion.

One reason I love to watch him: He had probably the greatest laugh ever recorded on film.

In "Colt Comrades," a generic and pointless title, he gets a frequent chance to laugh with his partners and it helps make this already great B western even better.

Here he is cast with another terribly under-rated actor in George Reeves, the excellent Victor Jory, a wonderful under-player of villains, and the great Douglas Fowley, of that distinctive voice.

Also along is Earl Hodgins, a veteran of rascal roles, and Dewey Robinson, who is perfect as the bartender, and both are always fun to watch.

The female lead, Teddi Sherman, then 19, had a really cute, little-girl voice, but with big-girl looks. She apparently did more writing ("Four Faces West," for example) than acting, but was very watchable in "Colt Comrades."

There are a couple director errors in the big gun battle, but generally Lesley Selander was more than adequate, and the script also is of high quality, allowing superlative actors good dialogue with the good story.

At YouTube it seems all the available versions of "Colt Comrades" are fuzzy and hard on the eyes, and some are also hard on the ears, so pick carefully. But do pick, somewhere if not YouTube, and enjoy. I highly recommend "Colt Comrades," with a good story, directing, scenery, and an outstanding and excellent cast.