VALUTAZIONE IMDb
6,4/10
1064
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.Lucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.Lucille Ball accepts a cadet's invitation to a military academy's senior prom in order to boost her career.
- Regia
- Sceneggiatura
- Star
Bob Stebbins
- Greenie
- (as Bobby Stebbins)
Recensioni in evidenza
Not one of MGM's more memorable musicals. Except for the show-stopping Winsocki number, the music is undistinguished at best. Walker steals the show as the wisecracking plain-Jane, while Ball looks gorgeous but in a routine role. Nice boy Tommy Dix has a good voice, but little charisma. Thus, it's the rare Hollywood movie without a leading man.
Too bad the sparkling June Allyson and Gloria DeHaven weren't given more to do. They could have added much needed bounce, since Weidler has an unenviable killjoy role. And, please, couldn't someone put a leash on Kenny Bowers (Dutch) who mugs it up unmercifully like a pet chimp. Contrast his excess with the expertly expressive Donald McBride (Capt. Bradd), one of the fine, unsung comedic players of the 1940's.
No surprise that no choreographer is listed since the dance numbers are also forgettable. Even Harry James looks a bit discomfited by the brief shuffle he's required to do. At the same time, director Buzzell fails to bring off the madcap bedroom scene with the farcical coordination needed. As a result, the hectic mix up comes across as more frantic than funny.
All in all, it's a movie of bits and pieces with some good color photography and spot performances. My sense, however, is that this was a second-tier effort, without the peacetime cast (it is, after all, 1943) and top-notch director that could have made the many parts gel in typical MGM fashion.
Too bad the sparkling June Allyson and Gloria DeHaven weren't given more to do. They could have added much needed bounce, since Weidler has an unenviable killjoy role. And, please, couldn't someone put a leash on Kenny Bowers (Dutch) who mugs it up unmercifully like a pet chimp. Contrast his excess with the expertly expressive Donald McBride (Capt. Bradd), one of the fine, unsung comedic players of the 1940's.
No surprise that no choreographer is listed since the dance numbers are also forgettable. Even Harry James looks a bit discomfited by the brief shuffle he's required to do. At the same time, director Buzzell fails to bring off the madcap bedroom scene with the farcical coordination needed. As a result, the hectic mix up comes across as more frantic than funny.
All in all, it's a movie of bits and pieces with some good color photography and spot performances. My sense, however, is that this was a second-tier effort, without the peacetime cast (it is, after all, 1943) and top-notch director that could have made the many parts gel in typical MGM fashion.
For all those like me who have wondered and searched for information on what became of Tommy Dix.I came across a site with information on him from 2009. According to the site Dix was drafted after "Best Foot Forward" and severely injured in a stateside training accident. I don't know what the injury was. Because of the injury he was unable to go overseas with his regiment which was decimated at the Battle of the Bulge. He apparently lives in Savannah Georgia. I wish he had been able to continue his career.I really enjoyed his singing. "Wynsocki" tends to stick in your mind.The music makes this otherwise mundane movie worth watching. I hope Tommy Dix's life has been rich and satisfying
Here's a movie I adored when I was a kid, thrilled by "Buckle Down Winsocki", the spirited song sung at a military academy by a bunch of singing, dancing and marching cadets. But seeing the film now, is a real letdown. It's below par in every department.
At second glance, it's really a minor musical with HARRY JAMES and his Orchestra and a little gal named NANCY WALKER (making her film debut) as the chief compensations for a script full of lame, dated one-liners and some trifling songs with bad choreography.
Even the great LUCILLE BALL, as the movie star invited to the prom, has a hard time getting any laughs. She's supposed to be a faded star whose press agent talks her into accepting an invitation from TOMMY DIX, who overlooks his girlfriend VIRGINIA WIEDLER because of his crush on Lucy.
Lucy looks great and the Technicolor makes her a glamorous creature, but the script defeats everyone. It's nice seeing JUNE ALLYSON, GLORIA de HAVEN and NANCY WALKER having fun with a couple of tunes but while the picture at least got their careers off to a good start, it's no great shakes as a musical--especially one from MGM which specialized in the very best of that ilk.
NANCY WALKER struts her stuff as "Blind Date" material--although some of the humor at her expense is a little cruel. But she's a reminder that real talent can even overcome some witless material. And I have to ask the question so many others have: whatever happened to Tommy Dix???
At second glance, it's really a minor musical with HARRY JAMES and his Orchestra and a little gal named NANCY WALKER (making her film debut) as the chief compensations for a script full of lame, dated one-liners and some trifling songs with bad choreography.
Even the great LUCILLE BALL, as the movie star invited to the prom, has a hard time getting any laughs. She's supposed to be a faded star whose press agent talks her into accepting an invitation from TOMMY DIX, who overlooks his girlfriend VIRGINIA WIEDLER because of his crush on Lucy.
Lucy looks great and the Technicolor makes her a glamorous creature, but the script defeats everyone. It's nice seeing JUNE ALLYSON, GLORIA de HAVEN and NANCY WALKER having fun with a couple of tunes but while the picture at least got their careers off to a good start, it's no great shakes as a musical--especially one from MGM which specialized in the very best of that ilk.
NANCY WALKER struts her stuff as "Blind Date" material--although some of the humor at her expense is a little cruel. But she's a reminder that real talent can even overcome some witless material. And I have to ask the question so many others have: whatever happened to Tommy Dix???
'Best Foot Forward' is a long way from perfect, having its fair share of flaws. This said it is an enjoyable diversion even if falling well short of being great. It does decently with what it set out to do, knows what it wants to be and tries not to do any more than it needs to.
The weak link is the story, which is as paper thin and nonsensical as they come. The songs are pleasant enough, but with the exception of one they are overlong, easily forgettable after a few hours and are mostly sloppily choreographed. The script is uneven, some of it is amusing and sparkles but other parts are leaden, corny and hopelessly out of date now.
Not all the cast work, with the ladies faring far better than the men. Kenny Bowers is very feeble with very little charisma, while Jack Jordan has the opposite problem of overacting and being insufferably irritating.
Lucille Ball however looks as though she is thoroughly enjoying herself and she is terrifically supported by glamorous and scene-stealing Gloria De Haven, peppy June Allyson and especially zesty and often hilarious Nancy Walker (who actually steals the show). Harry James is also great, as is William Gaxton. While Tommy Dix has his bland moments, he is more often than not appealing.
'Best Foot Forward' looks great, love the colours and handsome production design. Of the musical numbers, coming off best by far is the rousing in every sense of the word "Buckle Down Winsocki". Edward Buzell directs reasonably competently if slightly undistinguished.
Overall, enjoyable if unexceptional. 6/10 Bethany Cox
The weak link is the story, which is as paper thin and nonsensical as they come. The songs are pleasant enough, but with the exception of one they are overlong, easily forgettable after a few hours and are mostly sloppily choreographed. The script is uneven, some of it is amusing and sparkles but other parts are leaden, corny and hopelessly out of date now.
Not all the cast work, with the ladies faring far better than the men. Kenny Bowers is very feeble with very little charisma, while Jack Jordan has the opposite problem of overacting and being insufferably irritating.
Lucille Ball however looks as though she is thoroughly enjoying herself and she is terrifically supported by glamorous and scene-stealing Gloria De Haven, peppy June Allyson and especially zesty and often hilarious Nancy Walker (who actually steals the show). Harry James is also great, as is William Gaxton. While Tommy Dix has his bland moments, he is more often than not appealing.
'Best Foot Forward' looks great, love the colours and handsome production design. Of the musical numbers, coming off best by far is the rousing in every sense of the word "Buckle Down Winsocki". Edward Buzell directs reasonably competently if slightly undistinguished.
Overall, enjoyable if unexceptional. 6/10 Bethany Cox
Based upon the 1941 Broadway musical, I found this to be a fun,charming, and well written screenplay that entertains from beginning to end. Although not her best film, Lucille Ball is more than adequate playing herself in this early teen romp. June Allyson, Gloria DeHaven, Virginia Weidler, Beverly Tyler, and Sara Haden are great as the quirky,loud-mouthed, obnoxious teenagers hell-bent on ruining Lucy's night at the prom. But, this film is completely and utterly stolen by Nancy Walker as the way-over-the-top "Blind Date" girl. She is hilarious, and talented in this, her 1943 film debut. Her comedic genius is in full view in this film for which she should have received an Oscar nomination as Best Supporting Actress, but did not. Tommy Dix does a fine job as the star cadet the screenplay revolves around, and Harry James' music is more-than-worth watching the movie. When combined together, the above make this film a worthwhile watch; your belly will hurt from the hearty laughs you will emit!
Lo sapevi?
- QuizFilm debut of Nancy Walker and first full-length feature of June Allyson who reprise their roles from the Broadway play upon which this film is based.
- BlooperJune Allyson is credited onscreen as Minerva and Gloria DeHaven as Ethel. However, Allyson is called Ethel and DeHaven is called Minerva and 'Min' in the film.
- Citazioni
Lucille Ball: [as she steps off the train at Winsocki, encounteirng nobody but a barking dog] My public!
- Versioni alternativeThe DVD release of the movie includes a 4 minute Overture and a 2 minute Exit Music.
- ConnessioniFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
- Colonne sonoreBuckle Down, Winsocki
(1941)
Music and Lyrics by Hugh Martin and Ralph Blane
Performed by the MGM Studio Orchestra and chorus during the opening credits
Reprised at the prom
Reprised at the graduation in the finale, and performed by Tommy Dix and chorus
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Dettagli
Botteghino
- Budget
- 1.162.000 USD (previsto)
- Tempo di esecuzione1 ora 34 minuti
- Proporzioni
- 1.37 : 1
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