Best Foot Forward

Enjoyed viewing this old timer from 1943 and seeing Lucille Ball acting as herself and getting plenty of laughs. In this film, Lucille's career is sort of fading and her agent thinks it is a good idea for her to get some press coverage by becoming a date for a Senior Prom at Winsocki Military Academy. The lucky guy is Bud Hooper, who at the same time has a girl friend who wants to go with him to the prom also. June Allyson, (Ethel) does some fancy dance steps and sings a few tunes, which sort of launched her career in films. There is some great entertainment from Harry James and his orchestra, he plays a great version of "Flight of the Bumble Bee" and also does a funny dance routine with Nancy Walker, who really was the great comic in the film and got most of the laughs. This is definitely a look back in the past, with plenty of 1943 entertainment. Enjoy

I usually don't like movies wherein stars "play themselves" but cable TV plays this movie so often I've seen it like a million times and each time I catch something different. The story is somewhat contrived and, true-to-form, movie star (as opposed to TV star) Lucille has a hard time getting rid of her somewhat brassy edge. She herself has commented that this trait held her back in films. Toward the end, however, she does soften up, especially in the hilarious Marx Brothersesque scene in the dormitory when everybody has to hide in closets to keep from getting busted by the general. I can envision this picture playing during the war as the second feature. It's one of those movies that, in the days when you could stay at the movies all day, you wouldn't mind coming in in the middle of it and then staying later to catch just the beginning. Harry James is a surprisingly good dancer and his scene with little Nancy Walker is good. All-in-all a good movie to watch on a rainy day or when you're home sick with the flu.

A kid at a military academy named Bud Hooper (Tommy Dix) sends a fan letter to Lucille Ball asking her to be his prom date--despite the fact that he has a girlfriend, Helen Schelsinger (Virginia Weidler). Ball accepts under the pressuring of her agent (William Gaxton). Bud's two roomies (Kenny Bowers, Jack Jordan) are also hot for Ball. Add Nancy Walker and Harry James and his Orchestra and thing go barreling out of control.

Not a great musical but enjoyable. The color is bright, the film is full of life and there are some very funny (if dated) lines. Most of the songs are unmemorable (and go on far too long) until the last one--it's a great little number called "Buckle Down Winsocki" and easily stops the show.

Acting--well Ball is just incredible--VERY sexy, funny and believable. Dix is just so-so as Bud, Weidler is good as his girlfriend. His two roomies--one is OK (Bowers) but the other (Jordan) over OVER ACTS to a truly annoying degree. It reached the point that every time he was on screen I was cringing away. Walker's character is treated dreadfully--she's the butt of some VERY cruel jokes. Still she manages to be funny regardless. Also this is one of you few chances to see Walker sing and dance (pretty well) and see Lucy sing (although her voice is obviously dubbed). And there's Gloria DeHaven and June Allyson in bit parts!

Nothing great but I enjoyed it. If the songs had been better this would have gotten a 10. As it is I'm giving it a 7. Worth catching.

Here's a movie I adored when I was a kid, thrilled by "Buckle Down Winsocki", the spirited song sung at a military academy by a bunch of singing, dancing and marching cadets. But seeing the film now, is a real letdown. It's below par in every department.

At second glance, it's really a minor musical with HARRY JAMES and his Orchestra and a little gal named NANCY WALKER (making her film debut) as the chief compensations for a script full of lame, dated one-liners and some trifling songs with bad choreography.

Even the great LUCILLE BALL, as the movie star invited to the prom, has a hard time getting any laughs. She's supposed to be a faded star whose press agent talks her into accepting an invitation from TOMMY DIX, who overlooks his girlfriend VIRGINIA WIEDLER because of his crush on Lucy.

Lucy looks great and the Technicolor makes her a glamorous creature, but the script defeats everyone. It's nice seeing JUNE ALLYSON, GLORIA de HAVEN and NANCY WALKER having fun with a couple of tunes but while the picture at least got their careers off to a good start, it's no great shakes as a musical--especially one from MGM which specialized in the very best of that ilk.

NANCY WALKER struts her stuff as "Blind Date" material--although some of the humor at her expense is a little cruel. But she's a reminder that real talent can even overcome some witless material. And I have to ask the question so many others have: whatever happened to Tommy Dix???

Not one of MGM's more memorable musicals. Except for the show-stopping Winsocki number, the music is undistinguished at best. Walker steals the show as the wisecracking plain-Jane, while Ball looks gorgeous but in a routine role. Nice boy Tommy Dix has a good voice, but little charisma. Thus, it's the rare Hollywood movie without a leading man.

Too bad the sparkling June Allyson and Gloria DeHaven weren't given more to do. They could have added much needed bounce, since Weidler has an unenviable killjoy role. And, please, couldn't someone put a leash on Kenny Bowers (Dutch) who mugs it up unmercifully like a pet chimp. Contrast his excess with the expertly expressive Donald McBride (Capt. Bradd), one of the fine, unsung comedic players of the 1940's.

No surprise that no choreographer is listed since the dance numbers are also forgettable. Even Harry James looks a bit discomfited by the brief shuffle he's required to do. At the same time, director Buzzell fails to bring off the madcap bedroom scene with the farcical coordination needed. As a result, the hectic mix up comes across as more frantic than funny.

All in all, it's a movie of bits and pieces with some good color photography and spot performances. My sense, however, is that this was a second-tier effort, without the peacetime cast (it is, after all, 1943) and top-notch director that could have made the many parts gel in typical MGM fashion.