La conversa di Belfort

More people should see this beautiful film! It is easily available on amazon.fr (with subtitles), free for streaming on youtube or google video, or for download on the usual sites. It looks great and the print is fine for 1943. The grim corridors of the prison and the foggy streets outside the prison, makes for a suitably noirish contrast to the shining white walls and robes in the convent. Although the professional actors and the suspenseful plot make this an atypical Bresson film, the careful camera framing and the discrete panning produces typically sparse and detailed interiors. The plot may be melodramatic and music a bit intruding at times, but almost every scene is a joy to behold. There are a lot of interesting little touches that show in great detail the daily life and the more mundane side of convent life, clothing regulations, mores etc.

I find that I watch this film more for the aesthetic quality of the individual scenes than for any statement the film as a whole might have. There are also many oddities: For example when Therese knocks upon the convent door after shooting her betrayer, sister Anne Marie is chanting a text from what, one might assume, is a book of prayers. The title, however, reads: "Leo Tolstoj : Krig og fred", which makes it a Norwegian or Danish version of Tolstoy's War and Peace. Strange? But the most impressive and memorable sight in the film for me is the early scene when the submissive sisters lay face down with arms outstretched cross-like on the cold floor. It is almost frightening in its austere beauty, and also very strange for anyone without convent practice. It is the strangeness that does it. Like every Bresson film, I guess.

An absorbing melodrama with great performances from Renée Faure, Sylvie and Jany Holt. Novice nun Anne-Marie, slightly worryingly over-confident, embarks on a fervent mission to redeem a particularly troubled convict, Thérèse.

The script is really strong, and particularly as it portrays the life of the convent. The saints'-wisdom-tombola and the conversation in the laundry are charming, and the ceremonies and submissions quietly powerful.

Anne-Marie's urge to do good becomes increasingly insufferable, and then unhinged to the point where she denounces the sisters' pet cat. The cat, rather than her thankless protégé Thérèse, whose response to Anne-Marie's selfless love, or perhaps her foolish religious pride, comes increasingly to the fore in a deeply moving ending.

Script and dialogues by the director, Raymond Bruckberger and the playwright Jean Giradoux. Accurate and moving description of a Dominican convent (Bruckberger was a Dominican monk). The story centers on the difficulty of setting precise limits between Christian charity and pride. Unfortunately, the script veers needlessly (and distractingly) into overly dramatic territory midway through the movie. This affects negatively the quality of the acting as well. Music is a little too emphatic at times.

On the positive side, well paced direction and excellent cinematography. This is the first feature film by Bresson and there are some inklings of the minimalist style that would mark his later work.

1st full-length feature by the self-described Christian-atheist, it was made in occupied France after Bresson had done a year in a prison camp.

There's nothing ostentatious i his style. It's sparse, no flashy camera-acrobatics or editing tricks. I always feel the best directors are those whose work you hardly notice.

The story is set in a convent, Sisters of Bethany, it's purpose is to help women in prison rehabilitate. In it we find Anne-Marie, a somewhat proud & middle-class woman who comes to logger-heads w/Mother Superior & this leads to problems. Along the way she connects w/one of the more recalcitrant prisoners & recognizes her pain & need to be reached out to. Upon release the prisoner returns to join the convent under suspicious circumstances.

What we have is a contrast in characters who come to the convent for different reasons & an exploration into spiritual matters. Well worth watching...

"Les anges du peche" (Angels of sin) is situated in a monastry of the Dominicanesses from Bethany. This order gives women who have been in jail shelter and a second chance. So not al the nuns in this monastry are angels.

Sister Anne Marie however, who has not been in jail but who has joined entirely out of free will, comes close (to being an angel). Anne Marie sees it as her mission to guide one of the most difficult novices, sister Theresa. Sister Theresa has been in jail, but persists that see was innocent. "The innocent cannot forgive" is her motto.

The relationship between the angelic Anne Marie and the frustrated Theresa is the engine of the story. While watching the film I found out that I dit not always symphatize with the angelic one.

Just as Stanley Kubrick, Robert Bresson began his filmcareer as a conventional director, to develop a unique style of his own only after a few films. His debut "Les anges du peche" (1943) together with "Les dames du Bois de Boulogne" (1945) are generally considered as his two conventional movies. This maybe true for "Les anges du peche" as far as the form of the film is considered. "Les anges du peche" has a plot and the characters are played by professional actors. But the theme of the film (guilt, penitence and redemption) is as Bressonian as a theme could be. This theme fully comes into its own during the marvelous ending.