Ribalta di gloria

I have seen this film several times--including just recently. However, somehow I forgot to review the movie--and I noticed this today.

This is a difficult film to rate, as it's so unique. After all, seeing Jimmy Cagney in the lead is a bit surreal. You don't expect to see this tough-guy performing as a hoofer. You also don't expect to see his style of tap dancing. It is NOTHING like Fred Astaire--full of grace and style. Instead, it's pure energy and is, at times, a bit gangly. Now this isn't to say it's bad--it just isn't subtle as Cagney throws EVERYTHING into the dances. His tapping is a bit more like stomping---but, it is still a marvel to watch.

The film is a VERY Hollywoodized version of the life of the writer/performer George M. Cohan. Much of the guy's life is in the film but also much of the film is pure fiction meant to entertain. This is VERY typical of a film of this era. However, despite the style of dance and liberties the film takes, it is also incredibly entertaining and fun--filled with unabashed patriotism and spirit. Well worth seeing.

James Cagney recalls in his autobiography that this movie was his favorite, largely due to his love of dancing. He was one of the great "tough guys" of all time on film, but dancing was his passion, he noted. It shows here. This was "a labor of love," to use a cliché, and it's obvious how much fun he was having in this film. His hoofing talent also was obvious. He was good, very good.

In fact, for the audience, most of this movie is pure "feel good." Almost all the characters are nice people, the story is inspirational and nicely patriotic and the songs are fantastic. If you pick up the two-disc special-edition DVD that came out several years ago, then you'll see this film in all it's glory. The transfer is magnificent and really brings out the great cinematography. I never realized how beautifully filmed this was until I saw this on DVD.

The story is simply the biography of George M. Cohan, the writer and Broadway star of many, many hit plays and hit songs. Unlike today's biographies, this is a very positive story about a man who brought patriotism alive during World War I with such inspirational songs as "It's A Grand Old Flag" and "Over There." For some of us, listening to these songs can bring a tear or two.

Cagney is his normal riveting self and Joan Leslie certainly makes an appealing female lead as Cohan's wife. The great Walter Huston plays Cohan's father. I've always found Huston to be an actor of great presence. In this movie is a very, very touching deathbed scene with he and Cagney.

So you have a little bit of everything here from drama to romance to comedy to music and Cagney is the glue to fits it all together beautifully. One of the great classic films of all time.

There are many, many James Cagney films that show his enormous talent as an actor. He was equally at home in musicals, dramas and comedies. While I have always been a fan and appreciate his unusual scope, this movie in particular caught my eye and totally blew me away when the scene I'm about to describe unfolded.

Near the very end of the film Cagney's character (George M. Cohan) bids farewell to the President and leaves the room. There is a long, open staircase he starts walking down. As he walks you sense a bit of a bounce beginning to take over his step.....one that quickly gives way to an awesome dance as he navigates the stairway. Many will not note, but this dance was a fantastic achievement on two fronts. One, it was done in one "take"...that is, the camera never stopped; the scene never "cut." The camera stays with him in one shot all the way through. Second, Mr. Cagney never ONCE looks at his feet or down at the steps. It's almost impossible to WALK down a staircase without looking down or hanging on to a banister....this man DANCED down a staircase without benefit of seeing or touching anything.

Couple this feat with the brilliant display of "hoofing" he gives earlier in the film when he literally dances up the walls and you have a movie that deserves its "classic" rating. If you haven't seen it please make it a point to do so. Any movie that is awe inspiring 62 years later must be worth a peek, don't you agree?

`Yankee Doodle Dandy' makes the viewer say, `They don't make them like that anymore.' The film is uplifting for its espousal of unabashed patriotism and its representation of America as a place in which a gifted performer like George M. Cohan could rise from vaudeville to Broadway. It is also moving for its reverence for the nineteenth late century theatre and early twentieth century Broadway: the sequence showing Cohan's successes of the 1920s commemorate the other musical and non musical hits of the decade as much as Cohan's. I was moved to tears by the ending showing the elderly Cohan joining in a World War II parade, a group of soldiers marching to `Over There' and being asked why he isn't singing, `Hey old-timer, don't you know this song?' `Yankee Doodle Dandy' is a celebration of Cohan's life and career -- a little sanitised perhaps, but still portraying his love for his family, his profession and his country. It isn't a museum piece but more of a picture from another era – and in a time when America is honoured by songs such as `Kick Ass USA' it's a valuable reminder of an age when people feeling their country under threat roused their nationalism by reminding themselves of what made them want to fight for it.

So it takes liberties with facts. So it's jingoistic. Big deal! I adore it for its depiction of turn-of-the-(20th}century New York, especially its theater, which has fascinated me for years. And it has the breath-taking performance of Jimmy Cagney in the title role; he's absolutely elecrifying in the musical numbers. If some scenes are mawkish, well, I think that can be forgiven.

This movie, above all others, make me so proud to be an American.