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6,6/10
747
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaRadio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.Radio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.Radio sleuth Wally "The Fox" Benton forgoes his honeymoon to help his wife's old friend solve a murder and hunt for Civil War gold inside a spooky mansion and fort.
- Regia
- Sceneggiatura
- Star
Rags Ragland
- Chester Conway
- (as 'Rags' Ragland)
- …
Norman Abbott
- Attendant
- (non citato nei titoli originali)
Joseph Crehan
- Deputy Police Commissioner
- (non citato nei titoli originali)
Hal Le Sueur
- Sound Effects Man
- (non citato nei titoli originali)
Charles Lung
- Brunner
- (non citato nei titoli originali)
Recensioni in evidenza
Red Skelton played the radio sleuth known as "the Fox" in three comic mysteries of the early 1940s. All had the word "whistling" in the title.
This is the second of the three, and by far the weakest.
The first one, "Whistling in the Dark," was an excellent remake of the 1933 film of the same. The last one, "Whistling in Brooklyn," was an extremely enjoyable farce. I recommend both.
"Whistling in Dixie" can be funny at times, but too often it's boring. I suspect it was made simply because the title seemed irresistible. The phrase "whistling 'Dixie' " was popular American slang at the time. And Ann Rutherford, who co-starred as the Fox's love interest in all three movies, was best known for her role in a Southern epic, "Gone With the Wind."
This movie is full of corny "Southern" dialog, and there are some dated portrayals of African-Americans. Nothing here is any more more offensive than what you'd find in the typical 1940s film about the segregated South. But gosh, this kind of stuff was tired even then.
Skelton's slapstick routines are weaker than usual. He and Rags Ragland, his sidekick and foil in all three "Whistling" films, work very hard, but some of the material falls flat.
If this movie leaves you cold, don't rush to judgment. You may like the other two "Whistling" entries, because they are much better. And if you love this one, you will definitely want to see the other two.
This is the second of the three, and by far the weakest.
The first one, "Whistling in the Dark," was an excellent remake of the 1933 film of the same. The last one, "Whistling in Brooklyn," was an extremely enjoyable farce. I recommend both.
"Whistling in Dixie" can be funny at times, but too often it's boring. I suspect it was made simply because the title seemed irresistible. The phrase "whistling 'Dixie' " was popular American slang at the time. And Ann Rutherford, who co-starred as the Fox's love interest in all three movies, was best known for her role in a Southern epic, "Gone With the Wind."
This movie is full of corny "Southern" dialog, and there are some dated portrayals of African-Americans. Nothing here is any more more offensive than what you'd find in the typical 1940s film about the segregated South. But gosh, this kind of stuff was tired even then.
Skelton's slapstick routines are weaker than usual. He and Rags Ragland, his sidekick and foil in all three "Whistling" films, work very hard, but some of the material falls flat.
If this movie leaves you cold, don't rush to judgment. You may like the other two "Whistling" entries, because they are much better. And if you love this one, you will definitely want to see the other two.
Whistling in Dixie finds Red Skelton as radio detective the Fox and gal pal Ann Rutherford away in Georgia where Red's kind of faked an illness so he and Rutherford can get away and maybe get married down there. Rutherford has another agenda as well. Her old sorority sister Diana Lewis has sent her a pre-arranged signal that the sisters have in one needs help.
Finding out that there is a five day waiting period in Georgia, the two of them get involved in a mystery where Lewis has witnessed a murder, but no body can be found. It all leads to some buried Confederate treasure in an old arsenal guarded by Civil War veteran Lucien Littlefield who's a might addled.
Rags Ragland appears here as twins, both are convicts, one quite a bit nastier than the other. This film marked the farewell performance of George Bancroft as the sheriff who retired right after Whistling In Dixie was in the can.
And of course unless you got Raymond Walburn, no film like this would be complete without Guy Kibbee as an expansive, mint julep drinking, son of the South colonel.
With that kind of cast, this film can't miss being funny and the comedy is eternal.
Finding out that there is a five day waiting period in Georgia, the two of them get involved in a mystery where Lewis has witnessed a murder, but no body can be found. It all leads to some buried Confederate treasure in an old arsenal guarded by Civil War veteran Lucien Littlefield who's a might addled.
Rags Ragland appears here as twins, both are convicts, one quite a bit nastier than the other. This film marked the farewell performance of George Bancroft as the sheriff who retired right after Whistling In Dixie was in the can.
And of course unless you got Raymond Walburn, no film like this would be complete without Guy Kibbee as an expansive, mint julep drinking, son of the South colonel.
With that kind of cast, this film can't miss being funny and the comedy is eternal.
Red Skelton and Ann Rutherford are "Whistling in Dixie" in this 1942 programmer also starring Guy Kibbee and Rags Ragland (in a dual role). Skelton played the role of Wally Benton a couple of times. On radio, Benton is "The Fox," a detective, but in his private life he gets dragged into real mysteries as well. This one is at the behest of a friend of his fiancé's (Rutherford) who asks them to come to Georgia to investigate a murder.
There are some funny moments in this film, but it's rather silly, with a lot of corny jokes, funny faces from Skelton and slapstick. Actually Skelton is much better when he's straightforward - he comes off as sweet, sincere and natural.
Some of the supporting cast has the worst southern accents I've ever heard. It's hard to blame them, though, because these types of films were made very quickly. I'm sure they had no dialect coach. However, the horrible accents were very distracting.
Okay, but "The Fox" isn't one of my favorite detectives.
There are some funny moments in this film, but it's rather silly, with a lot of corny jokes, funny faces from Skelton and slapstick. Actually Skelton is much better when he's straightforward - he comes off as sweet, sincere and natural.
Some of the supporting cast has the worst southern accents I've ever heard. It's hard to blame them, though, because these types of films were made very quickly. I'm sure they had no dialect coach. However, the horrible accents were very distracting.
Okay, but "The Fox" isn't one of my favorite detectives.
Sequel to Whistling in the Dark has Red Skelton once again playing radio star Wally "The Fox" Benton. This time he's headed to Georgia along with his fiancée Carol (Ann Rutherford). There they get mixed-up with a mystery involving Carol's old sorority sister and a treasure hunt. Red and Ann are both good fun in this delightful comedy. Solid support from George Bancroft, Guy Kibbee, Celia Travers, and Rags Ragland. Rags plays a dual role in an amusing follow-up to the last movie. In addition to adorable Ann Rutherford, Diana Lewis provides the pretty. It's not quite as good as Whistling in the Dark but it's still a very enjoyable comedy-mystery. Lots of funny gags. Also lots of awful fake Southern accents.
In Georgia, Martin Gordon is murdered in Fort Dixon as someone whistles Dixie. Hattie Lee discovers the body but when she brings everybody to the site, the body had disappeared. Martin was involved in a love triangle with Hattie and her cousin Ellamae Downs. Judge George Lee produces a letter from Martin that he's leaving town to avoid romantic troubles. Ellamae sends a beetle to her friend Carol Lambert (Ann Rutherford) and invites her to a murder investigation. Carol's boyfriend is radio personality and amateur detective Wally Benton (Red Skelton) known as The Fox.
This is a fun screwball murder mystery with Red Skelton. He delivers the jokes. Some of which are understandably anti-Japanese racist. Rutherford returns to join him in the duo. It ends with some fun slapstick. All in all, it is fun and of its times.
This is a fun screwball murder mystery with Red Skelton. He delivers the jokes. Some of which are understandably anti-Japanese racist. Rutherford returns to join him in the duo. It ends with some fun slapstick. All in all, it is fun and of its times.
Lo sapevi?
- QuizAfter Wally is nearly beheaded by the guillotine, Carol tells him to do something and Wally replies, "I think I dood it." That is a catchphrase of Red Skelton's radio (and later television) character, "The Mean Widdle Kid." The phrase was such a part of national culture at the time that, following General Doolittle's bombing of Tokyo in April 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. In 1943, Red Skelton made the movie Il signore in marsina (1943).
- BlooperWhen The Fox finds the treasure chest, he holds up a coin and says, "Look, a $20 gold piece, 1839." The first $20 gold pieces were minted in 1850.
- Citazioni
Carol Lambert: [In the dark cellar] I wonder what a ghost would say if he walked in here and saw us?
Wally 'The Fox' Benton: He'd probably say, "Hello, girls" because I wouldn't be here.
- ConnessioniFollowed by Whistling in Brooklyn (1943)
- Colonne sonore(I Wish I Was in) Dixie's Land
(1860) (uncredited)
Music by Daniel Decatur Emmett
Whistled by a parrot and by Red Skelton
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Dettagli
Botteghino
- Budget
- 388.000 USD (previsto)
- Tempo di esecuzione
- 1h 14min(74 min)
- Colore
- Proporzioni
- 1.37 : 1
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